Tag: brian jocks

I live in Los Angeles, the epicenter of self-defining artists. And, like most people in this city, I consider myself an artist. However, unlike most people living in Los Angeles — I believe we’re all artists in some form or another. I’m in constant awe of the way people create, perform, produce, and refine their skills. I see this in the visual arts, parenting, writing, cooking, teaching, care-taking, and most avenues of life.

In LA, I’m constantly bombarded with things that take me away from my ability to create — the time in traffic, the busyness of a day’s work, the notifications on my phone, the amount of people. Because of this, I try to hike a couple times a week. Hiking seems to be an activity where I process through things in my life — often to the point of talking aloud as strangers walk by me curious about my babbling. More often than not, it’s reworking a conversation and my place in it, sometimes it’s prayer, and other times it’s just a subconscious dialogue I’d yet to consider. This personal jukebox seems to flow most easily in a natural setting; the safety of nature guides me into letting it all out. This sense of safety is not only ingrained in our genetics but is also evident in our psychological interaction with uniting our bodies with the earth.

“We’ve learned over hundreds of thousands of years, that when the birds are singing, we’re safe. It’s only if they suddenly stop that you get a really bad feeling.” Julian Treasure of The Sound Agency via In Pursuit of Silence

While hiking the other day, I unknowingly lifted my right hand to the left side of my face, holding it ever so tenderly, like a lost lover would. I stopped, closed my eyes, and began to weep. After a few seconds of embracing this deep grief, I finally gathered myself enough to keep walking, continuing to cup my own face as if I wasn’t alone, as if I was someone’s beloved, as if she was with me. And, as these moments turn out, I was indeed alone, on a trail, walking by strangers as I held my own face. And just how many times have I found myself grazing my own hand, twisting my own rings, comforting myself? More often than I’d like to admit, but less often than I’d like to feel. 

This alienated agony we all face reminds me of the bottomlessness of my need to belong. A human need that we all know so well. That the depth of my longing is quite simply a part of my being, a part of how I was created, a part of my insatiable thirst for finally feeling home.

“…The normal way never leads home.” John O’Donohue

I’ve often considered one of the few certainties of our lives (as if there were any actual certainties in life) to be found in our relationships. Because, let’s face it, this woundedness demands a sense of tangible security. A security that no human ought to be made responsible to carry for us — both because it is beyond human possibility, and as we well know — the pain never dissipates. The cracks never fill. Belonging feels momentary. Home is never really found. It is eased, comforted, soothed — but it is the precisely the agony of these stirrings that call us to our work. And that is the artist’s response. That is the response of the creative that leans into her image as being made in the image of her creator. That is the moment where we become the artist and create our work. The work so deeply intertwined with eternity — the work that meets the infiniteness of our fellow humans because it comes from the infinite broken-heartedness of our own being.

“We all have wounds. We all are in so much pain. It’s precisely this feeling of loneliness that lurks behind all our successes, that feeling of uselessness that hides under all the praise, that feeling of meaninglessness even when people say we are fantastic—1that is what makes us sometimes grab onto people and expect from them an affection and love they cannot give.” — Henri Nouwen

Our hearts are bottomless pits that no human can fill. But, that is a gift. A gift that must be poured out in the creative work. A gift that requires constant courage and vulnerability of the self. The artist points to eternity because she creates from an eternal emptiness, woundedness, and ache.

These are the things that keep the artist alive. Tenderness. Intimacy. Love. Connection. Community. There are certainly times a friend’s touch can reignite us. There are moments a companion’s gaze can reinvigorate us. And there are seconds our own hand on our face might remind us that we do indeed belong, if only to ourselves. These are the moments that must be recalled time and time again so that we might stay afloat and keep creating.