Recent Publications: Blessings & Reflections

This beautiful compilation of blessings from enflshed was a powerful project to be a part of. You can order this incredible book of blessings, “HELD: blessings for the depths” here. (Note: The first run of the book sold out and this is a pre-order for the second run). You can read the blessing I contributed below:

The Reminder Blessing, by Cassidy Hall

This blessing crossed the rivers of certitude, the seas of tension, the storms of life, and dropped at your feet in-between all that is known and unknown.

This blessing is here to swaddle you in care.

This blessing made space for your feelings, heard your worries, saw your emotions, and gently said: “nothing about you is too much.

This blessing is proud to be with you.

This blessing has been waiting its whole life to be with you.

This blessing woke up next to you saying, “good morning,” to the most marvelous person it has ever met. 

This blessing is a lover in disguise.

This blessing is the reminder of your oceanic oneness with the world, the beloved, yourself, your neighbor, and the stranger. 

This blessing keeps showing up.

This blessing is hearty and vigorous, tender and sensitive.

This blessing is your permission to let go 

and your encouragement to hold on.

This blessing is the reminder of that softened inner stance which offers the least resistance to the gift of you.

This is the blessing you’ve been waiting for, and also never needed.




I was also asked by a friend earlier this year to add a homily or reflection to a forthcoming book from Clear Faith Publishing. True to form, I wrote about the power of doubt for the 3rd Sunday of Easter and somehow found myself published alongside some brilliant voices. You can find “Thirsty, and You Gave Me Drink: Homilies and Reflections for Cycle C” from Clear Faith Publishing or on Amazon. You can read my piece below:

The Doubt of Jesus, by Cassidy Hall

I’ve been a skeptic about God for as long as I can remember. Around the age of 8, I began having reoccurring dreams about death. Dreams of floating in a sea of nothingness: alone, lost, stagnant in limitless space and eternal time. Even years before these dreams began, I was already asking questions of the divine. But throughout my life, these questions weren’t always welcomed.

In middle school, I became really interested with spirituality and the possibilities it beheld. I had friends in various youth groups and from time to time I’d attend those groups with them. At that age, the events were more about feeling a sense of belonging. The gatherings were often deeply entangled with the emotional manipulation of the minds and hormones of young teens.

Once, while I was at an evangelical conference with the local youth group, I continued my skepticism and questioning, but this time was different. During one evening’s session, I was moved to participate in an altar call and was immediately flooded with questions of what I had just done. As we gathered in our small groups after the session, my youth leader told me, “Your questions are of the devil.” My insides stirred with a surprised, “huh?” But, baffled and confused, I went along with the adult in the room and regretfully shut my mouth.

Over twenty years later, I find myself in seminary and pursuing ordination more full of questions about the divine than I’ve ever held. Only now, I remember to show them off like treasures, reminding others and myself that questions innately connect us to the divine by the very fact that they belong to mystery. Now, I claim my questions and doubts with pride. I remember to bask in the questions, because they mean growth, change, and movement. But, perhaps most importantly, I remember questions take me to the place of infinite possibility, the place where God resides.

It seems to me faith and doubt are not mutually exclusive. Faith makes room for doubt’s entrance as doubt demands faith for its existence. One cannot host doubt unless there is some knowledge of that which is being doubted. Therefore to doubt, is to both have and demonstrate faith.

When I look at John 21, I sometimes wonder if Jesus asked Peter three times not because of his three denials but because he actually doubted him. Perhaps the humanness of Jesus needed a sense of affirmation and clarity, like the times I need to hear a truth on repeat from a loved one. And, what if Jesus was also instilling his faith in Peter by revealing his doubt? What if doubt belongs to faith more than knowing or even thinking I know?

In my experience, humans have ruined my doubts and questions. God, on the other hand, has valued, honored, and even respected them. I often find the more I question and am honest about my doubt, the more God shows up –– in the mystery, in the uncertainty, in the unknowing. And, so I wonder, what if Jesus asking questions is a model for our own questioning? What if Jesus was living and loving the questions?

“Be patient towards all that is unresolved in your heart and to try to love the questions themselves…” wrote Rainer Maria Rilke to young aspiring poet, Franz Xaver Kappus. “Live the questions for now. Perhaps then you will gradually, without noticing it, live your way into the answer, one distant day in the future.”

What if Jesus, in his humanness, was openly living and loving the questions amid his uncertainty of what the church might become? What if Jesus, in all his divinity, was modeling a way to hold uncertainty, unknowing, and the infinite possibilities within the unknowing?

For me, doubts and questions are fruits of a life of faith. Doubt reminds us to engage our questions, to search the books, to ask the neighbor, to grow and learn and engage. Doubt belongs to faith in the same way that mystery belongs to God. And my teenage questions were not of the devil and neither are my 37-year-old doubts.

When I arrived back home after that trip with my youth group I remember the shock and surprise my young teenage self felt. Being that I was the only “nonbeliever” on that trip I was a kind of project for people to huddle around and convert. And amid all of that misinformation

Amid all of the lies and good intentions with false pretenses, God was with and within me.

Honoring my unbelief.

Respecting my doubt.

Reminding me to love and live the questions.

Opening me into the infinite possibility where God is.

Prayer: God of all questions, Teach me to hold the doubt and love the questions.  Lead me to the infinite possibilities in them, the very same possibility found in your tomb. Help me to bask in the awe of mystery, give me a sense of safety and comfort there. Grant me the courage to hold uncertainty, the resilience to carry unknowing, and the endurance to bask in all of life’s mysteries. Remind me, O God, that basking in mystery is basking in you.

Amen.

To view my other published materials, including interviews and sermons, go here.

Speaking Down Barriers | A Conversation with Poet Davelyn Hill

Transcript:

DAVELYN HALL: I don’t think I can say that I am a mystic without being connected to community. So I can’t say that for me. I need to be connected to community in order to be a mystic, how do you not?

Cassidy Hall: Welcome to Contemplating Now, a podcast about the intersection of contemplation and social justice. Through interviews with scholars, mystics, and activists, this podcast will focus on contemplative spirituality’s direct relationship with issues of social justice. I’m your host, Cassidy Hall, a filmmaker, podcaster, pastor, and student, and I’m here to learn with you. 

Davelyn Hill is the Executive Director for Speaking Down Barriers. Speaking Down Barriers is an organization whose mission is equity for all. It seeks to build community across all that seeks to divide us by ending oppression and valuing everyone. Davelyn has a Master’s in Marriage and Family Therapy from Converse College, and is currently working on a Master’s in Creative Writing with an emphasis in Poetry. Davelyn is a poet activist, and alongside providing counseling services, she’s led support groups, presented research and conducted University presentations around racial trauma and oppression. Davelyn Hill, also known as Davelyn Athena, has been published by the Plants and Poetry Journal, and has also been featured by Spark and Echo. 

CASSIDY HALL: Well, Davelyn, thank you so much for joining today.

DAVELYN HALL: You are very welcome. I’m glad to be here.

CASSIDY HALL: So one of the ways I like to kind of begin orienting our conversation is by asking you what the words “contemplation” and/or “mysticism” mean to you. And how do you see them lived out in the world today?

DAVELYN HALL: That’s a — I mean, you have some questions, but I don’t know, I feel overwhelmed by the idea of mysticism. I’ll start with that one. Just when you hear about the Desert Fathers and some of the people who have known God in ways that make me wonder about how it’s even possible to be close and achieve some sort of like felt oneness is kind of what I think about when I think about mysticism, is being super connected to God, so much so that you feel you have a felt feeling of oneness. I believe that oneness can exist without you feeling it, but I feel like my particular journey as a mystic is to be united, have a like a uniting with the universal Christ. That’s kind of what I see. And so when I think about people, some of the nuns of old and people who have had experiences that they then go back and relate to us, like Luther has, is to have said to have those meetings with God is just as amazing. And because of like, our society is so focused on logic, it feels like oh, well, that’s extra biblical. You know, a lot of people say, that doesn’t matter, your experiences don’t matter, the only thing that matters is the word because it’s written. And you’re like mmhhmm for a lot of folks it wasn’t written when it was happening not for them, they didn’t have access. So, I sometimes wonder if our logically… from kind of having the uniting that many of the mystics talk about. And so I think of contemplation as a way… to see mysticism lived out. So if I live a contemplative life and prayer as the mundane or in the mundane, contemplating blades of grass or thinking deeply about things that just kind of happen in the earth, in the universe, and how that leads us back to the creator in oneness. And so having a contemplative life through like reading, and journaling, and meditation, and community, and serving leads me to having then mystical experiences. So then I can refer to myself as a mystic. Because I don’t know how else you’d get there without contemplation.

CASSIDY HALL: Yeah, I love the things you’re saying and you also said, correct me if I’m wrong, but you said I believe oneness can exist without feeling it. And I wonder if you could speak a little bit more into that? Because it seems to me, right, there’s an effort to contemplative life that maybe draws us into mysticism that draws us into the oneness. And sometimes we don’t feel it because we’re doing it.

DAVELYN HALL: Yeah, yeah, that’s what I get. And that my feelings I can speak to those are, they’re varied. And so I keep working toward the feeling but the oneness already exists. So I come from just believing in my doctrine that I’m already connected to God that I’m already in oneness. And so my journey is having that felt oneness. So become more and more able to kind of tap into oneness in my life. And so that comes and goes. One day can be like, ah bliss, I’m so connected to the God of the universe. Oh! And the next day, I’m like is there a God? I think there is based on like my feelings. And so that’s what I meant by like, I have oneness every day whether I tap into it or not. 

CASSIDY HALL: Yeah, right, right, that makes a lot of sense. And what about this oneness in terms of our unity with our fellow human? So I guess along with that, do you think that there’s an important aspect of being a contemplative and/or mystic that also innately makes us an activist and or someone who points to the collective unity of all of humanity?

DAVELYN HALL: I don’t think I can say that I’m am mystic without being connected to community. So I can’t say that for me, I need to be connected to community in order to be a mystic, how do you not? Because each person kind of gives us another picture of who God is, and so how each time I’m connected to people in community, they reveal another part of God that I couldn’t have gotten to on my own. And so as they either growing towards their relationship with God and opening oneness, or are suffering because of the injustice in the world, and so I’m connected to that as well, to the suffering of God, the suffering of the Christ. And so if I’m not connected to those people, how do I get to see that lens? I can’t. And then also like, we’re literally the love of God made flesh. And so without us people don’t get to see God and we don’t get to see God. And so I don’t understand how — I really don’t. I’d love to meet some folks to tell me you know, I can live this life on my own and be connected to God and it’s wonderful... Right? Like, that’s what I think anyway.

CASSIDY HALL: Amen. Amen. So in your work with Speaking Down Barriers, which is about fostering dialogue and trust among people with different backgrounds and experiences, first of all, maybe you could tell us maybe the origin story of Speaking Down Barriers, and then I could ask a follow up question about that.

DAVELYN HALL: Sure. Speaking Down Barriers started in November of 2013. And it started originally, as poetry and conversation. Before the start in 2013, the founder of Speaking Down Barriers name is Marlanda Dekine and they were at a conference and did a poem and Scott Neely who is our current chief strategist heard her do a poem and was like [gasps] that was amazing how it transformed the room. It was like, ooh, then he saw her again, and same thing happened. And so they decided, I want to have poetry and conversation. And so Marlanda, who was a spoken word poet, she’s an amazing poet. She and some other spoken word poets, all black, or for the most part black, got together and started to do this poetry and conversation, and it began to grow. And Marlanda decided to make it Speaking Down Barriers. It was named by our current Admin Support, she was looking for a name like not poetry and conversation. So it moved into, well, we want to speak down barriers, and so that’s how it got its name. And so Speaking Down Barriers had poetry, conversation and food. And so you know, what’s better than that? A communal meal where you can eat together, starts that way, we talk about a topic, whatever it is, open up with a dialogue question and then poetry pushes that dialogue to places it couldn’t go,  especially first person narratives. It was for you to argue with your first person narrative poem. They can listen to it and receive it, and so it bypasses some of that stuff that comes up and blocks us when we think logically only. And also it causes us to feel things in our bodies. Whereas a lot of time I know for me, I didn’t even recognize my body was actually a part of life. It was so much lived in my head, and it feels and I was like, wait a minute, feelings actually happen in your body. So what am I actually feeling? And spoken word made me feel that. In 2015 it became speaking down barriers and then started to reach out and do trainings. Our current mission is equity for all, we revamped that in 2020. And beginning to think about what the world looks like when there’s equity for all? Well, first of all, it’s ending oppression, all kinds, racism, homophobia, transphobia, all the gender violence, the ways that immigrants are treated in this country, all of that. All of that kind of oppression needs to go. And then also valuing everyone. So while I might not agree with you, I value your humanity because you are human; when I devalue you, I’ll lose myself. So we’ll have to hold on to that, even if I don’t agree with you. And I can have a conversation with folks I don’t agree with as long as their disagreement doesn’t oppress me, I’m okay. When we start to get oppression, I can no longer be in conversation with you, but I still believe in your dignity as a human.

CASSIDY HALL: I’m over here, just like jotting down all these notes of these beautiful things you’re saying. You can’t be a mystic without being connected to community, and this notion of poetry, being able to transform the room, and what you just said, when I devalue you I lose myself. I mean, these are just such profound things. And I’m seeing the ways that this goes back to the beginning of the conversation where we talked about that experience of oneness, and its existence of oneness with God, with each other, and how to touch that. And I’m wondering if you’ve experienced kind of the moments where we touch that or where you’ve been able to touch that with other people in a room, with poetry as this transforming force that maybe takes us to this liminal space or this transcendent space.

DAVELYN HALL: It’s a good word, yeah, transcendence. Yeah, I’ve been in many rooms where this has happened. Where even things are stuck, until a poet does a poem. And it’s like, all of a sudden the room opens up. Or we’ve also started using art. So we’ve been using virtual spaces, so the art is like in your face, you can do it on zoom, where like the art is like, wow! Okay, so I’m seeing this art, hearing from the artist, and hearing their experience. And all of a sudden, the room opens up again, things you never thought of — It’s a tool of expansion. And so I’m really big on freedom chants, I love a freedom chant. Freedom Chants all the way from enslaved folks using the oral tradition, using language for all kinds of purposes, using it to be incognito, to plot the way forward, to encourage hearts then becoming part of the gospel tradition and become a huge and civil rights. And I feel like now — it’s even now, I was always been existing, but it feels like I’m more aware of it now. And so I’ve been in rooms where freedom chants have done the same thing. It’s like a uniting, like a oneness when we’re all like fighting and singing and hoping for the same, for equity, for justice and for just being able to kind of live and thrive.

CASSIDY HALL: Yeah, yeah. One of the things I noticed is that you define yourself not solely as poet nor solely as an activist, but as a poet activist. And I wonder if you could share what it means to merge these words as a role. Are poets also innately activists, by the nature of the way poets use words to transform or transcend the moment to point to something that could be amid what is?

DAVELYN HALL: I think when you say it like that, that’s it. 

CASSIDY HALL: I guess to be fair, right, we can we can all misuse words still. 

DAVELYN HALL: Mhmm. Yeah. And I don’t necessarily think — so when I use the word activist, I mean, speaking truth to power. And so in that way, not all poets are activists. Now, in the way that they kind of reveal what is and can a lot of times cause like all of the fluff around something to disappear so that you get to the heart of the matter, then in that way, I believe they could all be activists. To be able to take nature, even the way of like words worth and be like, wow, I see nature anywhere, have a deeper appreciation for nature. Or when I read Mary Oliver stuff, I’m wowed by the beauty of language and the ability of language to connect us in a way. Mary Oliver, and I don’t have anything common, but when she puts the words on the page, we have a lot in common. So in that way, like, causing humanity to maybe appreciate itself, and to see us in each other’s eyes, then I think it definitely works. However, I don’t think we all use poetry to speak truth to power. And that’s what I mean, when I say a poet activist. I want to use my words to make people feel something, like Julie Cameron says that she wanted her words make people feel something and I want the same. And so when you feel something though I want you to do something, and hopefully to be a part of the fixing the problem, be a part of change whatever that looks like.

CASSIDY HALL: Yeah. In your work do you see this work of poet activist, and mystic as intertwined? Do you see those as similar or one that leads to the other or is there a relationship there I guess I’m wondering?

DAVELYN HALL: Yeah, sometimes like when I talk about the felt oneness, you have to pick up your pen and write down a poem because it’s like grand. And then other times, I’m just kind of writing from humanity, from that place of kind of whatever I’m experiencing, sometimes about various like traumas and joys, both. Find the page, but then sometimes there’s that work that you know, this poem was not mine. I’m just scribing it down.

CASSIDY HALL: Yeah, yeah. That makes sense. Do you think there’s anything to learn from contemplation and/or mysticism that informs things like activism and/or collective protest or movements that take place today? And then vice versa, right? Can those also feed the contemplation and feed the mystical moments? 

DAVELYN HALL: Yeah, I do. I do. I think when lots of people, especially you’re out in protesting and taking care of each other, making sure people have water and making sure that people are taking care of themselves, even in the midst of kind of protesting the state, that for me is beautiful community and an opportunity to think about in the moment, but definitely after the moment, like what was that like? How do we share with each other? Did we move anything forward? Having those discussions, I think helps you lead a contemplative life. So I think the feedback loop works both ways. And yeah, those things definitely feed poetry, I think, because poetry is of the stuff of everyday life too. And so being able to kind of really live in moments, with other people and alone, and see God in those moments, I feel like helps the page and helps the poetry, which then goes forth for people to read and enjoy and be moved by. I mean I write poems for myself too, but I want people to read it. And I think most people — well, some people do write just for their journal and just for themselves, but that’s just not the kind of poetry or painting or anything that I do. It’s not just for me.

CASSIDY HALL: Yeah. Speaking of I would love for you to read a poem. I do want to ask one more question before we get to that. You talked a lot about logic at the beginning of the conversation. Do you think our obsession with logic and knowing and wanting to do things right and the talking about the thing but not doing the thing, do you think that makes — it doesn’t make us slow down, but doesn’t it also make things just less close to the oneness and the way it makes a lot of things inaccessible or unreachable or like there’s just too many words in the way? 

DAVELYN HALL: I frequently feel that.

CASSIDY HALL: Even my own right now, right? 

DAVELYN HALL: No, no, no, I frequently feel that way that there are so many words, so so  many, and even in silence, people like are like oh I had silent time today. But really, the silent time was music, with words, and it was reading. And so like even self wasn’t silent, even though you are alone, like solitude does not equal without words. And so, I’ve been thinking about that previously, like what does it mean to actually breathe in a moment, with actual silence. Not the phone, not scrolling, even not writing and journaling about it, but actual silence. So yeah, I think it does make things inaccessible. There are some things that just really need to be felt. We’re talking about — I was talking to a group of people who were talking about language and how even we who don’t speak the same language, you can still communicate, you can communicate heart and care and concern. Wow, I think that that means something. Yeah.

CASSIDY HALL: So at this ordination, where our paths crossed, you wrote and you read a beautiful poem, titled Beloved Community, which moved me and I’m sure everyone else in that room to tears. And I’m wondering if you wouldn’t mind reading that for us today?

DAVELYN HALL: I do not mind at all. Thank you. I really love to hear that it moved folks. It’s really, you know, I want to make people feel and so feeling is not necessarily — I guess there is a direct feeling. I’d like people to feel connected to each other, connected to God, connected to themselves, that poetry would be connection.

         Beloved Community, by Davelyn Hill

Our goal is to create a beloved community and this will require a qualitative change in our souls, as well as a quantitative change in our lives. Martin Luther King Jr. 

We, us, black, white, brown, human, 

Gathered like oaks, pines in the forest, 

Women, men, non-binary, transgender, gender expansive,

Are, is, state of being 

The image of God we shine like constellations in the galaxy. 

Beloved, be loved, one who is loved, taken care of, needs met, heart filled, accepted, forgiven much for terrible and for inaction, not fighting for the least of these and still being the beloved,

Community, I am because we are,

Sharing the cup, being the body, binding each other’s wounds in places we cannot reach ourselves. 

We are the bride,

God calls us woman, exalts woman, asks us to become woman,

To receive all our good from Spirit to enter into a covenant relationship. 

We co-create, expand, thrive, all things become shared,

Humanity, flaws, and all

Love made visible through flesh. 

Beloved Community loves all, endures all, because we do it together, 

Like trees gathered in a forest, like wandering lights in the night sky, who create constellations, binding each other’s wounds, loving the least of these because we are the least of these. 

We are the image of God, 

Be beautiful.

 At times bruised and broken, beloved, be loved. 

We are the Beloved Community, 

Ashe and Amen.

CASSIDY HALL: Thank you. Yeah, just as powerful once again. I also found some of your work on a page called plants and poetry.

DAVELYN HALL: Yeah, yes, yes. Yes. Yes. Yes. So I have gone through years of illness, and at times, just really unable to do anything. And during that time, I had a tree outside my window, and I named the tree Dolores. And yes, Dolores, I would stare Dolores, I would talk to Dolores. And Dolores got me through, just thinking about her roots. I read a book on trees while I was ill, and just learning about trees and how they communicate with each other, and they’re super smart. And it’s just God’s little design is amazing. But yeah, like they communicate with each other, they help each other survive attacks, they will give with the other trees need and receive what they need from the other trees. And so just looking at the Delores after having read that I was like, I don’t know, like there’s some kind of vibrational thing happening between us. And we are all connected and we’re connected to all of life. And so I wrote a poem, a short poem about Delores in a Plants and Poetry journal, took it in…

CASSIDY HALL: I mean, I really want you to read that now. And you named her Dolores.

DAVELYN HALL: Yeah, so it’s really short, but it says it’s called Dolores. 

Delores, by Davelyn Hill

The tree outside my windows name is Dolores. 

I open my blinds in the morning and she waves at me.

This morning, she was changing clothes. 

The beautiful green she normally wears turned into hues of orange, red and yellow.

I was too tired to change clothes. 

The wind blew so fiercely, that she shook and trembled.

I would love to see her roots. 

I’d wrap myself in a blanket and close my eyes.

CASSIDY HALL: That’s great. Thank you.

So Davelyn, thank you so much for joining and just for this incredible conversation. And I’m wondering where people can find you and find your work, and if you’re working on anything currently that we should be on the lookout for?

DAVELYN HALL: Sure, thanks. So Speaking Down Barriers website is http://www.speakdownbarriers.org. And not speaking, but speak down. And on our website page, and we’re also on Facebook, and Instagram at Speak Down Barriers. You can find out all the things. We’re having all of our events virtual at the moment, so we love it when people come from far away and from post by. Just love all the peoples to come and have a conversation. We’re really trying to build a multi-ethnic coalition and the only way we can do that is by having conversations together. Also we can find our poets, we have a spotlight poet every four months. And currently, her name is Sharae “FIRE” Walton, but we’ve all called her “Fire.” Fire is amazing as well. So people can find out about her work and the people who come before her. ShAy Black and a Hayle Oswell, (AKA Celestial Poet) had been our previous spotlight artists. And we want people to come and share their poetry and their life. And they do an awesome job using poetry and art to push us forward. It is good to get to know someone, so after four months, I feel like we know these poets and they know us in some part of the community. Right now I myself am holding abolition really close to my heart. I consider myself an abolitionist. And for me, that means abolition is creating things. So it means creating a world where everybody can thrive and where we have things set up for harm like conflict-mediation and conflict-resolution, conflict-coaching. We also have transformative healing circles and we have places where harm can be mitigated versus the system that we have with over-policing, over-surveillance, and just profiting off of crime, making things that really aren’t criminal-criminal, making things more important than people. And so while that exists, I just can’t get behind that system. So I want to bring it all down, and also build. So it’s a both-and for me.

CASSIDY HALL: Thank you so much for joining me today and for taking the time to chat. I really, really appreciate it and I’m grateful for your work. I’m grateful for your voice. And yeah, the mystical presence that you brought that day when I heard you read poetry was transformative and transcendent, so thank you.

DAVELYN HALL: Well, thank you. Sometimes I wonder, I think what my words are doing. I spend a lot of time with just sending my work out, somebody to take my work, somebody take my work. And so on the other end of that is like in the felt experience of folks. And so it gives me kind of joy, I think, oh, the work is doing something regardless of what it does in other places. When I hear from people, it’s like, okay, my work is doing good doing, it’s doing what it’s supposed to do.

OUTRO:

CASSIDY HALL: Thanks for listening to today’s episode of Contemplating Now to support this work and get sneak peeks of new episodes. join me over at patreon dot com slash Cassidy Hall. This podcast is created and edited by Me, Cassidy Hall. Today’s episode features the song Trapezoid, instrumental by Emily Sankofa, which she has generously allowed us to use. Please find this song and more from Emily Sankofa on your favorite streaming platform or by visiting E Dash s-a-n-k-o-f-a dot com. The podcast has created in partnership with the Christian Century, a progressive ecumenical magazine based in Chicago. The podcast is also created in partnership with enfleshed, an organization focused on spiritual nourishment for collective liberation. For liturgical Resource Is and Tools head over to enfleshed dot com.Support the Podcast

Yes Means Yes, A Sermon

This past Sunday I was asked to preach on antiracism. With the concept of antiracism being a new topic for some, I addressed its alignment with our willingness to say “Black Lives Matter.” The sermon was written and recorded with my white congregation in mind, and therefore, is a message from a white person to other white people pursuing and doing the work of racial justice.

The idea of antiracism means we do indeed see racism in the systems of oppression and in our lives, our newsfeed, even our own hearts. Antiracist work is a confrontation of ourselves and the world around us. It is work which seeks to heal because it is willing to begin seeing what is really happening.

Antiracist work is not comfortable. It requires a continual willingness to step into discomfort, lest we be complicit.

Yet, as white people in a world built for white comfort, we have a daily option to opt-out of the work of racial justice and antiracist living. This also means, it is a daily choice to opt-in–a daily decision to say “Yes” to the work of antiracism, “Yes” to “Black Lives Matter,” and “Yes” to the countless endeavors of racial justice in our midst.  

Student Pastor Cassidy Hall’s 9/13/2020 Sermon

You can view the full service here.

“I need a love that is troubled by injustice. A love that is provoked to anger when Black folks, includ­ing our children, lie dead in the streets. A love that has no tolerance for hate, no excuses for racist decisions, no content­ment in the status quo.” 

Austin Channing-Brown

“Anti-racism work is not self-improvement work for white people. It doesn’t end when white people feel better about what they’ve done. It ends when Black people are staying alive and they have their liberation.”

Rachel Elizabeth Cargle

“The opposite of racist isn’t ‘not racist.’ It is ‘anti-racist.’ What’s the difference? One endorses either the idea of a racial hierarchy as a racist, or racial equality as an anti-racist. One either believes problems are rooted in groups of people, as a racist, or locates the roots of problems in power and policies, as an anti-racist. One either allows racial inequities to persevere, as a racist, or confronts racial inequities, as an anti-racist. There is no in-between safe space of ‘not racist.”

Ibram X. Kendi, How to Be an Antiracist

Love’s Undercurrent

Failing to feel is not something I’m accustomed to. You can catch me crying at the beauty of the world, laughing with overwhelming joy, weeping because of the kindness of strangers, smiling because I simply see the sky, shedding a tear over missing my nephews… The point is, letting myself feel is the way I know myself and the world more deeply.

But, the truth is, it’s frequently more for me. Often times, my commentary gets in the way of my actual feeling. My announcement that a stranger was kind can (doesn’t mean it necessarily does) diminish my deep embrace with the infinite undercurrent of love within the moment. Sometimes emotions get in the way of experience, encounter, and a genuine embrace. Sometimes my smile at the mountains is more important than my proclamation of love for them. Sometimes my silence with a thought is more potent than writing it down. Sometimes, my unknown tears are from a place that doesn’t need to be explained.

Many of us face complicated days—memories abound, thoughts stop us in our tracks, histories take over present moments, and we still try to drudge through it all to emerge loving towards ourselves and our fellow human. There’s nothing wrong with exploring feelings with words, it’s human nature to reach for a sense of understanding within language. But, sometimes, the most boundless moments demand our silence. Sometimes the piles of language we create give us even more to sift through.

There are emotions we believe we innately know. For instance, many of us have a kind of faith in love. We’ve felt it heal, hold, cleanse, grow. We know love, or at least like to think we do. We’ve also felt it go amiss, and seen it tilted on its side until it becomes both unrecognizable and no longer life-giving. When I consider the indistinguishable relationship between love and freedom, I realize how often naming the nameless or clothing the bodiless can leave all disguised. Layered upon by language and definitions, the encounter is lost, the unspoken nature of the wholeness is penetrated by words. While love’s undercurrent demands to be felt, love still can be subtle while not being defined, and certainly never aggressively explained.

It is solely in the mystery where love lives, despite the fact that humans have spent their existence naming it. Perhaps love is both a letting go and an opening up, an ever-widening circle capable of holding more and more of the lover and the beloved, in our vast array of human relationships. All too often it’s easier to let go and that can be done in a toxic nature, especially when we find ourselves protecting the ego. On the other hand, we may find ourselves letting go simply because the suffering cannot be held an longer. But without letting go and opening up, there’s room to grow. The rigidity of solely letting go becomes nothing but an end point.

“I live my life in widening circles that reach out across the world.” Rainer Maria Rilke

Love grows where there’s room for it.

A desperate clinging is the precise opposite of a unfurled “knowing” (not to say there is such a thing). Clinging dissolves freedom, which dissolves a core aspect of faith, hope, and love. Theologian Paul Tillich writes, “Sometimes I think it is my mission to bring faith to the faithless, and doubt to the faithful.” In other words an emptiness or language-less space of freedom must exist before something can begin to fit, make sense, give life.

We are all hurting people. And our openness cannot be mistaken for wholeness. Wholeness does not exist without openness, while openness doesn’t necessarily mean wholeness. In his book, A Hidden Wholeness, Parker J. Palmer writes, “But choosing wholeness, which sounds like a good thing, turns out to be risky business, making us vulnerable in ways we would prefer to avoid.” Because choosing wholeness takes us on an inward journey—a place of revisiting ourselves, our scars, our woundedness, our darknesses. This inward stroll through the interior museum is not for the faint of heart, but it is for the one seeking wholeness. For wholeness with openness, is a life that abounds in both freedom and love. It is a life whose unattached faith and hope cannot help but delight in the unknown.

“Things take the time they take,” writes poet Mary Oliver.

Hurrying mystery, disables it.

Prodding wonder, forces it to hide.

Coercing awe, makes it dissolve.

“Naming the nameless can leave all unrecognizable,” a monk of Snowmass Monastery once said to me.

And in his 1964 essay to poets, Thomas Merton writes,

“We are content if the flower comes first and the fruit afterwards, in due time.  Such is the poetic spirit. Let us obey life, and the Spirit of Life that calls us to be poets, and we shall harvest many new fruits for which the world hungers – fruits of hope that have never been seen before.  With these fruits we shall calm the resentments and the rage of man. Let us be proud that we are not witch doctors, only ordinary men. Let us be proud that we are not experts in anything. Let us be proud of the words that are given to us for nothing; not to teach anyone, not to confute anyone, not to prove anyone absurd, but to point beyond all objects into the silence where nothing can be said. We are not persuaders. We are the children of the Unknown. We are the ministers of silence that is needed to cure all victims of absurdity who lie dying of a contrived joy.  Let us then recognize ourselves for who we are: dervishes mad with secret therapeutic love which cannot be bought or sold, and which the politician fears more than violent revolution, for violence changes nothing.  But love changes everything. We are stronger than the bomb…”

Love grows where there’s room for it.

I, for one, will keep doing my best to make room, which is a lifelong engagement. For love is the most worthwhile gift on earth.

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The Way of Love; The Way of the Outlaw

(Friends, this is from my lecture last night, 01/31/2019, at Christian Theological Seminary in Indianapolis for the Thomas Merton Course I am lucky enough to co-teach. I decided to focus on the concept of vocation and in the lecture had also included quotes and concepts from Mary Oliver, Simone Weil, and Elizabeth Gilbert. Hope you enjoy a portion of what I shared in essay form).

I’ve long held the belief that the contemplative way is a way of agony. There are no shortcuts from human pain—ours or those we love. And being that such a way of living is also a way to love the world more deeply, there is no escape from this depth of agony. While this dull ache cannot be ignored, it also cannot be one’s central focus, for any focus solely on the pain limits the work of love and minimizes the infinite possibilities each of us host.

Many of us don’t identify with the word contemplative, and even the word contemplative is messy. In The Inner Experience, Thomas Merton writes, “One of the strange laws of the contemplative life is that in it you do not sit down and solve problems: you bear with them until they somehow solve themselves.” To be a contemplative, therefore, is perhaps just another way of letting go, a way of being with the suffering, in the suffering, a way of showing solidarity––a special way of being present to the pain of and in the world.

That being said, it seems any vocation where one so fully gives themselves to loving others and the world more deeply is inevitably a vocation of agony. It is often a place of loneliness, aloneness, and an ache for the world to know love. On April 4 of 1962, Thomas Merton wrote to Abdul Aziz (a friend who propelled Merton’s interest in Sufism) saying,

I believe my vocation is essentially that of a pilgrim and an exile in life, that I have no proper place in the world, but that for that reason I am in some sense to be the friend and brother of people everywhere, especially those who are exiles and pilgrims like myself.”

Nearly five years later, on April 3, 1967, the Rev. Dr. Martin Luther King, Jr. shared of his experience with vocational agony,

“And some of us who have already begun to break the silence of the night have found that the calling to speak is often a vocation of agony, but we must speak. We must speak with all the humility that is appropriate to our limited vision, but we must speak… Over the past two years, as I have moved to break the betrayal of my own silences and to speak from the burnings of my own heart.”

Thus, another pathway towards meeting the pain of the world is undoubtedly the way of the activist. In 1961, not long after his discharge from the Navy as a conscientious objector, a young Catholic Worker volunteer named Jim Forest first wrote to Thomas Merton. The correspondence began when Dorothy Day handed Jim a letter from Merton and asked him to respond. In the years that followed frequent letters were exchanged between Jim and Merton. In February of 1966, Merton wrote the young activist saying,

Do not depend on the hope of results. When you are doing the sort of work you have taken on, essentially an apostolic work, you may have to face the fact that your work will be apparently worthless and even achieve no result at all, if not perhaps results opposite to what you expect. As you get used to this idea, you start more and more to concentrate not on the results but on the value, the rightness, the truth of the work itself. And there too a great deal has to be gone through, as gradually you struggle less and less for an idea and more and more for specific people. The range tends to narrow down, but it gets much more real. In the end, it is the reality of personal relationships that saves everything.

The one whose vocation is love lives in a narrative that is controlled by reality. And it is within this reality that one meets the pain of the world. It can often feel like a lonely woundedness, a gaping ache, or a gnaw that is just simply ever-present. When speaking of loneliness and aloneness with a sister of Mount Saint Mary’s Abbey in Massachusetts, she shared how loneliness belongs to us all, to the most human of hearts,

“I think the loneliness strengthens you over time through whatever life brings about… it’s a loneliness that says ‘there’s space there for the whole world… there’s space there for the whole world.’”

This pain—for the contemplative, for the activist, for the contemplative-activist, for those of us in all vocations of loving humanity—is a pain that only deepens and widens with time. As we bear our own wounds and gaze lovingly at the scars and scabs of those we love, our compassion grows deeper still, our hearts break once again, and we move closer to the unending heart of God.

I’ve long believed that all of us are artists and all of us have the capacity to pursue this kind of vocation of loving in our individual ways. Sister Corita Kent once wrote,

Creativity belongs to the artist in each of us. To create means to relate. The root meaning of the word art is ‘to fit together’ and we all do this every day. Not all of us are painters but we are all artists. Each time we fit things together we are creating ––whether it is to make a loaf of bread, a child, a day.”

And, Evelyn Underhill argued, “All artist are of necessity in some measure contemplatives.” … Finally, Thomas Merton reminds us, “To be a contemplative is therefore to be an outlaw…” 

 

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The Tireless Pursuit of Peace

Looking up, I knew this was a moment to behold. Across the living room from me sat Jim Forest, laughing among friends while in Toronto for the first annual Voices For Peace conference. The 76-year-old peace-activist, author, storyteller, and lover of humanity was frozen in a moment of pure joy. I grabbed my camera to capture the glance of a life dedicated to peace, love, and a deeply rooted adoration of God.

Many know Jim by way of his friends: Thomas Merton, Dorothy Day, Dan Berrigan, Thich Nhat Hanh, and Henri Nouwen –– to name a few. But having spent a few days with Jim, it’s hard to not count yourself among the list. His humility and sincerity pointed time and time again to a new way of listening, truly seeing, and deeply caring for my fellow human.

Throughout the week I had the honor of sitting down with Jim for meals, conversations, and laughter. We arrived in Toronto amid the backdrop of the van massacre that killed ten people just a day prior. Diving head-first into a pre-planned peace conference felt like apostolic work in a city mourning such a tragedy, but questions kept pressing me. How is the accumulation of information truly accompanying my neighbor? How is knowing the immorality of the weapons economy disarming my nation? How am I really helping the kids in my life and the land I stand on to see another day?

“Who is a peacemaker?” Jim asked in his keynote address, “Anyone who is acting peaceably to protect life and the environment… Peacemakers are engaged in a war against war, with the goal not that war should be made less frequent or less murderous or more humane but that war should be eliminated. War should be made unthinkable. Otherwise all of us are losers. As Merton put it, ‘There is only one winner in war. The winner is war itself. Not truth, not justice, not liberty, not morality. These are the vanquished.’”

Jim was editor of the Catholic Worker and co-founder of the Catholic Peace Fellowship. He was arrested numerous times while protesting war and jailed for burning draft cards. He’s an award-winning author. But a list of achievements isn’t what Jim is about. His passion for peace is entirely rooted in relationship. His centeredness goes beyond those friends in the living room. Jim has created a lifetime around loving all people, enemies included:

“Love doesn’t exclude outrage. Love and outrage are sometimes as woven together as a strand of DNA. Dan’s [Berrigan] many acts of civil disobedience were animated by, as he put it ‘outraged love.’ For Dan ‘outrage’ was an adjective; the key word was ‘love.’ Love opens the way for conversion. But outrage without love is a blind alley.”

The days we live in are bleak and barren without love. Every news feed, each source of media, and conversations that surround us — are drenched in outrage untethered to love. Why is it that as soon as we can reconnect our outrage to love we see another headline that tears them apart again? “Fear is the great force that restrains us from acts of love,” Jim said in his second keynote address. “Fear is useful only when it serves as an alarm clock, a device that wakes us up by briefly ringing… When fear takes over, it tends to rob us creativity, resourcefulness, and freedom.”

As fear engulfs us, I wonder, are we debilitating ourselves from action that could better serve the world? The way of peace is as urgent as my next breath, and this is a literal statement for many, so why is it not for me? How can we navigate peace in the spirit of urgency? Is the response of a peacemaker not more important than the springboard of reaction born of urgency and conceived in the bowels of fear? How can I transform my fear-riddled flailing into a life of protest that is steeped in outrage and love?

“That’s the message we’re supposed to receive,” he told me, “’What you’re doing is a waste of time.’ But the truth of the matter is, it does make a difference. It doesn’t happen fast, and it sometimes doesn’t even happen in our lifetime. Sometimes it’s so slow, the iceberg is so big, so much of it is so hidden, so much of it is beneath the water line, watching it shrink is not easy for us. We live 60, 70, 80, even 90-100 years, but you know pick up a pebble on the beach, it’s 100s of millions of years old, it’s a different time scale.”

I was particularly struck by Jim’s tirelessness in these efforts of peace. At the age of 76, he’s flying six time-zones to share these messages with generations of activists. He’s zealously waking up to speak at a nearby church (Church of The Redeemer, Toronto) the day after offering two keynote addresses and countless interactions with strangers the day before. I quoted some of Jim’s own poignant words back to him amid asking for some advice for those of us navigating the ever present waters of activism today: “In your book, The Root of War is Fear, you said, ‘At the core of what is sane in our society I think you will find the pacifist movement, constantly reminding the populace that life is sacred, that justice–not vengeance–is our job.’ How would you advise the wearied activist among us today?”

“Shape your life on truth,” he told me, “live it as courageously as you can, as joyfully as you can. And count on God making some good use of it — what you do is not wasted. But you may not have the satisfaction of seeing the kind of results that you’re hoping for. Maybe you will, maybe you’ll be lucky but you can’t count on it.” 

Or, as his friend Thomas Merton once wrote to him in February of 1966:

“…Do not depend on the hope of results. When you are doing the sort of work you have taken on, essentially an apostolic work, you may have to face the fact that your work will be apparently worthless and even achieve no result at all, if not perhaps results opposite to what you expect. As you get used to this idea you start more and more to concentrate not on the results but on the value, the rightness, the truth of the work itself. And there too a great deal has to be gone through, as gradually you struggle less and less for an idea and more and more for specific people. The range tends to narrow down, but it gets much more real. In the end, as you yourself mention in passing, it is the reality of personal relationships that saves everything.

JimAndCassidy
My friend, Jim. (Photo by Paul Pynkoski)

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Encounters with Silence – Thomas Merton’s Hermitage

*This essay will be featured in the upcoming book, Notes on Silence.  Order at www.notesonsilence.com 

“Questions arrive, assume their actuality, and also disappear. In this hour I shall cease to ask them, and silence shall be my answer.” Thomas Merton, The Sign of Jonas (p. 361)

In May 2016 I was lucky enough to join a group on a brief excursion to Thomas Merton’s former hermitage. In this small cabin set apart from the Abbey of Gethsemani, Merton lived out the final four years of his life and monastic vows from 1964 until his untimely death in 1968. The hermitage may have only been a brief chapter in his life given his entrance into the monastery in 1941, but it’s been known to be the birthplace of some of his most transformative and inspiring writings, particularly those writings pertaining to contemplation, social justice, peace, and his vision of unity.

Since I’d been a Merton fan for years prior to this visit, I’d fantasized about the day I might be able to wander upon this particular cabin door. I always imagined Merton would’ve had mixed feelings about these pilgrimages. The precise place he sought for solitude and space was now being trampled on by onlookers and admirers on a regular basis. Though it had been nearly 50 years since Merton had last been within these walls, embarking on this private space seemed like walking in on someone in the middle of their work. It felt like an interruption. It felt as if I was peering into something.

Something of the mystery. Something of the unknown. Something fossilized in the silence.

Alas, I also knew that it was just a space, just a place, and its sacredness and mystical  tenor came from the spaciousness and intention Merton held within it–an inner stance which we’re all capable of, yet few come to know.

With 20 or so of us trekking up to the hermitage, I worked hard to contain my child-like excitement. Grinning along the way, I took note of the distance from the monastery, envisioned the walks Merton may have taken, and considered the steps that led him home. Our group gathered inside and out to hear stories from our guide, a current monk, and poet, who happened to know Merton from their time together at the monastery. Our thoughtful discussion considered the work and writing he created within the hermitage and the inspiration it had in our own lives. 

When it was time to go, the group began to quickly evaporate into the landscape back towards the Abbey. I sensed an opportunity to spend some time in the back rooms, and wandered into the quietude. After a few minutes had passed, I looked to the window to see the last of the group disappearing in the distance and realized I was entirely alone. Giggling with delight, I felt the hermitage sinking into the hush of emptiness, the tiny cabin seemed to be transforming into a stagnant memory of everything it once held. I sat in the silence.

Somehow, this time alone felt less invasive. I no longer felt like I was intruding but instead felt as if I was communing with something beyond the time and space. I entered each of the rooms in their silence— the chapel, the kitchen, the bedroom— and I spent another hour in the living room by the fireplace, desk, and bookshelves.

In the end, there was no mountaintop experience. It was an inspiring space, no doubt, but it was still just a space. It was only what we brought with us as individuals that made the place spectacular. I surfaced from this hermitage experience pondering the implications of seeking mysticism in such a place. While on this particular day it was more about reverence of space, I couldn’t completely eliminate the hope of getting in touch with that mystical encounter of which we are all so desperate for. And, perhaps I did get in touch with it. Perhaps I didn’t. Undoubtedly, I’ll never know. For the mystical encounter is always as undefinable as it is undeniable. The mystical encounter is always as elusive as it is palpable.

As much as I know that even discussing the idea of attainment only pushes me further from it, I can’t help but consider what it means. To go seeking for something which cannot be sought. To go on looking for something which cannot be found. To attempt to do something which cannot be done.

The only proper response I have to the beauty of such a silent space is… I’ll never know.

“…In this hour I shall cease to ask them, and silence shall be my answer.”

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Thomas Merton’s Hermitage, photo by Cassidy Hall

 

 

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When Letting Go Is Holding On

“My dishonesty with myself and others hinders the honesty of all humanity, hinders the progress of all people.” Journal entry on 2/12/12

In 2012 I made the decision to let go of some certainty in my life for the sake of exploring something unknown. I quit my job. I quit my salary-paying, insurance-giving job full of security and certainty so I could travel to the seventeen Cistercian monasteries of the United States. As someone who isn’t Catholic, this was a surprise to everyone I knew. I would say that this decision surprised me too, but as I went on doing what I was supposed to do each day, I only felt myself dying a million deaths. It doesn’t surprise me I took on such a drastic measure to keep on living.

So much of my life at the time was wrapped up in what other people thought of me and meeting the expectations meant sticking to the script. Quitting a secure job with a salary and benefits wasn’t just an unwelcome improvisation—it was dangerous one. And thrill seeking was absolutely not a part of those predictable characters’ make up.

Yes, I was open about my sexuality, but only quietly, only where I felt safe. Sure, I was open about my spirituality, but only to the degree that it blended in a room. Yes, I loved my job and the amazing people who crossed my path while working it, but it became mostly an uncomplicated way to pay the bills.

I thought I was “doing all the right things”, but as I did them, I couldn’t shake the nagging; the blatant certainty that there was more to this life and that it wasn’t reserved for the few, and that it might even extend to me. Fitting everywhere but belonging nowhere—it was no longer enough, and something inside me sensed my restlessness could only be calmed by letting go.

Quitting my job to pursue that which was pulling me from the center of my heart made me feel exhilarated in a way that I hadn’t experienced since the beginning of these piling expectations. The monasteries, their silence, their mystery, their unique provision of solitude felt like they could be an exception to the lack of belonging I sensed at every turn. As I gave more and more thought to this longing within me, the unknown abundance of mystery that was before me, a unique way of exploring my interior spaciousness, I knew I had to go.

And when I stepped inside these sacred places, overcome with a sense of belonging, I knew instantly I had not made a mistake. It was in these moments away that the focus sharpened and I could sense my place in the world more clearly. It was a space where the noise of any perceived audience’s approval or disapproval literally and metaphorically cleared from my life and I could hear the voice of my heart instead.

So, I poked my head into seventeen spaces bathed in prayer and talked with monks and nuns about silence, solitude and contemplative life. I didn’t realize until the pilgrimage began that part of this expression of my true-self was bound up in my existential and spiritual curiosity that had been a part of my meandering thoughts since childhood. We further explored topics related to social justice, the true-self, acedia, mental health, and community. My joy and curiosity could not be contained.

This strange pilgrimage was spurred on and then validated by Thomas Merton’s words in New Seeds of Contemplation, “Many poets are not poets for the same reason that many religious men are not saints: they never succeed in being themselves… They never become the man or the artist who is called for by all the circumstances of their individual lives. …They wear out their minds and bodies in a hopeless endeavor to have somebody else’s experiences or write somebody else’s poems.”

This idea of spending my life on the things that aren’t of me is something I have had to navigate in my own way. It’s a lesson that is never over once it is over. It certainly isn’t easy for me to be true to myself. I have to learn and then relearn nearly every single day.

I know, for example, that in my writing life there are many topics I’ve avoided for reasons I’d rather not admit. Reasons that ultimately declare the comfort of others and myself as more important than the truth and freedom of all humanity. Reasons that shun my inner spirit and remove dignity from my identity. I learned long ago on my pilgrimage that the danger in not being my true-self had a ripple-effect that was larger than just me. My self-expression, being true to who I was, affected other’s ability to do the same.  After all, we belong to each other. I knew then it was time for a change. It was time to let go of the world’s agenda for my life. And, it’s just as true now as it was then.

“Trust is very much about going beyond the guarantees; engaging into the future that is beyond what is known and seen.” A Monk of Mepkin Abbey

When I arrived home after nearly a half year on the road, I had no extreme revelations or clear-cut certainties to reveal. I only emerged with a new sense of listening to the heart of who am and an openness to the silences and the stillnesses that speak into that true identity. I began to let go of those preconceived notions the world had seared into me for years, I began to let myself unfold and go off script. 

“I don’t want to stay folded anywhere,because where I am folded, there I am a lie.” Rainer Maria Rilke

All of life is loving as much as it is a constant letting go. Sometimes that letting go is an initial step away from the noisy world into finding out more of who we are. And, sometimes this requires a grieving. A grieving of a narrative we’ve clung to or been told, or grieving a sense of certainty or ownership. But we cannot begin to meet ourselves without this letting go. We cannot begin to reunite with the wholeness of who we are until we strip ourselves of assumptions, predictions, and expectations. We cannot hold on until we truly let go.

“There is in us an instinct for newness, for renewal, for a liberation of creative power. We seek to awaken in ourselves a force which really changes our lives from within. And yet the same instinct tells us that this change is a recovery of that which is deepest, most original, most personal in ourselves. To be born again is not to become somebody else, but to become ourselves.” Thomas Merton, “Christian Humanism” in Love and Living

Cassidy Hall is a writer, photographer, filmmaker with a MA in Professional Counseling. Cassidy’s writing is featured on The Huffington PostPatheos and her website, www.cassidyhall.com. You can find her on twitter @cassidyhall | instagram @casshall | and Facebook cassidyhall77

Cassidy’s forthcoming book, “Notes On Silence,” co-authored with Director Patrick Shen can be pre-ordered here.

Originally posted on The Sick Pilgrim Blog.

 

 

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Faith and Doubt in the Labyrinth

I am easily led to anxiety in unfamiliar situations. I don’t like to do things with other people, and though I recognize the necessity in community, I’d almost always prefer to go about my day on my own, for comfort’s sake. Like most of us, I like certainty. Like most of us, I realize life isn’t very certain.

While walking a labyrinth with a group of friends last week, I was brought to a place of holding this uncertainty in a new way. In our preparation to walk, we reminded one another that the walk is not a maze, and no matter how lost we may feel at any time, we aren’t lost at all — as long as we keep our eyes on the path under us. We read aloud, “there’s no wrong way to walk the labyrinth.”

My anxiety led me to jumping in the labyrinth as soon as I possibly could, keeping only a few things in mind from our previous discussion. I chose to walk in with my hands down, symbolically releasing all that was hindering and holding me back — the heaviness that has been insistently upon my mind and heart in recent times. And as I sauntered into the center I recalled the only other thing I retained from our discussion — that the 6th petal in the center represents the unknown, and I was darting for it because that’s all I did know.

“Fear of the unexplainable has not only impoverished our inner lives, but also diminished relations between people; these have been dragged, so to speak, from the river of infinite possibilities and stuck on the dry bank where nothing happens.”
–Rainer Maria Rilke, Letters to a Young Poet

…Read the rest of my guest post at The Sick Pilgrim Blog.

Embracing Winter

 

“In the midst of winter, I found there was, within me, an invincible summer.
And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better, pushing right back.” Albert Camus

I’ve had a disdain for winter for as long as I can remember. When I was a child in Iowa, my older sister could get me to go outside only by explaining an exciting game we were going to play in the blistering cold. Her games usually involved making food – pizzas in the ground, snow cones in my hands, or building something else completely impossible. But every time, just as soon as the negative temperatures grazed my face, my imagination would halt and lay dormant against the frigid ground. I’d quickly become frustrated, irritated, and just wanted to go inside where it was safe and warm.

Recently, I found myself in an emotional and literal winter. While home visiting family and friends in the midwest, I was simultaneously drudging through my own difficult emotions as the first snowfalls arrived. One day, while shoveling the snow with a friend, I managed to conjure up a few words alongside my sarcastic smile, “thank you for teaching me to love winter again”. These synchronized encounters of winter have challenged me to consider winter as something I could learn to love, even if only because it’s here.

I’ve tried, like so many of us have, to enjoy my winter. To let it be and behold it for the miracle that it is. To cherish the snow falling as if I’m getting to see a snow globe live; to move through my emotional pain and accept it just as I am. This has proven much more difficult than I ever imagined. It’s much easier to despise the winter or suffer through it knowing spring is imminent, but what if it’s not? What if this is the winter that spring never enters into? What if these are the sorrows that never go away?

Though contrasting seasons can assist us in embracing the one that is present, what if a contrast never comes again? I so often hear and tell myself to live here and now – that the day before me is all I have, and I wonder what it might look like if I truly lived like winter is all I had? What if I basked in the freezing temperatures and reveled in the thoughts of snow? What would it feel like to constantly be okay with a flow of tears and an openly aching heart? Loving winter requires a vulnerability I’m still unfamiliar with.

It is certain that in my figurative winter, I’ve been opened up in a way I never knew possible. The rawness of my spirit has forced in a light often too bright to stand — but in my openness, it keeps shining in. Though this can be a painful experience and usually makes me want to dive deeply into hibernation, I’m managing to stay outside longer. I’m learning to be with the light of day. As it always is, getting in touch with my own soreness has made me more aware of those in pain around me. I find myself all the more often sitting side-by-side with those in need as we watch the snow fall together. Then, in our togetherness we become ready to shovel our neighbors out and play as best we can in the hideous bone-chilling cold.

For one of the first times in my life, I’m listening to the exciting games of winter and joining in their fun, doing my best to forget the pain of the wind against my face, doing my best to be here, now. Sometimes, or usually, my laughter is in vain, and my cheer is fake – but I’m still going outside and doing my best.

At the end of the day I know winter is a sure sign of spring, but it is still worthy of my imperfect effort to enjoy – especially knowing there are so many already out there scooping the sidewalks of strangers, just so we can all play.

“The winters will drive you crazy until you learn to get out into them.” Parker J. Palmer

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Ames, Iowa (Photo by Cassidy Hall)