Opening Unto Mystery | A Conversation with Dr. Elyse Ambrose

TRANSCRIPT:

Dr Elyse Ambrose: I start to think of mysticism as an openness to mystery, not as something that I go and do or that one goes and does and sort of sets the scene for that sort of openness per se, but I see it more like as an orientation to life. 

Cassidy Hall: Welcome to Contemplating Now, a podcast about the intersection of contemplation and social justice. Through interviews with scholars, mystics, and activists, this podcast will focus on contemplative spirituality’s direct relationship with issues of social justice. I’m your host, Cassidy Hall, a filmmaker, podcaster, pastor, and student, and I’m here to learn with you. 

Dr. Elyse Ambrose, PhD (they/them) is a blackqueer ethicist, creative and educator whose research, art and community practice lie at the intersections of race, sexuality, gender, and spirituality. Ambrose’s forthcoming book A Living Archive: Embodying a Blackqueer Ethics (T&T Clark, Enquiries in Embodiment, Sexuality, and Social Ethics series), centers blackqueerness and constructing communal based sexual ethics. Ambrose currently serves as visiting assistant professor of ethical leadership and society at Meadville Lombard Theological School as a Louisville Institute Postdoctoral Fellow. You can find out more about them at elyseambrose.com. 

Well Elyse, thank you so much for joining me today. 

Dr Elyse Ambrose: It is my pleasure to be with you. 

Cassidy Hall: So one of the ways I love beginning the conversation is asking how you define the words contemplation, and mysticism. 

Dr Elyse Ambrose: Mm hmm. Yeah, I appreciate the framing of the questions in terms of seeking definitions, because I think that it’s interesting to be in conversation with people, and then at some point in the conversation, discover that you’re working with different definitions of everything. And maybe that’s partly why, from time to time, we’re not able to see eye to eye about particular things. But you gave me an opportunity to really think about how I see these words, and I thank you for that invitation. 

So I start to think of mysticism as an openness to mystery. And I see that not as something that I go and do, or that one goes and does and sort of sets the scene for that sort of openness per se, but I see it more like as an orientation to life, knowing that we’re going to be encountering mystery, what is the orientation that I have to mystery? And how am I willing to be changed by what I encounter in the mystery? I think those are the questions of mysticism. And that’s where they leave me. And then when I think of contemplation or contemplative processes, I think I experience a pause because so much of how I encounter contemplation is not solely in my mind. And sort of, I think usually when I hear the word contemplation or contemplative, it has to do with reflection, and it’s pretty much framed as a rational process. But I think of contemplation in terms of like, listening with one’s whole self. And so that’s attunement through the body, attunement through previous experiences, and being able to integrate all of that within the realm of mysticism. So it’s being willing to go where the listening leads. I guess, the way that I frame both of these is kind of scary, but it’s also illuminating and exciting. And I think there’s a quote that goes, there’s treasure in the pathless woods.* And it makes me just think about yeah, like when you’re in that unknown depth, there’s a great deal of treasure to be found in those places if we are brave enough to go there. 

*(Lord Byron, Childe Harold’s Pilgrimage)

Cassidy Hall: Yeah… I mean, first of all defining mysticism with questions seems incredibly appropriate to me. And then similarly with contemplation, you talked about the sense of integration and going where the listening leads. So like also like this openness, both as this openness. How would you say you see mysticism and contemplation lived out in the world today? I know that’s kind of hard because I mean, I think, you know, based on your definitions the mystical can be in the seemingly mundane, everyday moments as well as the seemingly profound. 

Dr Elyse Ambrose: Yeah, I appreciate you pointing to the everyday-ness of mysticism and really, the profundity of the mundane. Womanist Ethicist, Emilie Townes, talks about the everyday-ness, and thinks of it as a resource of thinking ethics. So yeah, I think that everyday-ness ought to be a part of our conceptualizations of the ultimate because it makes me think of an earlier time in my faith journeying where — and I think a lot of people experience this, but I feel like I was always looking for that profound moment, that time when a prophet will come and speak a word, or when some sort of vision would take place or some enrapturing moments or something like that. And I was constantly seeking that, to know that the divine was present. And I think my faith really took a turning point, when I leaned into the everyday-ness of the divine and that it’s not just those super meta moments, but that it is in necessarily must be in the every day, and that I ought to take it as just true. Whether I feel it or not, whether there’s this amazing thing happening, whether there’s the heavens have parted for me or not, just this willingness to believe what it is that I say I believe and to just live into that as true and allow anything to speak to me, in terms of how I — and that’s what I’m signaling towards in the openness. Like being able to look at a pattern in snow and receive some message from nature or to listen to a conversation between people, maybe eavesdrop on a conversation, and learn something about myself in the process. And just to be open to the many ways that I would say not only God or the divine, but that all that is speaking to me and reaching out to me, and I’m reaching out to it. And it’s a very beautiful, organic and reciprocal relationship that we can be in, if I’m aware of it. 

Cassidy Hall: Yeah, one thing I love that you’re touching into that, that I’m going to try to figure out how to ask is this pairing of bringing our most full authentic self to the openness or the listening or the wonder or the questions even. I think my question is, do you think we can really have those moments maybe of whether we want to call them mysticism, or transcendence or authenticity, or even a sense of self liberation if we aren’t bringing our full, authentic self, because you also talked about, you know, when you allowed your faith to be what your faith is? So I’m wondering about that authenticity of self, the importance of that. 

Dr Elyse Ambrose: Yeah. I’m really inspired by this quote of, and maybe it’s a paraphrase, but I feel like I’ve picked it up in engaged Buddhism sort of circles, but this idea that healed people, heal communities. Healed people, heal communities. And I feel like I was speaking with someone recently about how we have lots of thoughts around like, what social healing might look like in terms of like reconciliation or repentance, even forgiveness and all of these things about what these processes might look like or calling out or calling in etc. it occurs to me that if we, and I learned this in these communities of Buddhism, like if I’m not willing to sit on the mat and face myself, my shadows, when we’re talking about authentic self, we’re not just talking about that good. Yes I am beloved, I am a kind and compassionate person. Yes, yes. And also there are shadows. And that’s authentic to me. And I think the sooner I can be truthful with myself about that part of me, I can see it in other people and not be jarred and not be totally self-righteous, and be like, Oh, I can’t believe they’re that way, it’s sort of like can we look in the mirror and not turn away from what we see. And if we’re able to do that, and be authentic in that, and say this is where I am, then we can do for other people too, and be able to create a community where that sort of imperfection or that proneness to mistaken-ness, or that proneness to even hurting people, not harming but hurting people, can be a part of what makes our communities and our settings what they are. They are messy places, they are places where transformation is taking place. So if there’s transformation in me, transformation in you, we’re bound to clash every now and then, and even be transformed by what we mirror in one another. And I think that that’s a really beautiful invitation that we can offer one another, and we can see it in our everyday lives. Again, if we are open to the mystery of what happens when we see ourselves and when we see another person. And that’s hard. Because I think our structures do not lend themselves to truth. And I hope that, you know, we don’t get too caught up on the word truth or what is truth? But I do know a little bit about truth, in that I know the truth of myself, I know the truth that is revealed to me in this particular time and space, and I am invited to live into that truth. But I feel like our maybe obsession with appearances of appearing righteous, of appearing to have the right answers, of appearing to be justice-oriented and liberation-seeking, is really a hindrance to our actually becoming those people. 

I think about with my students sometimes it’s not hard to come across the right answer in this time in our world. We have Google, we have blogs, so many ways that we can come across the right answer of how to engage a person who inhabits difference, or a person who’s experiencing marginalization. We have the right answers of how to do that. But I often wonder sometimes, if when you’re giving me the right answer has the truth of that taken residence in you. And something takes residence in you typically, through a not easy path, is I guess the simplest way I can put it. So I think living into — I might say the wrong thing, I might appear to be racist, I may appear to be transphobic, being okay with that and then when that person calls you out, or calls you in, or when you reflect on your yourself in that moment and say, wow, that was racist of me or that was transphobic of me or that was classist of me, what have you. Then that’s when the transformation is able to take place. Because I don’t know maybe there’s something to confession and repentance and then going another way, like being able to face the thing and be transformed by face truth and be transformed by it. But we’re afraid of truth and therefore short circuit, the process of being transformed in the interest of preserving our comfort. 

Cassidy Hall: That was wonderful. And I’m led to thinking too about how, you know, in our world of like quick-fixes and easy-outs, how much of this transformation requires staying, requires being like you’re, you know, you’re talking about this discomfort, like sticking in that discomfort, being uncomfortable and not just being corrected and then moving on, but being corrected and staying, and being corrected and really deepening those connections no matter how uncomfortable. And I love the clarification between hurt and harm. Can you unpack that a little more? Because, you know, I think it’s so important to name that when there’s harm of course it makes sense to maybe to go; when there’s hurts maybe we need to stick with it and move through it together?

Dr Elyse Ambrose: I don’t want to put it full blanket on that, but I think that that sounds like a great way of creating that distinction. But if I could add to the brilliance there, I have really been taken by this metaphor that I learned, it feels like years ago, of what happens when there is tension. At the encounter with tension, there’s sort of two ways to go and pardon the binary, but let’s go with it for just for the sake of this conversation. It’s we can go in the direction of creative tension or destructive tension. In the course of a conversation, in the course of sitting with one another, I think we gain a sense of, is this going creative or is this going destructive, particularly for the person harmed or the person who’s experiencing some sort of pain, I should say. For the person who’s experiencing pain is this leading in the direction of creative or is this leading in the direction of destructive, right now. Maybe in time, that idea can change. But in the moment, if it’s leading in creative, I think we can say that perhaps there is a hurt that’s taking place and we can think creatively about how to address it, how to redress it. And then if we’re going in the direction of destructive, then perhaps there’s a harm and a need to create a boundary that can help in the process of healing for that particular person, or of that relationship, or maybe not, I don’t know, but I want to lean maybe to thinking about like creativity versus destruction in the encounter with tension. And that takes attentiveness, attunement, maybe a mediator, you know, maybe there’s something about intention there too. I know that intention and impact, intention in the face of impact doesn’t have as much weight but I think there’s something about a person who’s willfully raucous, rambunctious and unwilling to see the ways that they may be creating unjust situations for other people; that feels harmful too. I’d be willing to see what people think about those sorts of distinctions. 

Cassidy Hall: Yeah, I think, you know, the distinction between the things that are creative and the things that are destructive, the power of creativity, also kind of puts us in that sense of wonder and questions. And also, you know, the communal aspect of that, it makes us co-creators, it makes us more bound to each other in the ways that we’re like innovating and imagining and thinking beyond, it’s kind of an invitation. 

Dr Elyse Ambrose: I think that’s a powerful way to think about it. Because creativity carries with it circling back. Like, we don’t know what’s going to happen in this creative encounter in terms of mystery. And so, what does it take, I wonder, to bring oneself to a creative moment? And to be willing to engage that process with someone or someone’s and to choose to go creative, rather than destructive? I think that seems like a really big question and it’s actually making me feel a bit a bit full and emotional, maybe because it’s hard, and not just hard, like, you know, first we have to do this and we have to do this and we have to do that, like hard in terms of like number of steps, but more like hard because trauma is real and hurt, harm, pain, and suffering are all real and they inform how we are willing or unwilling to come to one another and be vulnerable. And so much of creativity is vulnerability, and it’s like there is no way to be like maybe we can cut out this part and still get to the amazing, creative outcome that might be awaiting us. There is no cutting the vulnerability, there is no cutting the tension, just erasing that part of the process. And so it really pushes me to think how important it is to be in community and for lack of a better term invest oneself in community making, and to make that investment with the knowledge that I’m going to encounter humans that are going to rub against me in some ways that I’m not going to like. And am I willing to, to listen to my own humanity that yearns for connection? And to take the thorn with the rose as it relates to connection and what that means to be in community with others? Yeah, maybe thinking about what does it take to invest oneself in that process? That must be — it’s a doozy. 

Cassidy Hall: Yeah, the way the creative-destructive tension lives in all our relationships, and all of our interactions, it’s just really, really profound. And in a way to be creative without discounting, things like the trauma, the triggering, the real disruption in one’s life, that that can really disable us and put us in fight or freeze or etc. 

Dr Elyse Ambrose: Mm hmm. And I think I love the insight that you’re providing, because it makes us think of creativity as sort of a spectrum. So maybe we’re not ready to go full-fledged from day one. But we can move at the speed of trust, as I’ve heard in community, and be able to invest in the creativity, and that’s a process and to approach creativity in a way of like, I love the idea that every encounter is an opportunity to choose, creativity or destruction. And then when we in turn, in terms of creativity, if we want to orient ourselves in that way to the world, where on the spectrum do we want to enter? And how can that sort of openness and intention, and willingness to be building as well as tearing down if necessary, and rebuilding; how much we’re able to do each of those things, given where we are and where the other person is, meeting them at a place where they are and being able to do that building together. And again, that takes community, that takes trust. And when I say community, I don’t mean just proximity as in like, oh, we’re in community because we go to the same place or we’re in community because we live in the same neighborhood, but like community that has accountability, community that has shared values around responsibility, and growth, and mistakes, and returning to the table again, and again. That sort of community I think can lead us in some creative, beautiful, ugly places that are ultimately for our good

Cassidy Hall: Yeah, yeah. Especially when I’m willing to sit through the ugly, yeah, and stay the same. So going back to this, you know, you named mysticism as an openness to mystery, as an orientation to life and added all these questions about how am I willing to be changed and you named contemplation as a listening with one’s full self, attunement to our bodies, which was so important, so powerful to remember the embodiment of contemplation and that integration. Do you find either of those things in your own life in your work as a blackqueer ethicist, educator and creative? 

Dr Elyse Ambrose: Definitely, I feel like I have to have that orientation, those orientations in all of those in all of those parts of myself. I’ll take, you know, education, for an example. Students are coming to the learning moment with so many experiences prior to entering my classroom, our classroom. And I’m coming with a lot of experiences prior to entering our classroom together. And I’ve learned from my mentors, I guess, again to this point of like, right answers versus transformation. I think that for some people, it’s really easy to be a good student. And I heard this actually, at a religious Educators Conference recently easy to be a good student, that is somebody who can process information in a way that’s much like what I said, or process information in a way that’s clear and cohesive, rather Western and get an A for it. That’s a good student, quote-unquote, good student, but the person who’s going to be transformed in the space, I mean, that’s not measurable. And it may not show up as evidence for years. So as a teacher, as an educator, as someone who’s trying to invite students to see education as a practice of their own freedom, as a way of getting free and inviting others to be free. Like, as I’m inviting them to that I cannot be consumed with outcomes, and wanting to see what I want to see in a student to say that okay, this, the student has done well in this course. I have to be open to the process that they are in and create a culture in the classroom that says we are open to one another’s processes. And yes, we will disagree, from time to time. Yes, we will encounter a reading and want to throw it across the room, what have you, that’s fine, let’s do that. And let’s be open to what can happen in the process. And sort of my openness means that if a student says something I don’t agree with, very frankly, if a student says something I don’t agree with, maybe my reaction isn’t to jump on them. And… cause them to retract from the entire learning experience. I have to have an openness to their journey, as well as to what I can be learning in the moment. As the as the educator in the space––thinking about the word educate, like to pull forth, what is being pulled forth for me in this moment and how can I add it to the space and invite them to add what they’re feeling into the space in a way that can help us all to think differently about something. That’s my goal. Let’s think differently about something and in our thinking differently about it, and really sitting with it and allowing it to take residence, and that’s when sort of transformation can take place. And again, that’s long term. That’s a long investment. But, you know, we do our best, as I say, in my syllabus, we do our best and grace will abound.

And then in terms of my blackqueerness, the two that I hold together, I make that all one word, black queer, because both of those identities, which are also a politics, a way of relating to the world, speak to me of liminality, of making a way out of no way, of returning to the table to rebuild as frequently as I need to, of recognizing my interconnectedness and the community that makes me, and I am because we are. All of that is integrated in the blackqueerness. And it allows me to be open to the mystery of me. And that manifests in my art the Photo-Sonic work, it manifests in how when I collaborate with an artistic subject to bring forth some sort of art piece, it’s about when my mystery meets your mystery, what can we create that might speak something to a public in a way that is generative? Yeah, I feel like if I can’t be and become this being who is invested in expansion, then I guess I’m just going fold in on myself and implode and I really don’t prefer that for myself in this lifetime. I feel like, at least for myself, and I wouldn’t put this on anyone else but the invitation that I feel myself receiving in this lifetime, in this time and space is just expansion and abundance and more and not in that greedy sort of way, but in the way of like, there’s so much more to encounter. There’s so much more to know about what’s without and what’s within and won’t you journey with your ancestors and spirit and your community to discover that? 

Cassidy Hall: Yeah, when my mystery meets your mystery, I love that phrase. And you know that a lot of this conversation is revolved around this notion of creativity. And you name the intersections of your work as race, sexuality, gender, and spirituality. You know, I’m realizing maybe the common language of all those things, comes down to creativity, comes down to when my mystery meets your mystery. And also accessible language, because of the ways maybe, you know, the intersections of your work aren’t always the intersections for every person. Yet, as we find and meet each other, when our mysteries meet each other it requires creativity and agility, to have those hard conversation, have that staying power. And I think where I’m going with this is, how would you relate your understanding of creativity and your work creatively, would you say that, that in and of itself is spiritual? 

Dr Elyse Ambrose: Yeah, it is that necessarily. And maybe I want to — when I’m thinking of the word spiritual, I want to say that I’m thinking of animation, not like a cartoon, but like that which animates. And so that’s automatically a material project as well and concerns all that is. Spirituality and creativity, I mean, they’re kind of like, we’ll call them bosom buddies, in a lot of ways. Because they interdepend, you know, creativity animates and moves like the Spirit, it blows wherever it wishes. And then and then spirituality must, or Spirit necessarily creates and is creative in its orientation to the world. And so it’s like, I really can’t think of one without the other. And I think that thinking of them together, helps to bring out the artist in me, and perhaps helps us all to see the ways that we are able to be creative people, that there is a propensity that many people have, particularly people who are like Type A to say like, I’m not creative, and it’s like a creative doesn’t only look like what you see among the pilfered items in a museum, or the sort of Western Art History that tells us what creative looks like. I feel like when I’m when I’m creating a meal, or when I’m thinking about how can I be more attentive to partners, or how can I in this very moment, I see this student struggling, how can I engage. I feel like that’s a creative process but it also takes that interconnected-ness that Spirit affords us because it’s and through me, and in and through you. And we’re able to inter connect in that way that we can respond to one another, respond to one another in a way that gets us somewhere. 

Cassidy Hall: Amen. Amen. I want to thank you so much. The things we touched on today were just really, really powerful and important. And I’m just so grateful for your time and your work in the world. So thank you.

Dr Elyse Ambrose: I thank you so much for the invitation and the opportunity to be creating with you. Yeah, thank you.

[OUTRO] 

Cassidy Hall: Thanks for listening to today’s episode of Contemplating Now to support this work and get sneak peeks of new episodes. join me over at patreon dot com slash Cassidy Hall. This podcast is created and edited by Me, Cassidy Hall. Today’s episode features the song Trapezoid, instrumental by Emily Sankofa, which she has generously allowed us to use. Please find this song and more from Emily Sankofa on your favorite streaming platform or by visiting E Dash s-a-n-k-o-f-a dot com. The podcast has created in partnership with the Christian Century, a progressive ecumenical magazine based in Chicago. The podcast is also created in partnership with enfleshed, an organization focused on spiritual nourishment for collective liberation. For liturgical Resource Is and Tools head over to enfleshed dot com.

Fresh Courage: A Conversation with Dr. Lerita Coleman Brown

Dr. Lerita Coleman Brown has retired as Distinguished Professor Emerita of Psychology at Agnes Scott College in Decatur, GA. Now, in addition to her academic work, she has pursued a life in ministry, becoming a spiritual director and leading workshops and  prayer groups promoting contemplative spiritual practices and the life and work of Howard Thurman. More than 25 years ago, she underwent a heart transplant, which led to her strong advocacy for organ and tissue donation and the contemplative practices of stillness and living in the present moment. “I consider each day to be a walk of faith and hope,” she says. 

Dr. Coleman Brown has contributed essays to Embodied Spirits: Spiritual Directors of Color Tell their Stories and Living into God’s Dream: Dismantling Racism in America. She completed the Spiritual Guidance Program at the Shalem Institute for Spiritual Formation in 2008. Her book When the Heart Speaks, Listen—Discovering Inner Wisdom tells the story of her heart transplant. 

In this episode, she and I talk about our need of being more expansive with definitions of contemplation and mysticism. “Mysticism is just one of those kinds of things that happens,” she says. “I hope that we will abandon this idea that mysticism only happens to special people.”

Transcript:

Dr. Lerita Coleman Brown: Are you willing to answer your call, regardless of what it might cost in order to then be able to move all of us closer towards the Oneness?

Cassidy Hall: Welcome to Contemplating Now, a podcast about the intersection of contemplation and social justice. Through interviews with scholars, mystics, and activists, this podcast will focus on contemplative spirituality’s direct relationship with issues of social justice. I’m your host, Cassidy Hall, a filmmaker, podcaster, pastor, and student, and I’m here to learn with you. 

Dr. Lerita Coleman Brown is a distinguished Professor Emerita of Psychology at Agnes Scott College in Decatur, Georgia. She studied Psychology as an undergraduate at the University of California Santa Cruz and received her PhD in social psychology from Harvard University. Some of her publications include Praying Without Ceasing, Basking in the Loving Presence of God, and she’s also published in the edited book, Embodied Spirits: Spiritual Directors of Color Tell Their Stories. In 2008, she completed the Spiritual Guidance Program at the Shalom Institute for Spiritual Formation. She’s a Howard Thurman devotee and serves as a spiritual companion, director, writer, retreat leader and speaker. Her first full-length book, When the Heart Speaks, Listen: Discovering Inner Wisdom, was released in January of 2019, which tells the story of her heart transplant and the dialogue within. 

CASSIDY HALL: Well Lerita, thank you so much for joining me today. It’s so great to see you. 

DR. LERITA COLEMAN BROWN: Well, thank you. I always love talking to you Cassidy and I’m just delighted that you invited me to be a part of your podcast.

CASSIDY HALL: So one of the ways we like to begin is to begin kind of orienting ourselves around you and your experience. So how do you define “contemplation”? And how do you define “mysticism”?

DR. LERITA COLEMAN BROWN: I’ve studied contemplation in so many different contexts. But certainly, within training for becoming a spiritual director, I find that my sense of it now is that contemplation is really about trying to find ways to live in the presence of God. And oftentimes, I define it in terms of: what is a contemplative. What kind of person is that? And usually, it is a person who is wanting to be aware of the presence of God all the time, but also knows that there are certain kinds of practices that they can engage in that will lead them to perhaps having that awareness more frequently. So taking time for silence, taking time for solitude, getting away from time to time, and then being outside, for me, at least, is sort of the three S’s. The stillness that you find often when you are anywhere in nature, it just seems to be like a vibrating energy kind of thing. And it reminds me quite a bit of a being in the presence of God. But I think that it’s really doing things, talking about things that intentionally, in some ways, lead us to that place where we are feeling or being aware of the presence of God. 

Mysticism to me is something totally different. And I think people have mystical experiences all the time. But somehow or other, we tend to think about mysticism as something sort of mysterious and oftentimes there are people who, in some ways have negative views. They think of voodoo or something that is part of the occult, or bringing up spirits, etc. And I certainly, just in learning the word early on, had that sort of scary feeling, even though I was brought up in Catholic school and going to Catholic and not hearing anything about mysticism or mystics in the time in which I was a Roman Catholic. But mysticism is just one of those kinds of things that happens. And I think in my study of Howard Thurman, he’s helped me to sort of clarify it and have a little bit more concise sense of it, but it’s having a direct experience with God. So you could be praying, you could be singing, you could be outside, but all of a sudden, you have this experience of I call it oneness of unity. And so people have talked about it in different ways. Abraham Maslow in Psychology talks about peak experiences. I think he’s talking about a mystical experience. Jerry May, Gerald May, he calls it a unitive experience. And even Howard Thurman called it a religious experience. He was sort of saying, look, I think it’s just a religious experience. If you all want to call it a mystical experience, fine, but it’s really having sort of this breakthrough of whatever it is that keeps us from being at one with God all the time. It just happens. And I’ve had those experiences since as a young child, I didn’t know what it was. I remember once telling somebody that I felt the sun, the moon, and the trees all at once, and they were like, girl you’re crazy. But that’s what it felt like to me as a child. I think we need to be a little bit more expansive about our definitions of what that is.  I think in the past, it’s been kind of restricted to people having visions and stigmata or the soul, touching the God, all of that. I would just want to sort of cut through that and say, my definition of mysticism is very different.

CASSIDY HALL: That is beautiful. Yeah. And it strikes me that even my wrong perceptions of this idea that being a contemplative might make us more prone to having the mystical experience is still limiting, that’s limiting of mysticism and of what the mystical experience can be and who gets it. Because that’s not, that’s not up to us. And it shows up when it shows up.

DR. LERITA COLEMAN BROWN: Yes. And somehow or other, as we sort of trace the evolution of mysticism, it seems as if what people used to be talking about as mysticism is now really spirituality. Like there’s this just kind of natural progression, and that in some cases, people might call it a transcendent experience. And then it’s not something that is restricted to a small group of people living in a cloistered community, and it has happened as a result of that they are praying or that they were singled out, but that children had mystical experiences. And certainly, Howard Thurman was also one of those children. I think it’s more common than it is uncommon that these transcendent experiences happen and we don’t quite know how to explain it, except for that it was really nice, and we wish we could go back, but we can’t make it happen again.

CASSIDY HALL: Yeah, and also along with your definition of contemplation as solitude, silence and stillness, mysticism and a mystical encounter can happen in the middle of chaos. It can happen in the middle of a crowd, it can happen, like you’re saying, for a child at school.

DR. LERITA COLEMAN BROWN: Right. Or maybe they’re out somewhere at the ocean, or I mean, it could be anywhere, and you’re not trying to make it happen, you can’t make it happen. It’s just one of those things that happens to you. I would count two visions, that I know people have had dreams. I have a couple of friends who have dreams. And it’s like the divine has broken through and said, look, I want to tell you something, and it comes out in the dream. So I would hope that we will abandon this idea that mysticism happens only to special people, or only special people are mystics, etc. And that it’s some special club that only a few people get invited to. But I think once you understand what it is and you are not afraid, and that you allow those mystical experiences to happen when they do, it’s such a lovely guide in some ways. It’s like, oh well, thank you for the visit.

CASSIDY HALL: So many things in there I want to unpack but I’ll try to stay on track. So Thurman speaks a lot to things like the sound of the genuine within and also speaks to the inward sanctuary. First of all, what do you think he means by these kinds of things, tending to the inward sanctuary or listening for the sound of the genuine within? And how can we take this advice to tend to those things in the context of today’s social justice movements which take so much attention, time and energy?

DR. LERITA COLEMAN BROWN: Well, in some ways, I think Thurman would probably say, you need to tend to your inward sanctuary before you get out there. You need to do some, I might call it house cleaning, so that you understand what you’re doing and why you’re doing it. Particularly in his book, Jesus and the Disinherited, partly what he’s doing is saying to the disinherited, ‘it’s so important for you to protect your inward sanctuary because people are always going to be extending these or communicating these attributions about you that are just not true.’ And I think what happened with Thurman is that ––and I’ve had this experience myself, which is that you hit someplace within you and you realize, oh, this is who I am. And when people come at you with something else, you’re just like, looking at them, like, are you talking to me? Come into some knowledge, coming into some understanding of who you are inside. Who you are as God created you? Do you really believe your Holy Child of God? All of that. But you do have to protect them because they are going to be people that are going to come at you with attacks. I would add, that we also must begin to listen for what our call is in God’s plan to restore the beloved creation. And I emphasize creation, you know a lot of times people say community, but I emphasize creation. Both because Thurman believed it was all including the animals and the plants and the environment and the air, all of that was part of God’s beloved creation. You know, there’s this beautiful psychological stuff going on here, which is like who’s in control of you. So I think that has to get cleared up so that you can hear what is your role. Sometimes I think people associate social action with protests in the streets. But as we know, with every movement, every transformation, there are people in many roles. In the civil rights movement, there are people cooking, there were people taking care of children, there are people writing articles, there were lawyers behind the scenes to bail people out and to file legal motions. Howard Thurman was really great on what I call inner authority. He knew what he was supposed to be doing. He was not supposed to be Martin Luther King, Jr. He was supposed to be Howard Thurman. And so I often describe him as the Spiritual Director of the Civil Rights Movement. That was his role. I think it’s really important to do this, like I said, examining. Examining your inward sanctuary, your inward center, and to begin to be able to distinguish what it is that is truly you, what is genuine. And what it is, it’s somebody else’s issue that they are projecting onto you. Or they’re trying to cajole you into doing something that they want you to do.

CASSIDY HALL: Yeah, you know, my own experience of navigating the genuine within, navigating the inward sanctuary, and the ways this kind of connects to our conversation about mysticism, in that, in my experience, the genuine is often tethered to also that understanding of oneness. So it’s almost like a mystical experience when I actually am revealed of who I am and what I am.

DR. LERITA COLEMAN BROWN: Well, I think anytime that you say “yes,” to God, you know what I mean? That you actually are happy, that experience of oneness. It’s like, oh! And I think the difficulty for most people is, we live in such an individualistic culture, which is part of the mystical experience is to lose yourself, but your independent, autonomous self. But at the same time, I think that that sense of unity, that sense of connection is very familiar to our spirits. Even though we may be fighting it at some point. But I think it’s really difficult for people to just surrender and say, okay, I’m going to stop trying to figure it out. I’m going to stop trying to plan and I’m just going to try to move through my life, guided by the Spirit. That’s just like, real hard for a lot of people. I think for me, as I told many people that when I had a heart transplant about 26 years ago, more than 26 years ago, I got thrown into the deep end of the trust-surrender pool. And so in many ways, the pandemic, I don’t think was as traumatic for me. And so I could stay grounded, because I had done this. I had been in quarantine, I had awakened many days where I had no idea what was going to happen that day. Was I going to to be in the hospital, was I going to be at home, was I going to have to get some special medication, was I in rejection,  was I not. So it was like familiar territory to me. But I had been through it. So I knew that there was another side, by continuing to use the guidance that I learned when I had to go through that trauma helped me to then be one of those people who could stay grounded for other people, that just weren’t used to so much turbulence.

CASSIDY HALL: In a lecture on mysticism and social action, which you informed me was originally titled mysticism and social change, Thurman spoke a lot about the autonomy of the self, which is interesting in the context of this navigating, being in an individualistic society, alongside these things we’re discussing. And in that he writes, or he said, “the call to social action must never be an end in itself, but rather, a means by which the individual sufferer can get access to his own altar.” So my question is, what do you think he meant by that?

DR. LERITA COLEMAN BROWN: When he talks about the autonomy of the self, I think what he’s talking about is not being a conformist in the sense of going along with everybody else, just because everybody else is doing it. So you may be with a group of people who kind of talk about taking social action, but you might also be hesitant, if you think that people are going to think about you in a certain way. They might reject you, they might not be friends with you anymore, if you step out of sort of the party line, whether that be what your church’s theology is, or you know, take a stand on a particular political or social issue. So I think in part, what he’s saying is that you can’t really get to — he’s got this idea that there is an altar within all of us, sort of where God resides. And it’s really hard to get to that place if you don’t have the courage, if you don’t have the strength to do what you’re called to do. And so many people sometimes hesitate, because again, it might upset the total applecart of their life. Where they stand, their reputation, their economic situation, all those kinds of things. And so it’s really tough to be able to step out of that and say, “look, this is wrong.” So I mean, it’s like, where are those people who, particularly during Thurman’s time, were willing to step up and say, segregation in churches is wrong? This whole system is wrong. Because there was a lot of punishment for anybody who stepped out of that. But he’s saying you’re not going to get to that union with God unless you’re willing to answer the call. And in that way, you’re being an autonomous self. You’re sort of stepping out of the groupthink, if you will, deciding that you’re going to walk a different path. At least that’s been my sense of what he’s trying to say in those remarks. Because he says the call to social action must never be an end in itself. It’s always about: are you willing to answer your call, regardless of what it might cost you in order to then be able to move all of us closer towards the oneness.

CASSIDY HALL: Yeah, that’s a big call, the Spirit. That is the call of the Spirit. I love that you kind of informally named Thurman as the Spiritual Director of the Civil Rights Movement. And I wonder if you could speak a little bit to Thurman’s relationship to that movement and how you see that role unfolding for him.

DR. LERITA COLEMAN BROWN: So Thurman had a number of, I call them holy coincidences or sacred synchronicity, divine intervention, whatever things you want to call it, in his life. Because I think he did accept that call and he kept going with the spirit wherever it was taking him, sometimes reluctantly. And so, in 19, probably around 34-ish [1934], he was asked to lead a pilgrimage to India. Initially, he was not particularly interested in going, because he certainly did not want to be evangelizing for Christianity. He was very ambivalent about traditional Christianity, because it’s like, sort of why am I promoting a religion that won’t even allow me to sit next to another Christian in a church? And why hasn’t this religion addressed some of these basic social issues? I mean, we could get into a whole discussion about when Christianity got co-opted for the state or whatever, but that’s beside the point, we’re just dealing with the reality of it. And initially, they didn’t want to invite his wife, Sue Bailey Thurman, who was just an amazing woman in and of herself. And he was being invited by a group that was pretty much similar to the YMCA in the United States. But the sort of, you know, in India, and this guy Ralla Ram really wanted him to come, he wanted some darker skin people to come and sort of represent Christianity. Because at the time the people in that area of the world were not interested in converting to the colonizers religion. So he thought, well, maybe if they see some people that look kind of like us, they might change their minds. It ended up that he finally, and I should say, prior to, many years earlier, Thurman actually participated in the YMCA when he was in high school because they had a lot of programs for the uplifting of young colored boys or men, kind of thing. And there was some ambivalence by many people that were participating in that because they wanted to have segregated branches for YMCA. So we sort of run into these issues everywhere, but nonetheless, so in the Fall of 1935, he and Sue Bailey Thurman, Edward and Phenola Carroll boarded the ship to South Asia, Burma, Simon, all of these different countries and they actually spent six months giving talks about a variety of issues, not necessarily focused on Christianity. But sort of American Negroes and education, and Sue Bailey Thurman gave lectures on Negro women, because these are the terms that they were using at that time. They also, he also had a chance to meet Tagore, the Indian poet. He spent a little time with him, but they really wanted to meet Gandhi. And so they had some difficulties. I think, initially, Gandhi was sick, and then they were sick, and about maybe a week or two before they were to leave to come back the United States, Thurman was on his way to the post office to send a telegram and he saw this guy with a Gandhi cap on, and they kind of looked at each other and then turned around. He had come to bring a telegram from Gandhi. Nonetheless, they got a chance to meet and they met for three hours and had a long conversation. There’s a lovely book called Visions of a New World, Howard Thurman’s Pilgrimage to India. And so what we now understand, which I never knew for many years is that it was really Thurman who brought the ideas of non-violence and civil disobedience from Gandhi to the United States. And Gandhi even said, after that three hour meeting, that he thought it was probably going to be through the American Negro that this message of non-violence and civil disobedience would be brought to the world. Thurman came back with this idea. And I think he incorporated some of that in Jesus and the Disinherited, which actually became the blueprint for the civil rights movement in some ways. That is the inspiration. So there were so many people that were later leaders in that, that basically read that book and got excited. So Martin Luther King, Jr. was one of them, James Lawson was one of them, Jesse Jackson was one of them. There were lots of people who were inspired by that. But Thurman did cross paths by the way with King in a variety of different ways. 

First, another providential occurrence: Sue Bailey Thurman and Martin Luther King’s mother, Alberta King, her name was not King before, Williams, were roommates at Spelman Seminary in high school, it was a high school at the time. And so they had known each other for a very long time. And then in the newest book Against the Hounds of Hell, written by Peter Eisenstaedt, who’s a Thurman scholar and historian, he said that after the Thurmans came back from India, they had dinner with the Kings. Martin Luther King probably was about seven years old at the time, and probably overheard much of this conversation. But it really wasn’t until he read Jesus and the Disinherited that I think he really got inspired like, well, we can use this as a way to understand what our role is. And then, of course, King and Thurman crossed paths at Boston University for about a year, as King was finishing up his dissertation work. They met a little bit over sports. Again, I’m sure at the urging of Alberta King and you know, let’s get these people together. King also spent a lot of time listening to Thurman’s sermons in the Morse chapel to take notes. And then one final thing is that King was stabbed by a mentally ill woman in 1958. And Thurman writes that he had this visitation or this vision that he needed to go there. And so he actually went to the hospital and talked to King and basically said to him, this movement that you’ve started, I think it’s kind of taken on a life of its own. And I would suggest that you take some time off or some silence and solitude so that you can discern what your role is going to be in this movement. 

There are many people who write in various ways about coming to Thurman as kind of like the spiritual advisor. So Vincent Harding writes about it, Vernon Jordan, as well as Jesse Jackson, Otis T. Moss II, P. Marshall, and her work also says that she used to consult Thurman for spiritual guidance. So there were a number of people, Marian Wright Edelman was influenced by him. And all the amazing people that went through Boston University. Barbara Jordan was a person who used to go to his sermons. So he would basically be the person holding the spiritual space for these people as they came in and out and asking the questions that a good spiritual director would ask like, well, so you know, how are you feeling about this? And what do you feel guided to do next? Asking sort of the deeper questions. I mean, it’s not wasn’t just about, let’s get angry and go out in the street. But really helping people to understand that this might be in fact a godly matter, that there’s some spiritual reason for their being a part this movement.

CASSIDY HALL: Yeah, I love that. It was the women and their family that ultimately got them together. In his biography With Head and Heart, Thurman talks about his vision for the church, which I really always loved this quote. But he notes that it was his “conviction and determination that the church would be a resource for activists. To me, it was important that the individual who was in the thick of the struggle for social change would be able to find renewal and fresh courage in the spiritual resources of the church.” And it strikes me that he lived his life like that, he lived his life as a resource for activists and a place for people to find fresh courage.

DR. LERITA COLEMAN BROWN: Yes, yes. And I think that’s so important, a place for finding fresh courage. Because in my experience, particularly as a spiritual director  – companion, but also as a friend, people are weary. They are worn out and worn down. And I think in part if you don’t have that spiritual undergirding, if you don’t have a sanctuary, if you don’t have a place where you can just bask in the renewal of being in God’s divine presence, then you are going to fall apart. I mean, you’re going to burn out. And I’ve been trying to help young, particularly African American contemplatives, as well as activists to understand that it’s more than,  you’ve seen an injustice and you’ve got to go do something about it. It’s got to be deeper. Because if it isn’t deeper, you are going to burn out quickly. And that is going in for those moments of contemplation or contemplative prayer, centering prayer, whatever you want to call it, where your spirit is renewed. And then that’s when you get the courage to be able to stand up and say, or do, whatever it is that needs to be done without fear. You know, that’s where you get the strength to be able to have the stamina to stay as long as you need to stay or stay up as long as you need to stay up. But it’s got to have something other than just passion and fire. Because as we know, that just burns quickly. But it’s got to be deeply rooted into something else.

CASSIDY HALL: So I like to end by asking one last question, and that is, who is someone or some people that embody mysticism for you or to you?

DR. LERITA COLEMAN BROWN: I wish I had more time to think about this. I think about all the people that I’ve read along the way. And I must admit that it really wasn’t until I stepped into the life and work of Howard Thurman that I felt like somebody was speaking to me. I mean, I read about a lot of people and they were talking, but in terms of having somebody speak to me, like, I know you, I know what you’re going through, here’s my take on it. He was probably the first person. But I think I think about Harriet Tubman. I mean, here’s the mystic involved in social action, and it doesn’t really matter how it happened. Some people say, well, you know, she had a brain injury. Okay. Well, you know, people talk about so many mystics its probably having some form of psychopathology. So let’s talk about courage. I mean, where do you get the courage and the guidance, you know, so that you don’t get captured and killed? Just incredible. So I’m very inspired by her and what she did and how it happened. But if I bring myself to modern day, I think about Barbara Holmes, I think she’s just an amazing person. And I’ve listened to a few of her presentations, and it’s like, she’s in the deep waters. I always think about mystics as moving into deep waters. They’re moving in the deep waters. And so was Richard Rohr. He was someone that I read early on and had a chance to meet once here in Atlanta. But just, I believe, following that call. I have some people that we probably wouldn’t define as mystics. Like Lin-Manuel Miranda, I have him in that category because after I saw Hamilton, I thought, who could do this? I mean, this is just beyond. It’s like when you’re in the presence of genius or creativity at that level, it was like a divine experience to just watch the production. I think about Toni Morrison and some of the words and things that she came up with, August Wilson as a playwright, he was another one. Those people that clearly they are connecting with the divine in some way, are people that — There’s a woman many years ago wrote a book called Ordinary Mystics – Marsha Sinetar. And now I just want to cross out them the ordinary. I mean, because they are mystics, they just don’t happen to emerge from religious communities. And I’m hoping that, as I said before, we can move beyond that kind of definition of a mystic, not only demystify the word, but make it one that is not associated with something negative. As I said earlier, everybody has different roles. And so let’s not confuse activism or social action as one thing. Art can be activism, plays can be activism and poetry. Look at Amanda Gorman. What the activism is about is provoking people, is waking them up to paying attention to what’s going on around them.

CASSIDY HALL: Yeah, and I love that you named so many artists too. And that idea of deep waters, deep waters and I remember being with you at the Wild Goose Festival at Wisdom Camp, and you said to me, “spirit gets what spirit wants, so we might as well listen.” And that was actually a time in my life when I needed to listen. I needed to rest. Yeah, so I see that mysticism alive in your life and I’m so grateful for you and your work and appreciate you taking the time to be with me.

DR. LERITA COLEMAN BROWN: Of course it’s always a joy to be with you, Cassidy. Great conversations and I think our love for this work is part of our calling.

CASSIDY HALL: Thanks for listening to today’s episode of Contemplating Now to support this work and get sneak peeks of new episodes. join me over at patreon dot com slash Cassidy Hall. This podcast is created and edited by Me, Cassidy Hall. Today’s episode features the song Trapezoid, instrumental by Emily Sankofa, which she has generously allowed us to use. Please find this song and more from Emily Sankofa on your favorite streaming platform or by visiting E Dash s-a-n-k-o-f-a dot com. The podcast has created in partnership with the Christian Century, a progressive ecumenical magazine based in Chicago. The podcast is also created in partnership with enfleshed, an organization focused on spiritual nourishment for collective liberation. For liturgical Resource Is and Tools head over to enfleshed dot com.