The Unnamed Mystics | A Conversation with Dr. Kimberly D. Russaw

TRANSCRIPT:

Dr. Kimberly D. Russaw: …here I’m even thinking about people who could have been part of important movements. For me, whether it’s the suffrage movement, whether it’s the civil rights movement, whether it’s Black Lives Matter, Say Her Name, Me Too, all of that. What if what we’re dealing with here in our modern context is most of our mystics go unnamed? 

Cassidy Hall: Welcome to Contemplating Now, a podcast about the intersection of contemplation and social justice. Through interviews with scholars, mystics, and activists, this podcast will focus on contemplative spirituality’s direct relationship with issues of social justice. I’m your host, Cassidy Hall, a filmmaker, podcaster, pastor, and student, and I’m here to learn with you. 

Dr. Kimberly D. Russaw is an associate professor of Hebrew Bible Old Testament at Pittsburg Theological Seminary. She is a member of the Society of Biblical Literature where she serves as the chair of the African American Biblical Hermeneutics Program Unit. She’s also an editorial board member of the Journal of Biblical Literature. Dr. Russaw’s many publications include Revisiting Rahab: Another Look at the Woman of Jericho, Daughters of the Hebrew Bible, and a work in the expanded edition of Stony the Road We Trod: African American Biblical Interpretation. She received her PhD in Hebrew Bible in Ancient Israel from Vanderbilt University. And she’s an ordained elder in the African Methodist Episcopal Church. 

CASSIDY HALL: Well Dr. Russaw, thank you so much for joining me today. 

DR. KIMBERLY RUSSAW: I am pleased as punch to share virtual space with you. It’s been a minute.

CASSIDY HALL: It has, it has. So one of the ways I love to begin the conversation, so that we’re kind of on the same page is asking you how you define words like contemplation, and mysticism, and maybe also what they mean to you, and how you see them lived out in the world today. 

DR. KIMBERLY RUSSAW: So this is pretty interesting because I often do not think about contemplation and mysticism, pun intended. But in anticipation of my Cassidy time, I said, well, as I think about or the way I like to frame or image contemplation and mysticism, because I do think they’re different. I think they probably rub up against each other, but I do think they’re different. To me, contemplation is a much more deliberate activity, a person decides to engage in this work. They both can have an aspect of spirituality to them, the contemplation is much more about the intentional thought and reflection. And to me, mysticism is much more involuntary. The moments of mysticism, if you will, you don’t plan for them, you don’t decide or make it part of your regular routine, it just happens to you. So perhaps, one way to think about it is a person is in the subject position when it comes to contemplation, but in the object position when it comes to mysticism. To me, mysticism carries with it much more of a sense of engagement or connection to the divine. But in a way that seems first of all, very special to you. Everybody does not have mystical experience but everybody could decide to be contemplative. Also, there seems to be this element of privacy or singularity when it comes to mysticism or mystic acts; at least when I think about them in the Hebrew Bible, they most often seem to occur when nobody else is around. So I think about not just Moses experience with the burning bush, but I also think about his experience on Mount Sinai. He’s the only one there to have this encounter and there’s something different about him when the encounter is over. For the most part, the mystic that seems to happen one-on-one. I do say for the most part, because I think that what we see over in one of the Samuels, where they Saul is with the prophets, he has this frenzied engagement, and he’s with a group of prophets. So it’s more it’s not a singular or a one off or solo experience, but it is a group. Those are my thoughts. 

CASSIDY HALL: Yeah. And I wonder because when we look at the Hebrew Bible those words aren’t used. So I wonder, the way we talk about things like contemplation and mysticism today makes them seem inaccessible, even by the way that we frame them with those words. Does that make sense? 

DR. KIMBERLY RUSSAW: I agree with you. I think there may be something to this notion of language that in the Hebrew Bible, perhaps what we are seeing termed as visions are mystic experiences. So then when we see young Samuel and Eli, and Samuel, he is supposed to be asleep, and he hears his name called and he goes to Eli and Eli says, I’m not calling your name. That, to me is a mystic experience, but the text will refer to it as a vision. We see it all the time in the prophets. Everybody’s walking around either having a vision, or talking about a vision, that may really have been a mystic experience. Even Abraham, you don’t wait to the prophets to got them over in Genesis.

CASSIDY HALL: And I was lucky enough to take Hebrew Bible class from you and it was truly the first time I experience and was open to the Hebrew Bible and graspable way. I honestly avoided it, until your class. So it seems to me that a major part of your work and what womanist work does is it contextualizes and rebirths connecting us to our everyday lives, which is what I experienced in that class. And you wrote in Wisdom in the Garden, that “Womanist ways of reading the biblical texts are subversive, and that by and large they disrupt tightly held images of God and God’s relationship to humanity.” So my question off this is, this is really sacred work, when did you realize that this was a part of your vocation and your call? 

DR. KIMBERLY RUSSAW: Cassidy, I think I’m still realizing. I can tell you for sure that when I understood I had a call to ministry, and then when I understood that call was something different from traditional pulpit ministry, it never dawned on me, oh, you’re going to be doing some subversive work, and this is going to be how you going to contribute to the larger world–not really, never thought of it that way. I now understand that at the core of what I think I’m doing is I am providing people with the tools and the permission to see others differently. We start by seeing others in the text or seeing the text differently. And my hope in especially overlooked characters or over-read characters––I know what’s happening in Rahab, I’ve read that story, I’ve heard that story, I don’t need to spend a lot of time on it. That when we do that, then my hope is that, then we turn and we can see and engage others in real life that we may have read or that we may have missed or misread all along. And in that respect, that energy should create some different sort of change in the world and to the extent that it does, and yeah, that’s part of my calling. 

CASSIDY HALL: Amen. Yeah. The tools and the permission that really resonates with me. And when I took from you later, African American Biblical Hermeneutics and Womanist Biblical Interpretation class, I again, was just given the tools and permission and also able to see biblical scholarship as a form of activism; kind of this disruption, and this offering of the tools and permission to myself and to others as a faith leader, to again, yes, see that in real time and see the work of biblical scholarship as a form of activism. Do you experience your work as a form of activism?

DR. KIMBERLY RUSSAW: I don’t think about it as that but I absolutely have colleagues who I would classify as scholar activists. Absolutely. I’m not going to call names, they know who they are. I also have a scholar buddies, who are activist-adjacent, that they know that the work that they do is in service to those who are actively engaged in activism. I’m thinking about one who takes seriously the life-giving work of yoga, and movement and breathing. And they have decided that they’re going to dedicate some of their time to helping those who classify themselves as activists, who are actively engaged in these movements, and are burdened some if you will, that they decided that they’re going to offer their knowledge that was some of their time to sit with people and guiding them through the movement and the breathing as a way to help them go out and be better and stronger in their work of activist. Now, how do I see my work as activist? To the extent that it encourages somebody to go do that work, I’m an activist. When you read my Veils and Lap Cloths: The Great Cover Up of Bynum and the Bible in Black Churches, and you start to question well wait, how have we thought about maybe how have we been complicit in the oppression of women in the church by doing engaging in certain practices? And then you decide, I’m not going to do that anymore. And when I get the chance, I’m going to tell the people in leadership, yes, why I’m not doing it and I think we shouldn’t do it either. Then I’ve aided in the work of activism by way of myself. 

CASSIDY HALL: That truth telling, tools and permission. 

DR. KIMBERLY RUSSAW: And I think what makes it challenging or subversive, or risky, in some instances, is because I deal with a text that so many consider to be safe. And so many come, like you said for yourself to the work of studying or engaging this text with some real commitment one way or the other. And so part of what we do is challenge those commitments, or offer you a different way to think about the thing you’re so committed to.

CASSIDY HALL: Yeah. Which makes me so curious as to why did you decide for the Hebrew Bible to be your area of expertise? What was the revelation for you? 

DR. KIMBERLY RUSSAW: I like the story. It’s just that simple. I can’t say I had a mystic moment. I can’t say in a moment of contemplation, I realized, all worked out in my head, hey, this is where you can really make it happen. No, I was a seminarian and I was taking all of my classes, and I knew that within the disciplines of Religious Studies, or religious education, the other stuff really appealed to me. So Bible seem to make sense for me. And I came to seminary by way of corporate. So in many respects, I think that what I am doing now is very similar to what I did as a brand manager. Part of what I did as a brand manager was take all of this disparate information, whether it’s consumer trends, whether it’s consumer feedback, it’s what the people down in distribution are telling me, it’s what my finance guy is telling me, it’s what my sales person is telling me, and the people over in legal are telling me, and I weave a story that compels my audience to take some sort of action. In the same way I take this disparate information because the Bronze Age first century, Mediterranean culture is disparate information for people living in the 20th century… And I try to weave a story that compels my audience to add in the classroom, my greatest not written in the syllabus objective is that the students will walk away wanting to know more. 

CASSIDY HALL: Yeah, and this love of story for you, was that inspired by anyone in particular? Or was that just something that maybe was Spirit driven? 

DR. KIMBERLY RUSSAW: Yeah, it probably is some combination, because I always want to leave room for the Holy Ghost. So I don’t want to foreclose on any spiritual move that may be at play. But I think that I come from a family and from a people of storytellers. My paternal grandmother used to write poems, I met her and she was like a million years old. So here’s this little old lady, who clearly did not go to school, she would write–when we were little, she lived with us six months out of the year, and with my cousins in Alabama the other six months out of the year. We come home from school, and she will spend much of her day writing a poem and she would write on the brown paper bag. She was a quilter–this actually is my Big Mama’s quilt that I had framed. She was a quilter but she would stand up at church, she would recite her poems, her cousins and stuff would come to visit and they would still tell stories and giggle, and laugh and have a good time. So I think now that I’m sitting on the Cassidy couch, part of my love of stories comes from my early years of watching story, the life-giving story, the communal, and story be positive. Yeah. 

CASSIDY HALL: That’s beautiful. I love that you had that framed too, it’s gorgeous. In your most recent book, Revisiting Rahab, you write about Rahab as a complex character, who upends patriarchal ecosystems and disrupts. Do you think there’s a mystical nature or a kind of transcendence, perhaps?

DR. KIMBERLY RUSSAW: I cannot say for sure. And here’s why I can’t say with any assurity or I can’t speak to that responsibly. And that is because the biblical writers do not provide us with any of her internal dialogue. I think that I could make that claim if there was something in the text that said, and she thought to herself, I’m going to negotiate with these fellows because I had a vision that the Israelites were coming. We don’t have anything like that. To me, Rahab is much more in the moment, in her actions, than a mystic would be. 

CASSIDY HALL: And in your experience of your writing, and your scholarly work and research, what does that look like for you? Does that require a sense of contemplation or pausing or making a sacred space in order to reflect and think? 

DR. KIMBERLY RUSSAW: Yeah. So I think part of my part of my process, first of all, journaling is a spiritual discipline for me. But it also, as it relates to my scholarship, sometimes I will use journaling to get me back in it, if you will. So in that way, it’s deliberate. I’m not just doing laundry and all of a sudden something comes upon me and I have an experience. No, I sit, I realize you’re not even close to what you’re supposed to be doing right now. Hold on, let me re-center. And one way I do that is by journaling. So that’s the way contemplation shows up for me. And it’s not that I end up writing a wonderful book, or wonderful article or essay in that contemplative moment, but that contemplative moment clears me, or frees me up, or clears a pathway, so that I can see clearly what I should be doing in my writing. 

CASSIDY HALL: You named some earlier, but are there any other Hebrew Bible characters that you might suggest are mystics or contemplatives?

DR. KIMBERLY RUSSAW: So we talked about the prophets, we talked about Abraham, absolutely people like Jacob, Israel, whatever stage of his life, we want to reference him. Either when it’s the engagement with the ladder going up to the vision, going up to heaven, or what happened. Nathan and King David story, absolutely, I think we’ve got visions going on here. So I would classify him as a mystic. Isaiah, Ezekiel, half of what they are doing––they’re saying I saw it in a vision, this came to me in a vision. Daniel and Joseph, we got to think about those two. Even in the Minor Prophets, I think we see it with Obadiah––probably my favorite minor prophet, because it’s the shortest book we’ve got going on out there. I don’t think we see much contemplative work in the Hebrew Bible, because the work of the Hebrew Bible turns on action. And the writers would not have said, oh yeah, Job sits around, and every morning Job gets up and thinks… The closest you might get is Job providing sacrifice on behalf of his children every day in the first part of the Book of Job. That’s a slippery slope. But I think that the deliberate nature of the contemplative act is antithetical to what the biblical writers were probably trying to do. There might be a way for us to say that what we see in the book of Psalms, what we see in the poetic stuff, may be a product of contemplation. But we don’t see a character contemplating. I think that music may play an important role in mysticism. This whole idea of when, and I think if you speak to musicians, and ethnomusicologists and people who teach this stuff, and research this stuff––they can talk about there’s this moment in the musical experience that could be otherworldly, transcendent, and can have this sense that you are no longer just here. It’s more than just when they say I was in the pocket––No, no. But I think when you talk to some of those people, because I think about like a Yo-Yo-Ma, I think about absolutely some of the early classical composers, when they were in it they were outside of themselves. And so I think about the work that musicians do in the biblical text, as well as in our modern context and say, there’s probably an element of mysticism there, so to that point, that may have been part of Young David and his heart that had a mystical property associated. 

CASSIDY HALL: Look at you still teaching me. What are you teaching at Pittsburgh Theological Seminary? And another question I want to ask is, are you teaching again African American Biblical Hermeneutics Womanist Biblical Interpretation, because that class was the most transformative class.

DR. KIMBERLY RUSSAW: Amen. There was some mystical moments or transcendent moments even in that class now that I think about it. At the heels of a conversation we had with a particular scholar, that triggered a lot of things for people that put them in a mystical place. That was fun. I am teaching a foundational Bible course there, they divide up Hebrew Bible between Genesis to Esther, I’ll teach that in the fall. And then my colleague will teach the rest of the cannon in the spring. I’m teaching two semesters of Hebrew and then I’m teaching Women in the Pentateuch. So we’ll do like a feminist spin on Genesis through Deuteronomy. And then here’s my shameless plug for the Katie Geneva Cannon Center for Women’s Leadership, I will be teaching the intensive course on Womanist Biblical Interpretation for them in January. 

CASSIDY HALL: You know, one of the other things that the last class that really made the Hebrew Bible come alive for me again, and African American Biblical Hermeneutics and Womanist Biblical Interpretation, the elevation that we really focused on of intersectionality, and intersectionality’s presence in the Hebrew Bible. Do you feel like the intersectionality of the Hebrew Bible is in part what allows us to connect to modern day story? 

DR. KIMBERLY RUSSAW: So I think a couple of things. I think that one of the reasons why the Bible, whether you understand it to be sacred text or not, is so popular, is because people are able to either find something of themselves in the text, or find something of the self or the community they want to be. And so to that extent there’s some intersectionality going on. So the world in front of the text, the reader is intersectional whether they want to admit it, or are aware of it or not. And so that when they’re looking for themselves, whether they can name it or not, they’re looking for some things that are intersectional. Most often, I think that people read very flat, but with a twist. So I’m always amazed that people read with the hero, when you know good and well, you’re part of a community that is not the hero. So everybody wants to be David, everybody, but nobody wants to be Goliath. Nobody wants to be a Philistine. Or everybody wants to be an Israelite and nobody wants to pay attention to the Canaanite. All of a sudden, everybody wants to be Rahab, but only because she ends up the hero of this. Nobody wants to be a bumbling spy, everybody reads with Rahab and wants to be this one woman in the whole city who saves her family and gets a cape because she’s a hero. And so to that extent, I think people read very flat, but really what’s going on behind there is some combination of gender going on, some combination of difference or other, some sort of community identification going on. Which when you broaden it and think about it that way, now you can bring in other groups of people who identify as something other than the normative gaze. If we say that the normative gaze is a male, cisgendered, male, hetero normative, probably elite–nobody aspires to be among the poor, everybody aspires to be among the rich, anything other than that would be considered other. There are so many people living in the year 2022, who fall into the other, more people fall into the other category than fall into the normative gaze. So I think when we give people permission, or even point them in the direction to say, have you considered this by way of Biblical studies. We also need to be honest and say that there’s elements of this step that are not life giving–I’m dealing with Judges 19–where is there something good about that? These are the stories we read over but I think it does us well, to sit with those in the same way we sit with the Deborah’s of the world, or Solomon’s of the world. We need to sit with the unnamed.

CASSIDY HALL: Yeah, this theme of permission and tools, it’s just so life giving.

DR. KIMBERLY RUSSAW: Permission, tools and responsibility. Give people are tool and they’ll go out there and make a mess. But we also need to create some understanding of is that really responsible–Can you really get there? I like how Dr. Renita J. Weems used to say when she was at Vanderbilt: Is that what God said or is that what they say God said? I’m teaching a Bible study for a consortium of churches in Chicago now, and we’re reading Rahab. And so I was asked, we opened zoom and so one of the lady is like “yeah, she heard God speak, she heard God speak and that’s why she did so and so.” I said “ma’am, where? We all have our Bibles open, can you point us to that particular verse?” My point here is, so often we’ve read over, we’ve embellished upon, we’ve made the stories work for us, when often times, that’s not really what’s on the page. And that’s without doing any language translation, we’re just dealing with English.

CASSIDY HALL: Yeah, that aspect of responsibility. And I think, to your point earlier about addressing the stories of the marginalized and the non-marginalized, addressing both aspects. 

DR. KIMBERLY RUSSAW: We like to get excited about King David but nobody wants to take responsibility for — Hey! that’s the dude who basically stole Uriah’s wife. But no, we got to talk about that too. 

CASSIDY HALL: We might cancel or write it off today…

DR. KIMBERLY RUSSAW: Absolutely.

CASSIDY HALL: One more question is, are there any contemplatives or mystics, maybe in modern day or in our midst that you would name? Whether they’re scholars or activists, or the grocery store clerk? 

DR. KIMBERLY RUSSAW: Yeah. So I think I have to go down the road of history. My list is not exhaustive. And here, I’m even thinking about people who could have been part of important movements in our history. So for me, whether it’s the suffrage movement, whether it’s the civil rights movement, whether it’s Black Lives Matter, Say Her Name, Me Too, all of that. And I definitely think, let’s start with the big one. Let’s get Howard Thurman off the table. Everybody, we admit, there’s no kind of debate, he absolutely is on the list. The other person I will put on the list would be Harriet Tubman. I think about the work of Reverend James Lawson, who was the guy who taught the college students civil disobedience during the civil rights movement in Nashville. So I’m thinking about Lawson. And there may have been some moments where some of those young people whose names we’ll never know, got themselves into such or had to get themselves into such and other worldly space in order to sit in that space. That may have been part of what Lawson was up to when he was teaching. I think about the names we know in the civil rights movement. But more importantly, the ones we don’t know. All the pastors whose churches were used as staging grounds, and the prayer meetings, that they would have, all of the people, here we go, who would spontaneously lift up a hymn or a song that became part of the fuel that drove the activity. Whether it was the actual march or just the commitment to do the work behind the scenes that showed up in what we understand as the Civil Rights Movement. I think about that, the women behind the BlackLivesMatter movement. So here’s the thing. What if what we’re dealing with here in our modern times, is most of our mystics go unnamed? Because in some ways, I think about Howard Thurman, had he not had a stage like Boston? He was a professor, so he was teaching all over the place. Had he not had the stage of the professor would we have even known what he was up to? What about all the people who don’t have a stage who absolutely engage in mystical work? I wonder about artists. And here I’m thinking about the stories we hear about when Denzel Washington played Malcolm X and he tells the story about how he had the sense that Malcolm’s presence was there. So I wonder if a Spike Lee and Denzel may have a little bit of mystical to them and Ava DuVernay, all these people who have to invoke something in order to get the product out? 

CASSIDY HALL: Yeah, yeah, there’s so many mystics that go unnamed and yet the live on because they’re work was focused on common good or mutual well-being or betterment of life. Yeah, to another extent, I like to think that the Spirit maybe takes over in those situations and helps to guide that prophetic call,

DR. KIMBERLY RUSSAW: Or even think about when you get together with extended family, and you hear the stories of the great, great, great, great uncle/aunt or whatever that you never knew. Some elder tells the part of the story that makes you go, you say your aunt Isabelle had dreams?  And she would wake up and she would write them on sheets of paper, and then she would put those sheets of paper in your shoe for when you went to school. Wait a minute. Wait a minute, maybe? Oh.

CASSIDY HALL: Yeah. Well, Dr. Russaw, thank you so much for joining me today.

DR. KIMBERLY RUSSAW: I think that your work is important. I think that I would encourage you to keep at it. And to find ways to little by little, this is not going to be — I doubt Oprah is going to come calling. But somebody is going to sit around and go, now I get it. And it’s that one spark that can change your life that could change the world.

CASSIDY HALL: Amen. Amen. And I know and I experienced you giving that spark to so many, so I’m really grateful our paths have crossed. Thank you.

DR. KIMBERLY RUSSAW: Thank you friend.

[OUTRO] 

Cassidy Hall: Thanks for listening to today’s episode of Contemplating Now to support this work and get sneak peeks of new episodes. join me over at patreon dot com slash Cassidy Hall. This podcast is created and edited by Me, Cassidy Hall. Today’s episode features the song Trapezoid, instrumental by Emily Sankofa, which she has generously allowed us to use. Please find this song and more from Emily Sankofa on your favorite streaming platform or by visiting E Dash s-a-n-k-o-f-a dot com. The podcast has created in partnership with the Christian Century, a progressive ecumenical magazine based in Chicago. The podcast is also created in partnership with enfleshed, an organization focused on spiritual nourishment for collective liberation. For liturgical Resource Is and Tools head over to enfleshed dot com.

Maybe it’s time for me to let go of Thomas Merton

Today marks 53 years since Merton died in Bangkok, Thailand. I wrote the following article originally published by The Christian Century on December 6, 2021.

“How can we be sure younger generations learn about Thomas Merton?”

Every time I show Day of a Stranger, the documentary film I made about the Trappist monk, I’m asked some form of this question. Viewers find Merton’s words—which I excerpted from a set of stream-of-consciousness recordings made during his years as a hermit on the grounds of the Abbey of Gethsemani in Kentucky—eerily prescient, and, like me, they want to share them with others.

This anxiety about Merton being forgotten has come up at every single Merton talk or panel I’ve been part of since 2011. That was when I quit my job as a counselor to travel to all 17 Trappist monasteries in the United States and began to work on my writing, films, and podcasts about contemplative life. Though I, a queer, young, non-Catholic woman, was an unlikely Merton ambassador, I was often invited to be a part of presentations and celebrations of Merton’s legacy. Every time, people would look around the room, take note of their mostly White, mostly grey-haired neighbors, and wonder how that legacy can last, whether his wisdom will be forgotten.

Typically I have responded with encouragement, mentioning Merton’s interfaith dialogue, his modeling of friendship, or the expansiveness of his correspondence as the ways his legacy might endure. But at my last film screening, after much self-reflection on the question, I answered with my own question: “What’s wrong with Merton disappearing?”

This month marks 53 years since Merton died in Bangkok after giving a lecture on Marxism and monastic perspectives. At the end of the lecture, he said, “We are going to have the questions tonight. . . . Now, I will disappear.” It was only a silly little line at the end of a heavy and controversial talk, but perhaps it was also prophetic.

The desire to disappear is a well-known tension at the heart of Merton’s work and his spiritual life, a desire that was often in conflict with his vocation as a writer. In 1946, 20 years prior to his death, he wrote in The Sign of Jonas, “I have only one desire, and that is the desire for solitude—to disappear into God, to be submerged in His peace, to be lost in the secret of His Face.” In Thoughts in Solitude, written from his first hermitage, St. Anne’s Toolshed, on the monastic property, and published in 1958: “As soon as you are really alone you are with God.” In 1964, while attending mass after meeting with Zen Buddhist D. T. Suzuki, he wrote in his journal with apparent satisfaction, “No one recognized me or discovered who I was. At least I think not.” In a 1967 recording, he says, “I am struck today I think, more and more, by the fundamental dishonesty about a lot of my clamor.”

Merton was indeed controversial in his time, and his words remain relevant and often helpful. His correspondence and work explored and elevated other religious perspectives and experiences. He often seems to speak prophetically to the situations we find ourselves in today.

But Merton’s most recent work is now more than half a century old. And while his conversations spanned gender (Dorothy Day, for example), sexuality (James Baldwin, though it’s said he never replied to Merton, and I can’t say I blame him), religion (Thich Nhat Hanh, Abraham Joshua Heschel, D. T. Suzuki), racial justice (Martin Luther King Jr.), and environmental justice (Rachel Carson), Merton, as a White cis man and vowed monastic in a patriarchal church, perpetuates damaging exclusivity alongside his wisdom.

In truth, his prescience and ecumenism seem rare only if we’re looking at White spiritual writers or reading exclusively Catholic work from the 1940s–1960s. Does this context make his views appear more radical than they really were? I have to ask myself, before picking up yet another work by or about Merton, Who am I listening to who may be prophetically controversial today? What words am I reading now, by those whose experience is tethered to the present moment in the fullness of their lives? What marginalized voices of experience am I listening to? Am I going to the source on these topics?

I’ve learned from womanist scholars that as long as I perpetuate the domination of only a few voices in spiritual leadership, I hinder movement toward liberation for all voices. I cannot learn from Merton what it’s like to be a queer woman, or to be an LGBTQ person who is rejected by one’s church, or to be Black in America, or to be a refugee. Merton can provide historical perspective and observations, but he simply cannot speak into an oppressive situation separate from his identity and experience.

Merton himself was often reminding us to go deeper, look harder, be willing to take the effort and time to seek out, read, and listen to the wisdom of voices missing from our libraries and bookshelves. I wonder if this is his true legacy—urging us to transcend his own contributions. To challenge the status quo, go beyond the comfortable, and heed the wisdom of the marginalized who have been too often overlooked.

Merton has words for those experiencing anxiety in the midst of change. In Conjectures of a Guilty Bystander, he writes of a crisis in the church in the 12th century, but he could have been writing about today:

In a time of drastic change one can be too preoccupied with what is ending or too obsessed with what seems to be beginning. In either case one loses touch with the present and with its obscure but dynamic possibilities. What really matters is openness, readiness, attention, courage to face risk. You do not need to know precisely what is happening, or exactly where it is all going. What you need is to recognize the possibilities and challenges offered by the present moment, and to embrace them with courage, faith, and hope. In such an event, courage is the authentic form taken by love.

“What you need is to recognize the possibilities and challenges of the present moment, and to embrace them with courage, faith, and hope.” I wonder if this is how Merton might have answered the question of how his legacy can endure.

On my way home from my last film screening, I went out of my way to stop by Gethsemani Abbey. After a rain-soaked hike, I paused at Merton’s grave, marked by a simple white cross en­graved with “Father Louis,” as he was known there. “They can have Thomas Merton,” he wrote in The Sign of Jonas of those who assumed they knew all about him solely based on his writing, “He’s dead. Father Louis—he’s half dead, too.”

What would happen if I let Thomas Merton die?

As I walked back to my car, I remembered the words from his essay “Integrity,” which had inspired my monastic travels in 2011: “Many poets are not poets for the same reason that many religious men are not saints: they never succeed in being themselves.” Maybe it is time to acknowledge that my long obsession with the words and wisdom of Thomas Merton did crowd out other voices and other perspectives, preventing me from hearing them fully—including my own.

A version of this article appears in the print edition under the title “Now, I will disappear.”

We Are Interconnected: A Conversation with Rev. Dr. Pamela Lightsey

In her book Our Lives Matter: A Womanist Queer Theology, Rev. Dr. Pamela Lightsey writes, “Black spirituality is deeper than-and can also be absent from-any relationship with the Church universal. Black spirituality, especially Black women’s spirituality, is connected to our very being.” In this second episode of Contemplating Now, Rev. Dr. Pamela Lightsey shares about contemplation’s role in activism and asks, What does protest mean for a scholar?”

The Rev. Dr. Pamela Lightsey is the author of Our Lives Matter: A Womanist Queer Theology. She is a scholar, social justice activist, and military veteran. Since January of 2018, she has served as Vice President of Academic and Student Affairs and Associate Professor of Constructive Theology at The Meadville Lombard Theological School. Before that, Dr. Lightsey served as Associate Dean of Community Life and Lifelong Learning, Clinical Assistant Professor of Contextual Theology and Practice at the Boston University School of Theology.

Her work centers on the causes of peacemaking, racial justice and LGBTQ rights making note of her belief that “humanity is interconnected. This means, I have a responsibility to the world to agitate for justice; I also have a responsibility not to lose my love for the human soul and human dignity in the midst of that work.”

In her book, she writes, “Queer womanist theology makes the claim that those bodies of LGBTQ persons are important for the tasks of helping build a peaceable and just world. That happens in relationships.” and “At the end of the day, eradicating oppression is the heart of queer womanist theological reflection. We must examine not just racism but sexisms, not just homophobia but transphobia, not just poverty but war, and not just the fluidity of boundaries but the hegemony of the status quo.”

Transcript:

Dr. Lightsey [00:05]: As human beings, we are interconnected. And we really do–I mean the survival of humanity is dependent upon the well-being of one another. We’ve seen that no better than during this pandemic.

Cassidy Hall [00:23]: Welcome to Contemplating Now, a podcast about the intersection of contemplation and social justice. Through interviews with scholars, mystics, and activists, this podcast will focus on contemplative spirituality’s direct relationship with issues of social justice. I’m your host, Cassidy Hall, a filmmaker, podcaster, pastor, and student, and I’m here to learn with you. Today in the podcast, the Reverend Dr. Pamela Lightsey. She’s the author of Our Lives Matter, a Womanist Queer Theology. She is a scholar, social justice advocate, and military veteran. Since January of 2018, she has served as Vice President of Academic and Student Affairs, and Associate Professor of Constructive Theology at the Meadville Lombard Theological School. Before that, Dr. Lightsey served as Associate Dean of Community Life and Lifelong Learning, Clinical Assistant Professor of Contextual Theology and Practice at the Boston University School of Theology.

Her work centers on the causes of peacemaking, racial justice, and LGBTQ + rights, in her book Our Lives Matter, she writes “Queer Womanist theology makes the claim that those bodies of LGBTQ persons are important for the tasks of helping build a peaceable and just world––that happens in relationships.” And she also writes, “at the end of the day, eradicating oppression is the heart of Queer Womanist theological reflection, we must examine not just racism, but sexism, not just homophobia, but transphobia, not just poverty, but war, and not just the fluidity of boundaries, but the hegemony of the status quo.”

Well, Dr. Lightsey, thank you so much for joining, and for taking the time to be with me today.

Dr. Lightsey [02:06]: You’re welcome. It’s my pleasure.

Cassidy Hall [02:09]: Your book, Our Lives Matter, a Womanist Queer Theology was completed during Ferguson in 2014, published in 2015. And with that, you took the time to add an epilogue to the work, which voiced your outrage and despair. And also, as a veteran, you wrote that you felt a “sense of deployment” as a scholar and an activist. And in this epilogue, you specifically asked, “what does it mean to be a theologian who’s placed for doing theology is within in alignment, and or perhaps even as a participant within the activist movement?” And I’m wondering today, and you know 2021, could you speak into that question?

Dr. Lightsey [02:48]: Sure. I was particularly concerned when I was writing, and as I was doing the work, I mean, the reason that I was in Ferguson, and later in Baltimore, I was in Ferguson for more than just a brief period of time. My relationship with Ferguson spanned across years, after Ferguson. So I established deep relationships and, you know, commitments that lasted beyond. And that was good, and it should be so. My question was a question about the way that scholars have generally done their work. I saw scholarship as being work that’s done almost as a spectator, if you will of the events and the issues of our time, that we somehow are disattached-or believe to be unattached from those issues.

And I saw it in the book, and in my work, to make it clear that I was not trying to be an unattached presence in the commitment to liberation and justice. And that my scholarship, that I was committing my scholarship–as I was committing my body to being in the midst of the protest. Now, here we are in 2021, there’s an insurrection that has taken place at the Capitol. What does that now mean? You know, what does protest now mean for a scholar? I think in many ways, it means, even more: the necessity for the scholar to understand the goals and the motivation of the protest prior to committing even on paper, a connection to that movement and affinity that even saying that one resonated with the movement, you really have to understand it.

And it’s really important that we do that now more than ever before. You don’t want to be… You don’t want to naively engage a protest whose goals, whose motivations, whose ultimate aim is the overthrow of the government, you see. Black Lives Matter, the aim of Black Lives Matter was justice and the end of excessive police force, ultimately, the killing of Black bodies, which we’ve seen on repeat over and over and over and over again. That in contrast to the insurrectionists, who saw, and who articulating, I mean, a primary goal of taking over the United States government, to control the government. They’ve not said what they’re going to do. They didn’t say what they’re going to do once they control it. What is the plan once you get in, once you have the, you know, the Capitol, have a legislator? What are you going to do for the people, people like me? You know, and during that time was really a lot of criticism against Black Lives Matter saying, you know, what do you all…what’s your goal? What are you shooting for? I don’t know how many times the goals of Black Lives Matter, and before that– Hands Up, Don’t Shoot, had to be articulated for the public. So that’s where I am on that issue.

Cassidy Hall [06:15]: Thank you for that. You know, it strikes me that you were writing a book when Ferguson happens. The death of Mike Brown, more specifically happened, the murder of Mike Brown. It strikes me that you were kind of in this maybe, maybe contemplative space, you were writing, you were processing, you were doing these kinds of things. Yet, the urgency, right, the urgency occurs. And I wonder if you could speak a little bit to maybe the need for contemplation to know that, that we’re aligned with something does that allow us to more urgently respond to things?

Dr. Lightsey [06:47]: I don’t know that I have an answer to that…I can…And I hesitate to speak with a broad brush, I can only speak to my sensibilities and my sensibilities have been shaped by any number of things. One by growing up in a community that very much understood its place in the scheme of things, And that just not being the material world, but understanding that there was a spiritual world at work and that we were in the middle. We were but human beings in the middle of many things happening that we could see and not see. And that there were some things happening that were outside our control.

I grew up understanding that not everything is going to be in my control as a human being. Okay. That understanding that there are matters in this world that are outside human control, have suited me well, both as a person of faith and as a scholar, it has given me the luxury to rest easy with the questions of life, with things not being resolved totally, with also understanding that my work is a continuation, and may not always be a period at the end of a sentence, but maybe some ellipses, or commas, or, you know, continuations.

You know, I am a contemplative person also, because I’ve experienced a community of Pentecostal believers who also very much so reminded me of the spirit world. Now, sometimes that experience was really raggedy and lacked sound theology. And over the years, I’ve had to kind of reshape myself without totally tossing away the very fine things that Pentecostalism, excuse me, offered me, and gave me. But it certainly gave me an appreciation for the contemplative, for sitting oneself down and just resting, you know, connecting with another dimension of life.

Cassidy Hall [09:12]: I think for activists in particular, it’s important to acknowledge rest, even sleep is a form of contemplation, right? It is a regeneration, a meeting place, a sacred pause.

Dr. Lightsey [09:25]: I think it’s good. I hesitate to speak for all activists in terms of a kind of spirituality or religiosity. Because I speak through the lens of a Christian, and there are activists who are not Christian, there are activists who are agnostic, atheist, and are doing very fine work, and I respect and appreciate them for that. So I wouldn’t go so far as to articulate it in that way, although I know very much so that a good number of Black activists because such a large percentage of Black people in America are ascribe to spirituality at the very most, and Christianity, I say now at the very least. I would have switched that up maybe a decade or two ago but we do believe and understand ourselves to be spiritual beings. That a sense of or an appreciation for contemplative space, for one’s health and well-being, is certainly necessary. We talk about it all the time, and that is taking care of yourself in order to take care of others. And I’m with a group of activists who are committed to resistance but also committed to our well-being, it has really been good for me.

Cassidy Hall [10:48]: There reminds me of in your book, you write oppression on one level intersects with oppression on other levels, there is no safe quadrant of society if we allow unchecked and unprovoked hostilities to occur against any single community of people.

Dr. Lightsey [11:02]: Racism, sexism, homophobia, transphobia, are equally discriminatory. And we do a disservice to humanity, when we try to parse them out, and level them up or subscribe, a percentage or, you know, a certain magnitude to one over and against the other. They’re all horrible. They’re all equally destructive to the human being, to our society, and to our communities. And I think as we’re paying attention to one, we are also making invisible, the other, you know, until that other demands its attention, you know, you ascribe attention to sexism, then what about racism, you know, so it’s a journey. It’s not a juggling act, but it’s a journey towards giving, giving attention to the fullness of who we are as human beings, while at the same time trying to resist, I think, in some ways, human nature to make subordinate certain other human beings on the basis of categorizing: that women are less than men, that Black people are less than white identified person, so on and so forth, that heterosexual persons are, you know, better than the LGBTQ community. As human beings, we are interconnected. And we really do, I mean, the survival of humanity is dependent upon the well-being of one another, we’ve seen that no better than during this pandemic. The race to a vaccine has been dependent upon human beings across a spectrum of diverse identity, and we’ve needed those persons.

Cassidy Hall [13:13]: Yeah, that’s another thing I really appreciated about your book and actually wrote about for a class is, recognizing the dynamic and the expanse of the Imago Dei, the image of God, as we see these intersectionalities, right? As we see each other, God expands, and more specifically identify as a queer woman, and in your book you write, “as queers, we declare that God cannot be limited, God is not finite.” And I think along with that queerness has something to offer to activism, to movements in the way that it expands the appearance of God. And again, of course, we’re talking in Christian terms in particular right now, but I wonder if you could speak into that a little bit.

Dr. Lightsey [13:53]: For me, the beauty of queerness is that it encourages people to deal with the ambiguity of life and the complexity of the human being. That’s the beauty of identifying as Queer, I identify as Queer Lesbian, for any number of reasons, which we don’t have time to go into today. But the beauty of queerness is that it asks us to accept ourselves as complex as we really are. And I’m still working with accepting some human beings in their complexity. Some things I don’t like about them, some things I read about and I say, oh if I knew about that, I wouldn’t. Oh. I wouldn’t. But then that part of me that understands human beings as complex says, okay, well, will you just throw this away? Will you throw this brilliance away because of this, you know? Is humanity totally irredeemable? I don’t think so. I think there’s something redeemable about humanity. Even though I have a low anthropology on most days. I think there is something that is redeemable about humanity. I mean, I deal with myself, you know, I’m my worst critic. So I think there is something redeemable. And queerness allows us space, not only for the complexity and the differences, but also for the imperfection. And we don’t…I don’t think we talk enough about that in queer space. Queerness allows us the capacity to embrace imperfection, more than anything else that I have really worked on in my academic career.

Cassidy Hall [15:47: Thank you for that.

Dr. Lightsey 15:48 You’re welcome. Thank you for the conversation.

Cassidy Hall [15:52]: Yes, likewise.

Dr. Lightsey [15:53]: I bid you well on your scholarship and your writing. I see all your beautiful books!

Cassidy Hall [15:59]: Oh, thank you. Thank you so much.

Dr. Lightsey [16:02]: Take care.

Cassidy Hall [16:03]: You too.

Dr. Lightsey [16:04]: Bye. Bye.

Cassidy Hall [16:05]:  Bye.

Outro: Cassidy Hall [16:08]: Thanks for listening to today’s episode of Contemplating Now, to support this work, and get sneak peeks of new episodes, join me over at patreon.com/Cassidy Hall. This podcast is created and edited by me, Cassidy Hall. Today’s episode features the song “Trapezoid instrumental,” by EmmoLei Sankofa, which she has generously allowed us to use. Please find the song and more from EmmoLei Sankofa on your favorite streaming platform or by visiting E-SANKOFA.com. The podcast is created in partnership with the Christian Century, a progressive ecumenical magazine based in Chicago. The podcast is also created in partnership with Enfleshed, an organization focused on spiritual nourishment for collective liberation. For liturgical resources and tools, head over to enfleshed.com.

And for those still here, one last reading from Reverend Dr. Pamela Lightsey’s book, Our Lives Matter, a Womanist Queer Theology. On page 63 she writes, “Black spirituality is deeper than and can also be absent from any relationship with the church universal. Black spirituality, especially Black women’s spirituality is connected to our very being.”