Cassidy Hall Art, contemplation, podcast, social justice, solitude, Writing

Sacred Attention | A Conversation with Cole Arthur Riley

Transcript:

Cole Arthur Riley:  Contemplation for me is a certain commitment to paying attention to the Divine in all things. So in one’s interior world, as well as the conditions of life and the world around us. Mysticism, I think it’s kind of a fidelity to magic and mystery in our interpretation of those worlds. At least that’s how I think about it.

Cassidy Hall: Welcome to Contemplating Now, a podcast focused on the intersection of contemplation and social justice. Through interviews with scholars, mystics and activists, this podcast will focus on contemplative spiritualties direct relationship with issues of social justice. I’m your host, Cassidy Hall, a filmmaker podcaster, pastor and student and I’m here to learn with you. 

Cole Arthur Riley is the creator of Black Liturgies, a space for black spiritual words of liberation, lament, rage, and rest. Black Liturgies is a project of the Center for Dignity and Contemplation, where she serves as the executive curator. Born and for the most part raised in Pittsburgh, Cole studied writing at the University of Pittsburgh. She is the author of the recently published book This Here Flesh: Spirituality, Liberation, and the Stories That Make Us .

Cassidy Hall: Well, thank you so much for joining me today. Your new book is absolutely incredible and your work is so important. Thank you so much for being here.

Cole Arthur Riley:  Thank you, and thanks for having me.

Cassidy Hall: So one of the ways I love to begin is just kind of a way to orient our conversation. I’m wondering how you personally define the words contemplation and mysticism, and maybe also how you see them lived out in the world today.

Cole Arthur Riley:  I would say contemplation for me is a certain commitment to paying attention to the Divine in all things. So in one’s interior world, as well as the conditions of life in the world around us. Mysticism, I think it’s kind of a fidelity to magic and mystery in our interpretation of those worlds, at least that’s how I think about it. How I see them in the world today, I mean, it’s hard. It’s hard to–I think, especially in western contexts to have it show up, particularly mysticism, with any kind of clarity. It’s hard to see in other people. There are certainly these kinds of spaces where it’s safe to talk about one’s kind of exploration of mystical things, and mysticism, but I don’t find myself always in those spaces. I’ve lived a life kind of tangential to the academy, to college settings and worked with academics for many years and talking about their kind of connection to spirituality and what they do in their work or their research. And I found that was all very exciting. But when it came to talking about kind of element of mystery and the unknown, and in terms of engaging that spirituality, it was a little more difficult to do it felt like more is at stake almost.

Cassidy Hall: I love that fidelity to mystery or fidelity to magic. When I hear that, when I think about that, I also think of things like transcendence. And I’m wondering if you see any association with Reverend Dr. Holmes, Barbara Holmes, who talks about this notion of public mysticism. And I wonder if you see that fidelity to magic is also existent in activist movements?

Cole Arthur Riley:  Absolutely. I think, that there’s something there. When you think about what activism requires, the kind of belief activism requires, the kind of moral imagination, just general imagination, it requires for you to kind of protest. You’re protesting, which shouldn’t be, but to do that it requires you have some kind of concept of what should be and I think that takes a lot of kind of contemplation and mystical work to, to dream up a different way, almost. But I think that there is a very credible tension, I would say between the life of a contemplative and the life of an activist. I talked about this in the book, briefly, that I had a boss and a mentor who said, right before I began writing This Here Flesh, she said, if there’s anyone that I’ve met who’s both contemplative and activist, they’ve never been able to do both well. If they’re out there, I haven’t met them. And I mean, immediately, I thought, that’s what I want. Challenge accepted. That’s who I want to be in the world. But also, I do think there’s something really credible about that tension that he was articulating. The kind of urgency I think that activism can seem to require and does require, at times can seem in conflict with the contemplative, but I don’t think it needs to be. I love what Barbara Holmes says about the contemplative life. I’m also thinking of this really brief article that Christian Wiman wrote for the Christian Century actually, a while ago, I think it was like a decade ago, he wrote about this tension of the contemplative in him and this kind of desire for action. Anyways, it’s a really beautiful remarks on what I’m describing about that tension.

Cassidy Hall: It’s kind of going back to a previous thing you said, where essentially, this idea that academics have a harder time hosting that ambiguity, hosting that space, you think it’s just this determination to put language to things or, what do you think that is? 

Cole Arthur Riley:   Well, I can see some of it in myself. I’m not an academic. I’ve worked closely with them and I’m not an academic… I think I was just kind of born a mystic and it was like, worked out in me. So when I was little, my sister and I–I’ve only just recently been reflecting on these weird stories, but my sister and I, we would like literally mix potions out of expired condiments and give each other these signs. Like you’re the sun sign today or you’re the moon sign. And in the book, I talk about this friendship, one of my earliest kind of friendships with this girl, and we would have like ceremonies in the field at recess before, I think we even understood what a ceremony was, we would like call them, this is our ceremony, and like eat chocolate icing and talk to clouds. And so I had something in me that, I think, as I grew up, became more and more legible. And what became more pronounced was like this hyper rationalism. It became serious and dare I say, rational. And when we speak of, I think, the mysterious and the miraculous, I do sometimes find it difficult to believe. I think maybe academics have had some of that childlike wonder and mischief worked out at them as well, drilled out of them. So it requires a resistance in me. This like resistance to the formation that says, clarity and like you were saying, articulation: “Clarity and articulation are the most important things.” I’m very suspicious of that. But I’ve been formed to think that that’s the most important thing. So anyway, I’m constantly trying to travel back and revisit my child self and her wisdom, kind of homecoming, really,

Cassidy Hall: And that fidelity to magic is also kind of like you’re saying this fidelity to play, to pleasure, to joy, to engaging with the natural world as your child self even and, of course, our adult selves. I’m thinking if I were to go make potions in the yard right now, which sounds like a great idea, and talk to the clouds which are pouring down rain right now. But my adult mind would so much say, oh, but rationalize this. You look crazy, or all these things that kind of hinder our fidelity to play or hinder our fidelity to this magic.

Cole Arthur Riley:   Yes, yes. It’s so true. It’s difficult. I’m not mixing potions in the basement anymore sadly, but I’m trying to learn how to just be open to mystery. But even mystery in the mundane I think. So I was watching the barn swallows. We have a barn on our property and the barn swallows are returning and just watching them fly earlier this afternoon and watching them kind of swoop and dance and make the wildest shapes in flight and somehow communicate. I start thinking how do birds do that? How do they know? And even just to kind of pause and let the mystery and miracle breathe a little bit in that very mundane observation. It’s not quite the magic of the like recess ceremonies but there’s something there. 

Cassidy Hall: I love that. Let the mystery and miracle breathe a little bit. It’s beautiful. And your work with Black Liturgies is a work of artistry, poetry, therapy, activism. What’s the origin story of creating Black Liturgies?

Cole Arthur Riley:  Yes. So I started Black Liturgies in the summer of 2020 July, I believe, and what a summer that was. I feel like that’s forever going to be kind of etched into everyone’s consciousness. It was in the wake of the murders of Ahmaud Arbery and George Floyd. And we had these resurfacing accounts of the murders of Breonna Taylor and Elijah McClain. And I’d been in liturgical spaces for a handful of years by that point, and found a lot of rest, I think, rest and beauty and liturgy and I’ve always written and so it’s been a kind of natural way for me to connect with God. But I found myself so hungry, like so desperate for a spiritual space that was capable of holding my Blackness, the grief of the moment and the anger, my rage. I wanted a space that could hold that. And so I started Black Liturgies, kind of hoping to find some like-minded people.

Cassidy Hall: And within that work, do you continue to get in touch with kind of that that space of tension? I think my question is, is contemplation a part of your writing process and how do you maybe hold the tension in those moments when you write?

Cole Arthur Riley:   Yeah.. definitely… Black Liturgies is definitely developed and it’s continued to contain that the anger, the grief, but I think it’s expanded into other emotional expressions. I’m really interested in just connecting the body and embodiment and emotional experience… in my writing, I think I absolutely need contemplation and mysticism. I use this language, I made it up of contemplative storytelling in the book. So it was kind of important for me to put language to that, so it feels a little bit distinct. I’m really disinterested in contemplation, purely as a mental experiment. I think more and more people are. I’m interested in embodied contemplation and emotional contemplation, and I’m trying to nurture and preserve stories in the book that are so important to me. And I think they kind of demand a contemplation. If you want to use the language of attention, they demand a kind of sacred attention to ensure that I’m most honest, and a good steward of the stories. So one way that looks, I mean, I wrote my book in about three months. Of that time, around 15 – 17 days were actually spent writing, the other days were spent in listening, and in thought, and embodiment. Being attentive to the stories of my grandma and father, and resting in them as I sat in bed, or I sat in the shade of the oak tree next to my house. And an embodied contemplation as well. I very rarely will relay a movement or motion and a story without practicing them. I don’t describe a person folding a piece of paper without mimicking that in the air with my hands. And so it’s an embodied contemplation as a part of the writing process as well.

Cassidy Hall: That’s such a deep, deep commitment to the work. Like you’re saying, even folding the piece of paper in taking the time to really let the fullness of yourself engage and tell the story. 

Cole Arthur Riley: Yes, seeing writing is just a small, small part of that. 

Cassidy Hall: You also in the book, as you’re saying, you write so much about the mind, body, spirit connections, and the importance of embodiment and spirituality. And similarly to me, you write about the importance of undoing the whiteness of God. Do you think these things are connected and that as we move towards undoing the whiteness of God, we might also move towards a deeper embodiment of spirit as a closer enmeshment with the truth and the valuing expanse and have movement towards liberation from those hindrances of those false images?

Cole Arthur Riley: Yes, beautiful question. Yeah, I do I think the more we undo the whiteness of God, absolutely. I think we experience a kind of deeper and closer connection with the divine, I think, whiteness loves disembodiment. I’ve started to ask this question recently of like, when I’m disembodied, or when I’m kind of find myself really out of sync with my physical self. I’ve been asking my question, if you weren’t in your body today, who was? And the answer to that question has so often been like, white capitalism? The kind of threat of productivity and I think whiteness loves disembodied people because it makes those bodies more easy to colonize, and to take control over ultimately. And I think if you think about whiteness as a force, I mean, how does integrate it? Does have to be to commit the tears that I think whiteness is committed. You have to be a pretty disintegrated person, if you want to talk about what your body is doing. If you want to talk about the hand that holds the whip, and the chains, and then the person with the heart and an emotional experience, I think man has, emotional restriction that absolutely nurtured through the hand of whiteness, this emotional restrictions, detachment from one’s physical self and the acts you’re committing, and one’s emotional, self and empathy. So I think whiteness is absolutely a tool for disintegration–loves it, continues to nurture it. And the more we undo the kind of the force of whiteness in our spiritual imaginations, I think the more the divine, at least for me kind of expands, it opens up, it becomes less about narrowing in on exactly what one thinks about any given topic. And it becomes much more about this kind of play and curiosity and, mystery even and, you know, my thought doesn’t need to be supreme. My experience of God doesn’t need to be supreme in order for it to matter and have value to me. I think that’s kind of the shift you see? I mean, you’ve thought about this as well is that how you’ve experienced it in your own work?

Cassidy Hall: Yeah, definitely. The more undoing I experience and the more embodied I am, the more there is to the mystery, to the expanse, to God, God’s Self. I mean, it’s like a deeper pool. But instead of this being a terrifying space where I need to cling and name, it’s a space of freedom and a space of embracing the vastness of God and in myself and in other people, and in nature, and in the squirrel outside my window. 

What you said earlier was a form of movement away from that sense of productivity and capitalism and whatnot, even the way you chose to write this book, the way you sat in story, the way you committed to having your body be in touch with story before you put pen to paper it sounds like. Was that like a conscious thing before you started doing that as practice? Or was that something that you kind of just knew you needed to do and it happened?

Cole Arthur Riley: Honestly, it wasn’t a conscious decision at all. I think I was changed in the process of writing this book. Some of the stories, some of the familial stories I’d heard before. I’d heard fragments of them. But to become a kind of care caretaker of them in a new way, to have the responsibility of translating them to strangers, I think I felt a different kind of responsibility to their stories. And even now, my grandma passed while I was in the final stages of editing the book. And what that does to you in terms of wondering if you’ve done the stories justice. So as you know, as I was listening I’d call them pretty much on a weekly basis and I would have a series of questions for them and have them retell portions of stories or describe certain things. And sometimes I would video chat them or I have lots of videos from before I started writing the book that I would go through, and something about those moments felt so sacred and distinct that I couldn’t just rush to the page. If I would have rushed to the page, I probably would have brought all of me and very little of them ultimately, because I was so in my own experience of their stories, as a daughter, as a granddaughter. And so required some time and space and rest from the like, impulse of productivity, use these stories. How are you going to use these stories? I had to think how are you going to rest in them and honor them? And so that looked a lot like sitting around and staring at a wall or staring at a tree, for me to really be present. Toni Morrison, oh, she has these beautiful words in the sight of memory, where she talks about this practice of imagination for the interior worlds of the people that made her. She was talking specifically about her ancestors who were enslaved. But I think it definitely transcends that. What does it mean to have this really true and honest practice of imagination for my father’s world, for my grandma’s world, that requires time? And I love that she uses the language practice, because it is. And I think that’s really compatible with contemplation and what we’re talking about.

Cassidy Hall: Do you find that practice is also a form of healing, and a form of finding your connectivity to the story and your movement into your truest self from those stories? Do you find that as a form of, maybe healing is the wrong word? 

Cole Arthur Riley:   Yeah, it’s funny that you asked that because Morrison she talks about that practice of imagination. And then she says, they are my entrance. The people you are kind of cultivating this imagination for, they are my entrance into my own interior world. Which I think is really beautiful, and really profound. And I’m 31 and I think I’ll probably understand the depth of that as I age. But there’s something in that, that in encountering my father and my grandma’s stories, and resting in their interior worlds, their lived experiences, I become closer to myself. And there’s something really mysterious in it. Like I have a hard time articulating it if I’m honest, but I feel so close to myself, especially after writing the book, I felt nearer to my own soul than I ever felt. Because I think the honesty in their stories demanded an honesty in me. And so it brought me closer to what I think what I believe and what I’ve lived in my own body.

Cassidy Hall: I just want to name that you also have like this energy of utter groundedness that’s really centered. I experienced that in you, that you are close to yourself.

Cole Arthur Riley:   Thank you. 

Cassidy Hall: So I want to ask, and you can choose to answer both or neither of these, of course. I want to ask what was the hardest part of the book to write and what was the easiest part of the book to write?

Cole Arthur Riley: Storytelling really comes pretty easy, easily to me. In writing, I’ve realized very early on that my kind of strength as a writer is in storytelling and kind of play. But listening to the stories were, of course, difficult and costly, and going to the places that most parents and grandparents don’t want to take their children and granddaughters that was hard. But in the writing of it, it felt strangely natural. The contemplative kind of reflections throughout the book. Now those were more difficult for me because I have a really difficult time, pinning down what I want to say with any kind of certainty. So my editors will tell you that my earliest drafts were just like riddled with maybes and perhapses and I don’t know, could be. Because that’s just what contemplation is brought out and ultimately is more uncertainty. I think it’s a editors nightmare to make sense of that on page. What do you think? And my answer is like, well maybe, maybe not. That is really hard to communicate without sounding weak to have a kind of mystery and uncertainty in your contemplation that still feels like it has a depth, I think I learned it’s really difficult, because sometimes uncertainty can sound really shallow. And so it’s really afraid. If I don’t have a clear belief on this, well, it seemed like I haven’t thought deeply about it. And in paradox, I think the deeper you think about things, as most contemporaries will tell you, the more kind of curious and unsure you become. So I realized just how little I have a firm grasp on so the contemplative reflections were really difficult. I think when I’m 50, I’ll probably look back and just laugh at some of the things I’ve said, but at least I know I’ve told the truth, as best as I can tell it for who I am in this moment, but whooo it was difficult. 

Cassidy Hall: Maybe some of those contemplative reflections are more expressed in like bodily knowing rather than language. So right, it was maybe just kind of what do you say when there’s nothing to say?

Cole Arthur Riley: Yes, yeah. Yeah, there’s definitely that as well. This kind of, how do you communicate the embodied knowledge, the intuition, the kind of, I mean, I tell the story of a very significant dream in my grandmother’s life. She was a dreamer. And I’m a person of just a lot of skepticism and doubt, but I believe her. I don’t believe most things people tell me but I believe my grandma. I’ve never wavered in that. But it was really difficult to communicate for example, that dream. It’s a very mysterious dream of an encounter with her ancestors and her father, her father’s father, and uncles and aunts and all these people kind of surrounding her in a dream. Anyways… it’s really hard to communicate what I cognitively think about that experience versus like this embodied intuition I have when my grandma would tell the story. Things like that are really hard to think to translate into pages.

Cassidy Hall: Yeah. Another thing you talk about in the book is, you kind of push us away from this binary of right and wrong work. And you hone in on expressing the importance of instead focusing on work with integrity and protecting dignity. And in our society, so focused on individualism and productivity. What is your hopes that someone might take away from, from understanding this difference among the other binaries you point us away from? 

Cole Arthur Riley: Yeah, I think that society kind of has a vested interest in us making this big deal, this big theater of choosing what work we’ll do and what career we’ll have. I mean, especially if you’re privileged enough to attend college, it’s this very elaborate, vocational discernment. What are you going to do? What work are you going to choose? And that’s how we think about vocation. Man, I’m more and more suspicious of that. And like, oh, okay, when you have that sense of connection, that sense of I was meant to do this, how much easier is it then for a society and like a capitalist driven society to use that and say, like, do, do, do. you know, God’s going to use you? Or, I mean, even if that’s your kind of spiritual formation, how is God going to use you think society and that spiritual formation work in tandem to really get the most out of our bodies that they can possibly get. How exhausting. Now, if you have an idea of vocation, and that discernment is like, how will I do my work, becomes a little more difficult to exploit. If you think it’s about how am I going to do this work with integrity? How am I going to protect dignity and my work? It has a way of disarming I think, the powers that be, the systems that are more concerned with using you because it de-centers a product and it centers like a connection and an honoring. That’s one example as you said. I think I was more and more when I thought about communicating a liberating spirituality in the book. I did want to dismantle these binaries of like, this is the right kind of way and this is the wrong way and more so have us think about the why and the how and the lived experience of a thing as opposed to this definitive choice. Anyways, I think for me at least, the more I experience kind of contemplation as well as the divine God, as a with a fluidity, I think just the more free and like playful and curious I am in my daily life. It feels very liberating to me to not know or to not choose the right way or the wrong way and instead just ask why to convey a human experience. So anyways, people ask me what I want people to take away from this book. And I say in the book, I don’t really want people to come away thinking what I think. I think that would be a real failure on my part. As a contemplative, I would be really proud if people put the book down and were closer to themselves in some way, and closer to their, their own kind of interior world closer to the lives they occupy, and that they feel more free to explore what they think and believe.

Cassidy Hall: That reminds me of a quote from your book, where you write “protect the truest things about you, and it will become easier to hear the truth everyplace else.” Which is incredibly powerful, and goes back to what we’re talking about earlier about the true self and finding the true self. And it seems to me that a lot of true self theology, for lack of better expression, has kind of got that wrong, because it seems to me a lot of true self theology actually hosts some of those binaries and capitalistic and white supremacist values that are guised as your true self is within those. And it seems to me that you’re pointing us to a true self in a in a really new way.

Cole Arthur Riley: You know, I haven’t thought about it the way you’ve put it. But yeah, I hope I’m doing that I think there can be a kind of like, true self theology that becomes about pinpointing. The journey to your true self is about pinpointing these very clear things about yourself. I’m an introvert or I’m this or that, and it becomes this kind of process of narrowing. I’m really interested in expert exploration of my true self is, again, an expanding. So instead of narrowing in on this is, what that means you are these qualities I’m trying to travel into stories that have formed me. I’m trying to, I think encountering my true self, for me means just, you know, even just the practice of going back to six year old Cole and, you know, resting in a memory or these fragments, and not necessarily always needing to make a clear judgment about that, but there’s value in the encounter itself, the nearness itself with that story or that that experience.

Cassidy Hall: Yeah, yeah. Who are some people today that you might name as mystics or contemplatives in our midst?

Cole Arthur Riley: Ocean Vuong certainly comes to mind. A poet and writer who I really admire. Rita Dove, she’s a poet. She has that very famous phrase, if you can’t be free be a mystery. Who else? John O’Donohue, I would say Christian Wiman, who I mentioned earlier. As I’m saying this, what all these people have in common that I that really excites me is that they’re all poets, maybe even primarily poets. And I think that probably reveals a kind of innate trust I have in poets. James Baldwin, I mean, he talks a lot about the artists and the role of the artists. But at one point, he says that only poets, I’m paraphrasing, only poets can be trusted to tell the truth. I’ve just revealed that in myself, you know, there’s something about the heart of a poet, I think, that allows, you know, poetry, it’s not really about communicating a clear idea. It’s these images, it’s these fragments, often it’s the impressions that one is left with after they encounter a poem. And so I think, I have to think about this more, but now I’m getting really energized by the idea of like, what do poets know that we don’t know about contemplation and mysticism. There’s something there. 

Cassidy Hall: So Cole another question I want to ask you is, what is your hope for the future of Black Liturgies and for your book?

Cole Arthur Riley: I mean, Black Liturgies I hope it continues to be this kind of harbor. I mean, it’s hard. It’s a public harbor. So you always have to ask yourself how safe is the space if you can’t control who’s was in it? Who comes and who goes so? Yeah, but I hope to kind of find ways to continue to protect people in that space protect black people in that space and kind of have it be, a kind of harbor for black emotion, the black body, black literature, and yeah, kind of spirituality that just feels safe and restful and nuanced, I hope. And I mean… I’m just trying to become more and more honest. You know, in my writing. I mentioned, I’m 31. I think that the art and the literature that I’m most drawn to, it’s the people who have been able to find some connection with this deeply honest self. It even at cost and risk. I think I took some of those risks, and this year, but I hope to do that more and more, as my writing develops, to have more of a more of a closeness to, like an honesty and me. 

Cassidy Hall: I’m so grateful for your work and I really look forward to continuing to hear more from you, Thank you for the beautiful things you shared today, even the very beginning when you talked about contemplation as a certain commitment to paying attention and mysticism, as a fidelity to magic. And the way you talked about your writing practice. The way that almost gave me a sense of permission. Anytime I go into a writing space, the world tells us we’re supposed to write the whole time and we’re supposed to sit and write even if it’s garbage that comes out you’re supposed to sit and write, but the permission you gave me today to let my body know more about what I’m doing and what I’m saying was just really encouraging to me. So thank you.

Cole Arthur Riley: Thank you and thanks for having me. It’s been a really very good and peaceful conversation. So I’m grateful that you have trusted me with your space that you’re creating with your podcast. So thanks again. Yeah,

Cassidy Hall: Thank you. Thank you so much.

[OUTRO] 

Cassidy Hall: Thanks for listening to today’s episode of Contemplating Now to support this work and get sneak peeks of new episodes. join me over at patreon dot com slash Cassidy Hall. This podcast is created and edited by Me, Cassidy Hall. Today’s episode features the song Trapezoid, instrumental by Emily Sankofa, which she has generously allowed us to use. Please find this song and more from Emily Sankofa on your favorite streaming platform or by visiting E Dash s-a-n-k-o-f-a dot com. The podcast has created in partnership with the Christian Century, a progressive ecumenical magazine based in Chicago. The podcast is also created in partnership with enfleshed, an organization focused on spiritual nourishment for collective liberation. For liturgical Resource Is and Tools head over to enfleshed dot com.

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The Unnamed Mystics | A Conversation with Dr. Kimberly D. Russaw

TRANSCRIPT:

Dr. Kimberly D. Russaw: …here I’m even thinking about people who could have been part of important movements. For me, whether it’s the suffrage movement, whether it’s the civil rights movement, whether it’s Black Lives Matter, Say Her Name, Me Too, all of that. What if what we’re dealing with here in our modern context is most of our mystics go unnamed? 

Cassidy Hall: Welcome to Contemplating Now, a podcast about the intersection of contemplation and social justice. Through interviews with scholars, mystics, and activists, this podcast will focus on contemplative spirituality’s direct relationship with issues of social justice. I’m your host, Cassidy Hall, a filmmaker, podcaster, pastor, and student, and I’m here to learn with you. 

Dr. Kimberly D. Russaw is an associate professor of Hebrew Bible Old Testament at Pittsburg Theological Seminary. She is a member of the Society of Biblical Literature where she serves as the chair of the African American Biblical Hermeneutics Program Unit. She’s also an editorial board member of the Journal of Biblical Literature. Dr. Russaw’s many publications include Revisiting Rahab: Another Look at the Woman of Jericho, Daughters of the Hebrew Bible, and a work in the expanded edition of Stony the Road We Trod: African American Biblical Interpretation. She received her PhD in Hebrew Bible in Ancient Israel from Vanderbilt University. And she’s an ordained elder in the African Methodist Episcopal Church. 

CASSIDY HALL: Well Dr. Russaw, thank you so much for joining me today. 

DR. KIMBERLY RUSSAW: I am pleased as punch to share virtual space with you. It’s been a minute.

CASSIDY HALL: It has, it has. So one of the ways I love to begin the conversation, so that we’re kind of on the same page is asking you how you define words like contemplation, and mysticism, and maybe also what they mean to you, and how you see them lived out in the world today. 

DR. KIMBERLY RUSSAW: So this is pretty interesting because I often do not think about contemplation and mysticism, pun intended. But in anticipation of my Cassidy time, I said, well, as I think about or the way I like to frame or image contemplation and mysticism, because I do think they’re different. I think they probably rub up against each other, but I do think they’re different. To me, contemplation is a much more deliberate activity, a person decides to engage in this work. They both can have an aspect of spirituality to them, the contemplation is much more about the intentional thought and reflection. And to me, mysticism is much more involuntary. The moments of mysticism, if you will, you don’t plan for them, you don’t decide or make it part of your regular routine, it just happens to you. So perhaps, one way to think about it is a person is in the subject position when it comes to contemplation, but in the object position when it comes to mysticism. To me, mysticism carries with it much more of a sense of engagement or connection to the divine. But in a way that seems first of all, very special to you. Everybody does not have mystical experience but everybody could decide to be contemplative. Also, there seems to be this element of privacy or singularity when it comes to mysticism or mystic acts; at least when I think about them in the Hebrew Bible, they most often seem to occur when nobody else is around. So I think about not just Moses experience with the burning bush, but I also think about his experience on Mount Sinai. He’s the only one there to have this encounter and there’s something different about him when the encounter is over. For the most part, the mystic that seems to happen one-on-one. I do say for the most part, because I think that what we see over in one of the Samuels, where they Saul is with the prophets, he has this frenzied engagement, and he’s with a group of prophets. So it’s more it’s not a singular or a one off or solo experience, but it is a group. Those are my thoughts. 

CASSIDY HALL: Yeah. And I wonder because when we look at the Hebrew Bible those words aren’t used. So I wonder, the way we talk about things like contemplation and mysticism today makes them seem inaccessible, even by the way that we frame them with those words. Does that make sense? 

DR. KIMBERLY RUSSAW: I agree with you. I think there may be something to this notion of language that in the Hebrew Bible, perhaps what we are seeing termed as visions are mystic experiences. So then when we see young Samuel and Eli, and Samuel, he is supposed to be asleep, and he hears his name called and he goes to Eli and Eli says, I’m not calling your name. That, to me is a mystic experience, but the text will refer to it as a vision. We see it all the time in the prophets. Everybody’s walking around either having a vision, or talking about a vision, that may really have been a mystic experience. Even Abraham, you don’t wait to the prophets to got them over in Genesis.

CASSIDY HALL: And I was lucky enough to take Hebrew Bible class from you and it was truly the first time I experience and was open to the Hebrew Bible and graspable way. I honestly avoided it, until your class. So it seems to me that a major part of your work and what womanist work does is it contextualizes and rebirths connecting us to our everyday lives, which is what I experienced in that class. And you wrote in Wisdom in the Garden, that “Womanist ways of reading the biblical texts are subversive, and that by and large they disrupt tightly held images of God and God’s relationship to humanity.” So my question off this is, this is really sacred work, when did you realize that this was a part of your vocation and your call? 

DR. KIMBERLY RUSSAW: Cassidy, I think I’m still realizing. I can tell you for sure that when I understood I had a call to ministry, and then when I understood that call was something different from traditional pulpit ministry, it never dawned on me, oh, you’re going to be doing some subversive work, and this is going to be how you going to contribute to the larger world–not really, never thought of it that way. I now understand that at the core of what I think I’m doing is I am providing people with the tools and the permission to see others differently. We start by seeing others in the text or seeing the text differently. And my hope in especially overlooked characters or over-read characters––I know what’s happening in Rahab, I’ve read that story, I’ve heard that story, I don’t need to spend a lot of time on it. That when we do that, then my hope is that, then we turn and we can see and engage others in real life that we may have read or that we may have missed or misread all along. And in that respect, that energy should create some different sort of change in the world and to the extent that it does, and yeah, that’s part of my calling. 

CASSIDY HALL: Amen. Yeah. The tools and the permission that really resonates with me. And when I took from you later, African American Biblical Hermeneutics and Womanist Biblical Interpretation class, I again, was just given the tools and permission and also able to see biblical scholarship as a form of activism; kind of this disruption, and this offering of the tools and permission to myself and to others as a faith leader, to again, yes, see that in real time and see the work of biblical scholarship as a form of activism. Do you experience your work as a form of activism?

DR. KIMBERLY RUSSAW: I don’t think about it as that but I absolutely have colleagues who I would classify as scholar activists. Absolutely. I’m not going to call names, they know who they are. I also have a scholar buddies, who are activist-adjacent, that they know that the work that they do is in service to those who are actively engaged in activism. I’m thinking about one who takes seriously the life-giving work of yoga, and movement and breathing. And they have decided that they’re going to dedicate some of their time to helping those who classify themselves as activists, who are actively engaged in these movements, and are burdened some if you will, that they decided that they’re going to offer their knowledge that was some of their time to sit with people and guiding them through the movement and the breathing as a way to help them go out and be better and stronger in their work of activist. Now, how do I see my work as activist? To the extent that it encourages somebody to go do that work, I’m an activist. When you read my Veils and Lap Cloths: The Great Cover Up of Bynum and the Bible in Black Churches, and you start to question well wait, how have we thought about maybe how have we been complicit in the oppression of women in the church by doing engaging in certain practices? And then you decide, I’m not going to do that anymore. And when I get the chance, I’m going to tell the people in leadership, yes, why I’m not doing it and I think we shouldn’t do it either. Then I’ve aided in the work of activism by way of myself. 

CASSIDY HALL: That truth telling, tools and permission. 

DR. KIMBERLY RUSSAW: And I think what makes it challenging or subversive, or risky, in some instances, is because I deal with a text that so many consider to be safe. And so many come, like you said for yourself to the work of studying or engaging this text with some real commitment one way or the other. And so part of what we do is challenge those commitments, or offer you a different way to think about the thing you’re so committed to.

CASSIDY HALL: Yeah. Which makes me so curious as to why did you decide for the Hebrew Bible to be your area of expertise? What was the revelation for you? 

DR. KIMBERLY RUSSAW: I like the story. It’s just that simple. I can’t say I had a mystic moment. I can’t say in a moment of contemplation, I realized, all worked out in my head, hey, this is where you can really make it happen. No, I was a seminarian and I was taking all of my classes, and I knew that within the disciplines of Religious Studies, or religious education, the other stuff really appealed to me. So Bible seem to make sense for me. And I came to seminary by way of corporate. So in many respects, I think that what I am doing now is very similar to what I did as a brand manager. Part of what I did as a brand manager was take all of this disparate information, whether it’s consumer trends, whether it’s consumer feedback, it’s what the people down in distribution are telling me, it’s what my finance guy is telling me, it’s what my sales person is telling me, and the people over in legal are telling me, and I weave a story that compels my audience to take some sort of action. In the same way I take this disparate information because the Bronze Age first century, Mediterranean culture is disparate information for people living in the 20th century… And I try to weave a story that compels my audience to add in the classroom, my greatest not written in the syllabus objective is that the students will walk away wanting to know more. 

CASSIDY HALL: Yeah, and this love of story for you, was that inspired by anyone in particular? Or was that just something that maybe was Spirit driven? 

DR. KIMBERLY RUSSAW: Yeah, it probably is some combination, because I always want to leave room for the Holy Ghost. So I don’t want to foreclose on any spiritual move that may be at play. But I think that I come from a family and from a people of storytellers. My paternal grandmother used to write poems, I met her and she was like a million years old. So here’s this little old lady, who clearly did not go to school, she would write–when we were little, she lived with us six months out of the year, and with my cousins in Alabama the other six months out of the year. We come home from school, and she will spend much of her day writing a poem and she would write on the brown paper bag. She was a quilter–this actually is my Big Mama’s quilt that I had framed. She was a quilter but she would stand up at church, she would recite her poems, her cousins and stuff would come to visit and they would still tell stories and giggle, and laugh and have a good time. So I think now that I’m sitting on the Cassidy couch, part of my love of stories comes from my early years of watching story, the life-giving story, the communal, and story be positive. Yeah. 

CASSIDY HALL: That’s beautiful. I love that you had that framed too, it’s gorgeous. In your most recent book, Revisiting Rahab, you write about Rahab as a complex character, who upends patriarchal ecosystems and disrupts. Do you think there’s a mystical nature or a kind of transcendence, perhaps?

DR. KIMBERLY RUSSAW: I cannot say for sure. And here’s why I can’t say with any assurity or I can’t speak to that responsibly. And that is because the biblical writers do not provide us with any of her internal dialogue. I think that I could make that claim if there was something in the text that said, and she thought to herself, I’m going to negotiate with these fellows because I had a vision that the Israelites were coming. We don’t have anything like that. To me, Rahab is much more in the moment, in her actions, than a mystic would be. 

CASSIDY HALL: And in your experience of your writing, and your scholarly work and research, what does that look like for you? Does that require a sense of contemplation or pausing or making a sacred space in order to reflect and think? 

DR. KIMBERLY RUSSAW: Yeah. So I think part of my part of my process, first of all, journaling is a spiritual discipline for me. But it also, as it relates to my scholarship, sometimes I will use journaling to get me back in it, if you will. So in that way, it’s deliberate. I’m not just doing laundry and all of a sudden something comes upon me and I have an experience. No, I sit, I realize you’re not even close to what you’re supposed to be doing right now. Hold on, let me re-center. And one way I do that is by journaling. So that’s the way contemplation shows up for me. And it’s not that I end up writing a wonderful book, or wonderful article or essay in that contemplative moment, but that contemplative moment clears me, or frees me up, or clears a pathway, so that I can see clearly what I should be doing in my writing. 

CASSIDY HALL: You named some earlier, but are there any other Hebrew Bible characters that you might suggest are mystics or contemplatives?

DR. KIMBERLY RUSSAW: So we talked about the prophets, we talked about Abraham, absolutely people like Jacob, Israel, whatever stage of his life, we want to reference him. Either when it’s the engagement with the ladder going up to the vision, going up to heaven, or what happened. Nathan and King David story, absolutely, I think we’ve got visions going on here. So I would classify him as a mystic. Isaiah, Ezekiel, half of what they are doing––they’re saying I saw it in a vision, this came to me in a vision. Daniel and Joseph, we got to think about those two. Even in the Minor Prophets, I think we see it with Obadiah––probably my favorite minor prophet, because it’s the shortest book we’ve got going on out there. I don’t think we see much contemplative work in the Hebrew Bible, because the work of the Hebrew Bible turns on action. And the writers would not have said, oh yeah, Job sits around, and every morning Job gets up and thinks… The closest you might get is Job providing sacrifice on behalf of his children every day in the first part of the Book of Job. That’s a slippery slope. But I think that the deliberate nature of the contemplative act is antithetical to what the biblical writers were probably trying to do. There might be a way for us to say that what we see in the book of Psalms, what we see in the poetic stuff, may be a product of contemplation. But we don’t see a character contemplating. I think that music may play an important role in mysticism. This whole idea of when, and I think if you speak to musicians, and ethnomusicologists and people who teach this stuff, and research this stuff––they can talk about there’s this moment in the musical experience that could be otherworldly, transcendent, and can have this sense that you are no longer just here. It’s more than just when they say I was in the pocket––No, no. But I think when you talk to some of those people, because I think about like a Yo-Yo-Ma, I think about absolutely some of the early classical composers, when they were in it they were outside of themselves. And so I think about the work that musicians do in the biblical text, as well as in our modern context and say, there’s probably an element of mysticism there, so to that point, that may have been part of Young David and his heart that had a mystical property associated. 

CASSIDY HALL: Look at you still teaching me. What are you teaching at Pittsburgh Theological Seminary? And another question I want to ask is, are you teaching again African American Biblical Hermeneutics Womanist Biblical Interpretation, because that class was the most transformative class.

DR. KIMBERLY RUSSAW: Amen. There was some mystical moments or transcendent moments even in that class now that I think about it. At the heels of a conversation we had with a particular scholar, that triggered a lot of things for people that put them in a mystical place. That was fun. I am teaching a foundational Bible course there, they divide up Hebrew Bible between Genesis to Esther, I’ll teach that in the fall. And then my colleague will teach the rest of the cannon in the spring. I’m teaching two semesters of Hebrew and then I’m teaching Women in the Pentateuch. So we’ll do like a feminist spin on Genesis through Deuteronomy. And then here’s my shameless plug for the Katie Geneva Cannon Center for Women’s Leadership, I will be teaching the intensive course on Womanist Biblical Interpretation for them in January. 

CASSIDY HALL: You know, one of the other things that the last class that really made the Hebrew Bible come alive for me again, and African American Biblical Hermeneutics and Womanist Biblical Interpretation, the elevation that we really focused on of intersectionality, and intersectionality’s presence in the Hebrew Bible. Do you feel like the intersectionality of the Hebrew Bible is in part what allows us to connect to modern day story? 

DR. KIMBERLY RUSSAW: So I think a couple of things. I think that one of the reasons why the Bible, whether you understand it to be sacred text or not, is so popular, is because people are able to either find something of themselves in the text, or find something of the self or the community they want to be. And so to that extent there’s some intersectionality going on. So the world in front of the text, the reader is intersectional whether they want to admit it, or are aware of it or not. And so that when they’re looking for themselves, whether they can name it or not, they’re looking for some things that are intersectional. Most often, I think that people read very flat, but with a twist. So I’m always amazed that people read with the hero, when you know good and well, you’re part of a community that is not the hero. So everybody wants to be David, everybody, but nobody wants to be Goliath. Nobody wants to be a Philistine. Or everybody wants to be an Israelite and nobody wants to pay attention to the Canaanite. All of a sudden, everybody wants to be Rahab, but only because she ends up the hero of this. Nobody wants to be a bumbling spy, everybody reads with Rahab and wants to be this one woman in the whole city who saves her family and gets a cape because she’s a hero. And so to that extent, I think people read very flat, but really what’s going on behind there is some combination of gender going on, some combination of difference or other, some sort of community identification going on. Which when you broaden it and think about it that way, now you can bring in other groups of people who identify as something other than the normative gaze. If we say that the normative gaze is a male, cisgendered, male, hetero normative, probably elite–nobody aspires to be among the poor, everybody aspires to be among the rich, anything other than that would be considered other. There are so many people living in the year 2022, who fall into the other, more people fall into the other category than fall into the normative gaze. So I think when we give people permission, or even point them in the direction to say, have you considered this by way of Biblical studies. We also need to be honest and say that there’s elements of this step that are not life giving–I’m dealing with Judges 19–where is there something good about that? These are the stories we read over but I think it does us well, to sit with those in the same way we sit with the Deborah’s of the world, or Solomon’s of the world. We need to sit with the unnamed.

CASSIDY HALL: Yeah, this theme of permission and tools, it’s just so life giving.

DR. KIMBERLY RUSSAW: Permission, tools and responsibility. Give people are tool and they’ll go out there and make a mess. But we also need to create some understanding of is that really responsible–Can you really get there? I like how Dr. Renita J. Weems used to say when she was at Vanderbilt: Is that what God said or is that what they say God said? I’m teaching a Bible study for a consortium of churches in Chicago now, and we’re reading Rahab. And so I was asked, we opened zoom and so one of the lady is like “yeah, she heard God speak, she heard God speak and that’s why she did so and so.” I said “ma’am, where? We all have our Bibles open, can you point us to that particular verse?” My point here is, so often we’ve read over, we’ve embellished upon, we’ve made the stories work for us, when often times, that’s not really what’s on the page. And that’s without doing any language translation, we’re just dealing with English.

CASSIDY HALL: Yeah, that aspect of responsibility. And I think, to your point earlier about addressing the stories of the marginalized and the non-marginalized, addressing both aspects. 

DR. KIMBERLY RUSSAW: We like to get excited about King David but nobody wants to take responsibility for — Hey! that’s the dude who basically stole Uriah’s wife. But no, we got to talk about that too. 

CASSIDY HALL: We might cancel or write it off today…

DR. KIMBERLY RUSSAW: Absolutely.

CASSIDY HALL: One more question is, are there any contemplatives or mystics, maybe in modern day or in our midst that you would name? Whether they’re scholars or activists, or the grocery store clerk? 

DR. KIMBERLY RUSSAW: Yeah. So I think I have to go down the road of history. My list is not exhaustive. And here, I’m even thinking about people who could have been part of important movements in our history. So for me, whether it’s the suffrage movement, whether it’s the civil rights movement, whether it’s Black Lives Matter, Say Her Name, Me Too, all of that. And I definitely think, let’s start with the big one. Let’s get Howard Thurman off the table. Everybody, we admit, there’s no kind of debate, he absolutely is on the list. The other person I will put on the list would be Harriet Tubman. I think about the work of Reverend James Lawson, who was the guy who taught the college students civil disobedience during the civil rights movement in Nashville. So I’m thinking about Lawson. And there may have been some moments where some of those young people whose names we’ll never know, got themselves into such or had to get themselves into such and other worldly space in order to sit in that space. That may have been part of what Lawson was up to when he was teaching. I think about the names we know in the civil rights movement. But more importantly, the ones we don’t know. All the pastors whose churches were used as staging grounds, and the prayer meetings, that they would have, all of the people, here we go, who would spontaneously lift up a hymn or a song that became part of the fuel that drove the activity. Whether it was the actual march or just the commitment to do the work behind the scenes that showed up in what we understand as the Civil Rights Movement. I think about that, the women behind the BlackLivesMatter movement. So here’s the thing. What if what we’re dealing with here in our modern times, is most of our mystics go unnamed? Because in some ways, I think about Howard Thurman, had he not had a stage like Boston? He was a professor, so he was teaching all over the place. Had he not had the stage of the professor would we have even known what he was up to? What about all the people who don’t have a stage who absolutely engage in mystical work? I wonder about artists. And here I’m thinking about the stories we hear about when Denzel Washington played Malcolm X and he tells the story about how he had the sense that Malcolm’s presence was there. So I wonder if a Spike Lee and Denzel may have a little bit of mystical to them and Ava DuVernay, all these people who have to invoke something in order to get the product out? 

CASSIDY HALL: Yeah, yeah, there’s so many mystics that go unnamed and yet the live on because they’re work was focused on common good or mutual well-being or betterment of life. Yeah, to another extent, I like to think that the Spirit maybe takes over in those situations and helps to guide that prophetic call,

DR. KIMBERLY RUSSAW: Or even think about when you get together with extended family, and you hear the stories of the great, great, great, great uncle/aunt or whatever that you never knew. Some elder tells the part of the story that makes you go, you say your aunt Isabelle had dreams?  And she would wake up and she would write them on sheets of paper, and then she would put those sheets of paper in your shoe for when you went to school. Wait a minute. Wait a minute, maybe? Oh.

CASSIDY HALL: Yeah. Well, Dr. Russaw, thank you so much for joining me today.

DR. KIMBERLY RUSSAW: I think that your work is important. I think that I would encourage you to keep at it. And to find ways to little by little, this is not going to be — I doubt Oprah is going to come calling. But somebody is going to sit around and go, now I get it. And it’s that one spark that can change your life that could change the world.

CASSIDY HALL: Amen. Amen. And I know and I experienced you giving that spark to so many, so I’m really grateful our paths have crossed. Thank you.

DR. KIMBERLY RUSSAW: Thank you friend.

[OUTRO] 

Cassidy Hall: Thanks for listening to today’s episode of Contemplating Now to support this work and get sneak peeks of new episodes. join me over at patreon dot com slash Cassidy Hall. This podcast is created and edited by Me, Cassidy Hall. Today’s episode features the song Trapezoid, instrumental by Emily Sankofa, which she has generously allowed us to use. Please find this song and more from Emily Sankofa on your favorite streaming platform or by visiting E Dash s-a-n-k-o-f-a dot com. The podcast has created in partnership with the Christian Century, a progressive ecumenical magazine based in Chicago. The podcast is also created in partnership with enfleshed, an organization focused on spiritual nourishment for collective liberation. For liturgical Resource Is and Tools head over to enfleshed dot com.

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Cassidy Hall death, social justice, solitude, Thomas Merton, Uncategorized

“One need not be a contemplative monk in a remote monastery to be overwhelmed by a sense of human inter-connection.”

Jim Forest was an activist and author, but more than anything he was a man of relationship and ritual. To know Jim was to know his family, his partner Nancy Forest-Flier, to feel his friendship, and to see the countless ways he saw and loved the world with great wonder.

Jim looked and listened with great attentiveness everywhere he went. On his daily walks, his museum visits, his time with new friends, and the vigor with which he reminded so many of us to pray.

His work was continually centered by his heart and faith. He worked with Dorothy Day as the managing editor at The Catholic Worker, he was a part of the Milwaukee Fourteen (a group of peace activists who burned draft cards during the Vietnam war), he corresponded and was friends with Thomas Merton, he was friends with at times lived with Thich Nhat Hanh, he co-founded the Catholic Peace Fellowship, he named Henri Nouwen his “spiritual father” amid a difficult time in his life, he was longtime friends with Dan Berrigan, and more. But somehow, even amid this list of spiritual giants–including Jim, it was impossible to not count yourself among his friends immediately after meeting him.

Writing this now, after the death of Jim and Thich Nhat Hanh only days apart, I think about these two friends reconnecting in the infinite mystery. One of my favorite stories of Thich Nhat Hanh and Jim Forest’s friendship comes from The Miracle of Mindfulness (1975), by Thich Nhat Hanh:

In the United States, I have a close friend named Jim Forest. When I first met him eight years ago, he was working with the Catholic Peace Fellowship. Last winter, Jim came to visit. I usually wash the dishes after we’ve finished the evening meal, before sitting down and drinking tea with everyone also. One night, Jim asked if he might do the dishes. I said, “Go ahead, but if you wash the dishes you must know the way to wash them.” Jim replied, “Come on, you think I don’t know how to wash the dishes?” I answered, “There are two ways to wash the dishes. The first is to wash the dishes in order to have clean dishes and the second is to wash the dishes in order to wash the dishes.” Jim was delighted and said, “I choose the second way – to wash the dishes to wash the dishes. From then on, Jim knew how to wash the dishes. I transferred the “responsibility” to him for an entire week.

Jim and I last connected via email in December of 2021. I had the pleasure of spending time with Jim in-person on two occasions, first with friends at a Peace Conference in Toronto called Voices for Peace, and last at his home in the Netherlands in 2018. I joined he and Nancy in their evening prayers by the icons, walks, we spent time looking through stacks of books and papers, we climbed to the top of their local cathedral, and we navigated digitizing his tape cassette recordings of his friends including Thay and Joan Baez. At that time, Jim was compiling and working on his book about Thich Nhat Hanh: Eyes of Compassion: Living with Thich Nhat Hanh

The deep legacy of Jim’s life lives in personal relationship and the ways he taught so many of us to see. “What we see and what we fail to see defines who we are and how we live our lives,” he shared. “Shape your life on truth,” he shared, “live it as courageously as you can, as joyfully as you can. And count on God making some good use of it — what you do is not wasted. But you may not have the satisfaction of seeing the kind of results that you’re hoping for. Maybe you will, maybe you’ll be lucky but you can’t count on it.”

Memory Eternal. Rest in peace, Beloved Jim. Your memory and your light live on in the way we see, the way we pursue peace, and especially the way we love.

If you’re new to Jim and his work, I encourage you to take a look at Jim and Nancy’s site: https://jimandnancyforest.com/ where you can learn more about their writing and books.

A piece I wrote about Jim back in 2018: The Tireless Pursuit of Peace

Jim’s interviews on Encountering Silence:https://encounteringsilence.com/jim-forest-silence…/https://encounteringsilence.com/jim-forest-silence…/https://encounteringsilence.com/jim-forest-silence-and…/

(Photos of Jim and Dan Berrigan, and Jim and Thich Nhat Hanh are from Jim’s collection other photos are taken by me)

“One need not be a contemplative monk in a remote monastery to be overwhelmed by a sense of human inter-connection.”

–Jim Forest
Cassidy Hall death, dying, goodbye, Intention, monastery, solitude, Thomas Merton

Maybe it’s time for me to let go of Thomas Merton

Today marks 53 years since Merton died in Bangkok, Thailand. I wrote the following article originally published by The Christian Century on December 6, 2021.

“How can we be sure younger generations learn about Thomas Merton?”

Every time I show Day of a Stranger, the documentary film I made about the Trappist monk, I’m asked some form of this question. Viewers find Merton’s words—which I excerpted from a set of stream-of-consciousness recordings made during his years as a hermit on the grounds of the Abbey of Gethsemani in Kentucky—eerily prescient, and, like me, they want to share them with others.

This anxiety about Merton being forgotten has come up at every single Merton talk or panel I’ve been part of since 2011. That was when I quit my job as a counselor to travel to all 17 Trappist monasteries in the United States and began to work on my writing, films, and podcasts about contemplative life. Though I, a queer, young, non-Catholic woman, was an unlikely Merton ambassador, I was often invited to be a part of presentations and celebrations of Merton’s legacy. Every time, people would look around the room, take note of their mostly White, mostly grey-haired neighbors, and wonder how that legacy can last, whether his wisdom will be forgotten.

Typically I have responded with encouragement, mentioning Merton’s interfaith dialogue, his modeling of friendship, or the expansiveness of his correspondence as the ways his legacy might endure. But at my last film screening, after much self-reflection on the question, I answered with my own question: “What’s wrong with Merton disappearing?”

This month marks 53 years since Merton died in Bangkok after giving a lecture on Marxism and monastic perspectives. At the end of the lecture, he said, “We are going to have the questions tonight. . . . Now, I will disappear.” It was only a silly little line at the end of a heavy and controversial talk, but perhaps it was also prophetic.

The desire to disappear is a well-known tension at the heart of Merton’s work and his spiritual life, a desire that was often in conflict with his vocation as a writer. In 1946, 20 years prior to his death, he wrote in The Sign of Jonas, “I have only one desire, and that is the desire for solitude—to disappear into God, to be submerged in His peace, to be lost in the secret of His Face.” In Thoughts in Solitude, written from his first hermitage, St. Anne’s Toolshed, on the monastic property, and published in 1958: “As soon as you are really alone you are with God.” In 1964, while attending mass after meeting with Zen Buddhist D. T. Suzuki, he wrote in his journal with apparent satisfaction, “No one recognized me or discovered who I was. At least I think not.” In a 1967 recording, he says, “I am struck today I think, more and more, by the fundamental dishonesty about a lot of my clamor.”

Merton was indeed controversial in his time, and his words remain relevant and often helpful. His correspondence and work explored and elevated other religious perspectives and experiences. He often seems to speak prophetically to the situations we find ourselves in today.

But Merton’s most recent work is now more than half a century old. And while his conversations spanned gender (Dorothy Day, for example), sexuality (James Baldwin, though it’s said he never replied to Merton, and I can’t say I blame him), religion (Thich Nhat Hanh, Abraham Joshua Heschel, D. T. Suzuki), racial justice (Martin Luther King Jr.), and environmental justice (Rachel Carson), Merton, as a White cis man and vowed monastic in a patriarchal church, perpetuates damaging exclusivity alongside his wisdom.

In truth, his prescience and ecumenism seem rare only if we’re looking at White spiritual writers or reading exclusively Catholic work from the 1940s–1960s. Does this context make his views appear more radical than they really were? I have to ask myself, before picking up yet another work by or about Merton, Who am I listening to who may be prophetically controversial today? What words am I reading now, by those whose experience is tethered to the present moment in the fullness of their lives? What marginalized voices of experience am I listening to? Am I going to the source on these topics?

I’ve learned from womanist scholars that as long as I perpetuate the domination of only a few voices in spiritual leadership, I hinder movement toward liberation for all voices. I cannot learn from Merton what it’s like to be a queer woman, or to be an LGBTQ person who is rejected by one’s church, or to be Black in America, or to be a refugee. Merton can provide historical perspective and observations, but he simply cannot speak into an oppressive situation separate from his identity and experience.

Merton himself was often reminding us to go deeper, look harder, be willing to take the effort and time to seek out, read, and listen to the wisdom of voices missing from our libraries and bookshelves. I wonder if this is his true legacy—urging us to transcend his own contributions. To challenge the status quo, go beyond the comfortable, and heed the wisdom of the marginalized who have been too often overlooked.

Merton has words for those experiencing anxiety in the midst of change. In Conjectures of a Guilty Bystander, he writes of a crisis in the church in the 12th century, but he could have been writing about today:

In a time of drastic change one can be too preoccupied with what is ending or too obsessed with what seems to be beginning. In either case one loses touch with the present and with its obscure but dynamic possibilities. What really matters is openness, readiness, attention, courage to face risk. You do not need to know precisely what is happening, or exactly where it is all going. What you need is to recognize the possibilities and challenges offered by the present moment, and to embrace them with courage, faith, and hope. In such an event, courage is the authentic form taken by love.

“What you need is to recognize the possibilities and challenges of the present moment, and to embrace them with courage, faith, and hope.” I wonder if this is how Merton might have answered the question of how his legacy can endure.

On my way home from my last film screening, I went out of my way to stop by Gethsemani Abbey. After a rain-soaked hike, I paused at Merton’s grave, marked by a simple white cross en­graved with “Father Louis,” as he was known there. “They can have Thomas Merton,” he wrote in The Sign of Jonas of those who assumed they knew all about him solely based on his writing, “He’s dead. Father Louis—he’s half dead, too.”

What would happen if I let Thomas Merton die?

As I walked back to my car, I remembered the words from his essay “Integrity,” which had inspired my monastic travels in 2011: “Many poets are not poets for the same reason that many religious men are not saints: they never succeed in being themselves.” Maybe it is time to acknowledge that my long obsession with the words and wisdom of Thomas Merton did crowd out other voices and other perspectives, preventing me from hearing them fully—including my own.

A version of this article appears in the print edition under the title “Now, I will disappear.”

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Speaking Down Barriers | A Conversation with Poet Davelyn Hill

Transcript:

DAVELYN HALL: I don’t think I can say that I am a mystic without being connected to community. So I can’t say that for me. I need to be connected to community in order to be a mystic, how do you not?

Cassidy Hall: Welcome to Contemplating Now, a podcast about the intersection of contemplation and social justice. Through interviews with scholars, mystics, and activists, this podcast will focus on contemplative spirituality’s direct relationship with issues of social justice. I’m your host, Cassidy Hall, a filmmaker, podcaster, pastor, and student, and I’m here to learn with you. 

Davelyn Hill is the Executive Director for Speaking Down Barriers. Speaking Down Barriers is an organization whose mission is equity for all. It seeks to build community across all that seeks to divide us by ending oppression and valuing everyone. Davelyn has a Master’s in Marriage and Family Therapy from Converse College, and is currently working on a Master’s in Creative Writing with an emphasis in Poetry. Davelyn is a poet activist, and alongside providing counseling services, she’s led support groups, presented research and conducted University presentations around racial trauma and oppression. Davelyn Hill, also known as Davelyn Athena, has been published by the Plants and Poetry Journal, and has also been featured by Spark and Echo. 

CASSIDY HALL: Well, Davelyn, thank you so much for joining today.

DAVELYN HALL: You are very welcome. I’m glad to be here.

CASSIDY HALL: So one of the ways I like to kind of begin orienting our conversation is by asking you what the words “contemplation” and/or “mysticism” mean to you. And how do you see them lived out in the world today?

DAVELYN HALL: That’s a — I mean, you have some questions, but I don’t know, I feel overwhelmed by the idea of mysticism. I’ll start with that one. Just when you hear about the Desert Fathers and some of the people who have known God in ways that make me wonder about how it’s even possible to be close and achieve some sort of like felt oneness is kind of what I think about when I think about mysticism, is being super connected to God, so much so that you feel you have a felt feeling of oneness. I believe that oneness can exist without you feeling it, but I feel like my particular journey as a mystic is to be united, have a like a uniting with the universal Christ. That’s kind of what I see. And so when I think about people, some of the nuns of old and people who have had experiences that they then go back and relate to us, like Luther has, is to have said to have those meetings with God is just as amazing. And because of like, our society is so focused on logic, it feels like oh, well, that’s extra biblical. You know, a lot of people say, that doesn’t matter, your experiences don’t matter, the only thing that matters is the word because it’s written. And you’re like mmhhmm for a lot of folks it wasn’t written when it was happening not for them, they didn’t have access. So, I sometimes wonder if our logically… from kind of having the uniting that many of the mystics talk about. And so I think of contemplation as a way… to see mysticism lived out. So if I live a contemplative life and prayer as the mundane or in the mundane, contemplating blades of grass or thinking deeply about things that just kind of happen in the earth, in the universe, and how that leads us back to the creator in oneness. And so having a contemplative life through like reading, and journaling, and meditation, and community, and serving leads me to having then mystical experiences. So then I can refer to myself as a mystic. Because I don’t know how else you’d get there without contemplation.

CASSIDY HALL: Yeah, I love the things you’re saying and you also said, correct me if I’m wrong, but you said I believe oneness can exist without feeling it. And I wonder if you could speak a little bit more into that? Because it seems to me, right, there’s an effort to contemplative life that maybe draws us into mysticism that draws us into the oneness. And sometimes we don’t feel it because we’re doing it.

DAVELYN HALL: Yeah, yeah, that’s what I get. And that my feelings I can speak to those are, they’re varied. And so I keep working toward the feeling but the oneness already exists. So I come from just believing in my doctrine that I’m already connected to God that I’m already in oneness. And so my journey is having that felt oneness. So become more and more able to kind of tap into oneness in my life. And so that comes and goes. One day can be like, ah bliss, I’m so connected to the God of the universe. Oh! And the next day, I’m like is there a God? I think there is based on like my feelings. And so that’s what I meant by like, I have oneness every day whether I tap into it or not. 

CASSIDY HALL: Yeah, right, right, that makes a lot of sense. And what about this oneness in terms of our unity with our fellow human? So I guess along with that, do you think that there’s an important aspect of being a contemplative and/or mystic that also innately makes us an activist and or someone who points to the collective unity of all of humanity?

DAVELYN HALL: I don’t think I can say that I’m am mystic without being connected to community. So I can’t say that for me, I need to be connected to community in order to be a mystic, how do you not? Because each person kind of gives us another picture of who God is, and so how each time I’m connected to people in community, they reveal another part of God that I couldn’t have gotten to on my own. And so as they either growing towards their relationship with God and opening oneness, or are suffering because of the injustice in the world, and so I’m connected to that as well, to the suffering of God, the suffering of the Christ. And so if I’m not connected to those people, how do I get to see that lens? I can’t. And then also like, we’re literally the love of God made flesh. And so without us people don’t get to see God and we don’t get to see God. And so I don’t understand how — I really don’t. I’d love to meet some folks to tell me you know, I can live this life on my own and be connected to God and it’s wonderful... Right? Like, that’s what I think anyway.

CASSIDY HALL: Amen. Amen. So in your work with Speaking Down Barriers, which is about fostering dialogue and trust among people with different backgrounds and experiences, first of all, maybe you could tell us maybe the origin story of Speaking Down Barriers, and then I could ask a follow up question about that.

DAVELYN HALL: Sure. Speaking Down Barriers started in November of 2013. And it started originally, as poetry and conversation. Before the start in 2013, the founder of Speaking Down Barriers name is Marlanda Dekine and they were at a conference and did a poem and Scott Neely who is our current chief strategist heard her do a poem and was like [gasps] that was amazing how it transformed the room. It was like, ooh, then he saw her again, and same thing happened. And so they decided, I want to have poetry and conversation. And so Marlanda, who was a spoken word poet, she’s an amazing poet. She and some other spoken word poets, all black, or for the most part black, got together and started to do this poetry and conversation, and it began to grow. And Marlanda decided to make it Speaking Down Barriers. It was named by our current Admin Support, she was looking for a name like not poetry and conversation. So it moved into, well, we want to speak down barriers, and so that’s how it got its name. And so Speaking Down Barriers had poetry, conversation and food. And so you know, what’s better than that? A communal meal where you can eat together, starts that way, we talk about a topic, whatever it is, open up with a dialogue question and then poetry pushes that dialogue to places it couldn’t go,  especially first person narratives. It was for you to argue with your first person narrative poem. They can listen to it and receive it, and so it bypasses some of that stuff that comes up and blocks us when we think logically only. And also it causes us to feel things in our bodies. Whereas a lot of time I know for me, I didn’t even recognize my body was actually a part of life. It was so much lived in my head, and it feels and I was like, wait a minute, feelings actually happen in your body. So what am I actually feeling? And spoken word made me feel that. In 2015 it became speaking down barriers and then started to reach out and do trainings. Our current mission is equity for all, we revamped that in 2020. And beginning to think about what the world looks like when there’s equity for all? Well, first of all, it’s ending oppression, all kinds, racism, homophobia, transphobia, all the gender violence, the ways that immigrants are treated in this country, all of that. All of that kind of oppression needs to go. And then also valuing everyone. So while I might not agree with you, I value your humanity because you are human; when I devalue you, I’ll lose myself. So we’ll have to hold on to that, even if I don’t agree with you. And I can have a conversation with folks I don’t agree with as long as their disagreement doesn’t oppress me, I’m okay. When we start to get oppression, I can no longer be in conversation with you, but I still believe in your dignity as a human.

CASSIDY HALL: I’m over here, just like jotting down all these notes of these beautiful things you’re saying. You can’t be a mystic without being connected to community, and this notion of poetry, being able to transform the room, and what you just said, when I devalue you I lose myself. I mean, these are just such profound things. And I’m seeing the ways that this goes back to the beginning of the conversation where we talked about that experience of oneness, and its existence of oneness with God, with each other, and how to touch that. And I’m wondering if you’ve experienced kind of the moments where we touch that or where you’ve been able to touch that with other people in a room, with poetry as this transforming force that maybe takes us to this liminal space or this transcendent space.

DAVELYN HALL: It’s a good word, yeah, transcendence. Yeah, I’ve been in many rooms where this has happened. Where even things are stuck, until a poet does a poem. And it’s like, all of a sudden the room opens up. Or we’ve also started using art. So we’ve been using virtual spaces, so the art is like in your face, you can do it on zoom, where like the art is like, wow! Okay, so I’m seeing this art, hearing from the artist, and hearing their experience. And all of a sudden, the room opens up again, things you never thought of — It’s a tool of expansion. And so I’m really big on freedom chants, I love a freedom chant. Freedom Chants all the way from enslaved folks using the oral tradition, using language for all kinds of purposes, using it to be incognito, to plot the way forward, to encourage hearts then becoming part of the gospel tradition and become a huge and civil rights. And I feel like now — it’s even now, I was always been existing, but it feels like I’m more aware of it now. And so I’ve been in rooms where freedom chants have done the same thing. It’s like a uniting, like a oneness when we’re all like fighting and singing and hoping for the same, for equity, for justice and for just being able to kind of live and thrive.

CASSIDY HALL: Yeah, yeah. One of the things I noticed is that you define yourself not solely as poet nor solely as an activist, but as a poet activist. And I wonder if you could share what it means to merge these words as a role. Are poets also innately activists, by the nature of the way poets use words to transform or transcend the moment to point to something that could be amid what is?

DAVELYN HALL: I think when you say it like that, that’s it. 

CASSIDY HALL: I guess to be fair, right, we can we can all misuse words still. 

DAVELYN HALL: Mhmm. Yeah. And I don’t necessarily think — so when I use the word activist, I mean, speaking truth to power. And so in that way, not all poets are activists. Now, in the way that they kind of reveal what is and can a lot of times cause like all of the fluff around something to disappear so that you get to the heart of the matter, then in that way, I believe they could all be activists. To be able to take nature, even the way of like words worth and be like, wow, I see nature anywhere, have a deeper appreciation for nature. Or when I read Mary Oliver stuff, I’m wowed by the beauty of language and the ability of language to connect us in a way. Mary Oliver, and I don’t have anything common, but when she puts the words on the page, we have a lot in common. So in that way, like, causing humanity to maybe appreciate itself, and to see us in each other’s eyes, then I think it definitely works. However, I don’t think we all use poetry to speak truth to power. And that’s what I mean, when I say a poet activist. I want to use my words to make people feel something, like Julie Cameron says that she wanted her words make people feel something and I want the same. And so when you feel something though I want you to do something, and hopefully to be a part of the fixing the problem, be a part of change whatever that looks like.

CASSIDY HALL: Yeah. In your work do you see this work of poet activist, and mystic as intertwined? Do you see those as similar or one that leads to the other or is there a relationship there I guess I’m wondering?

DAVELYN HALL: Yeah, sometimes like when I talk about the felt oneness, you have to pick up your pen and write down a poem because it’s like grand. And then other times, I’m just kind of writing from humanity, from that place of kind of whatever I’m experiencing, sometimes about various like traumas and joys, both. Find the page, but then sometimes there’s that work that you know, this poem was not mine. I’m just scribing it down.

CASSIDY HALL: Yeah, yeah. That makes sense. Do you think there’s anything to learn from contemplation and/or mysticism that informs things like activism and/or collective protest or movements that take place today? And then vice versa, right? Can those also feed the contemplation and feed the mystical moments? 

DAVELYN HALL: Yeah, I do. I do. I think when lots of people, especially you’re out in protesting and taking care of each other, making sure people have water and making sure that people are taking care of themselves, even in the midst of kind of protesting the state, that for me is beautiful community and an opportunity to think about in the moment, but definitely after the moment, like what was that like? How do we share with each other? Did we move anything forward? Having those discussions, I think helps you lead a contemplative life. So I think the feedback loop works both ways. And yeah, those things definitely feed poetry, I think, because poetry is of the stuff of everyday life too. And so being able to kind of really live in moments, with other people and alone, and see God in those moments, I feel like helps the page and helps the poetry, which then goes forth for people to read and enjoy and be moved by. I mean I write poems for myself too, but I want people to read it. And I think most people — well, some people do write just for their journal and just for themselves, but that’s just not the kind of poetry or painting or anything that I do. It’s not just for me.

CASSIDY HALL: Yeah. Speaking of I would love for you to read a poem. I do want to ask one more question before we get to that. You talked a lot about logic at the beginning of the conversation. Do you think our obsession with logic and knowing and wanting to do things right and the talking about the thing but not doing the thing, do you think that makes — it doesn’t make us slow down, but doesn’t it also make things just less close to the oneness and the way it makes a lot of things inaccessible or unreachable or like there’s just too many words in the way? 

DAVELYN HALL: I frequently feel that.

CASSIDY HALL: Even my own right now, right? 

DAVELYN HALL: No, no, no, I frequently feel that way that there are so many words, so so  many, and even in silence, people like are like oh I had silent time today. But really, the silent time was music, with words, and it was reading. And so like even self wasn’t silent, even though you are alone, like solitude does not equal without words. And so, I’ve been thinking about that previously, like what does it mean to actually breathe in a moment, with actual silence. Not the phone, not scrolling, even not writing and journaling about it, but actual silence. So yeah, I think it does make things inaccessible. There are some things that just really need to be felt. We’re talking about — I was talking to a group of people who were talking about language and how even we who don’t speak the same language, you can still communicate, you can communicate heart and care and concern. Wow, I think that that means something. Yeah.

CASSIDY HALL: So at this ordination, where our paths crossed, you wrote and you read a beautiful poem, titled Beloved Community, which moved me and I’m sure everyone else in that room to tears. And I’m wondering if you wouldn’t mind reading that for us today?

DAVELYN HALL: I do not mind at all. Thank you. I really love to hear that it moved folks. It’s really, you know, I want to make people feel and so feeling is not necessarily — I guess there is a direct feeling. I’d like people to feel connected to each other, connected to God, connected to themselves, that poetry would be connection.

         Beloved Community, by Davelyn Hill

Our goal is to create a beloved community and this will require a qualitative change in our souls, as well as a quantitative change in our lives. Martin Luther King Jr. 

We, us, black, white, brown, human, 

Gathered like oaks, pines in the forest, 

Women, men, non-binary, transgender, gender expansive,

Are, is, state of being 

The image of God we shine like constellations in the galaxy. 

Beloved, be loved, one who is loved, taken care of, needs met, heart filled, accepted, forgiven much for terrible and for inaction, not fighting for the least of these and still being the beloved,

Community, I am because we are,

Sharing the cup, being the body, binding each other’s wounds in places we cannot reach ourselves. 

We are the bride,

God calls us woman, exalts woman, asks us to become woman,

To receive all our good from Spirit to enter into a covenant relationship. 

We co-create, expand, thrive, all things become shared,

Humanity, flaws, and all

Love made visible through flesh. 

Beloved Community loves all, endures all, because we do it together, 

Like trees gathered in a forest, like wandering lights in the night sky, who create constellations, binding each other’s wounds, loving the least of these because we are the least of these. 

We are the image of God, 

Be beautiful.

 At times bruised and broken, beloved, be loved. 

We are the Beloved Community, 

Ashe and Amen.

CASSIDY HALL: Thank you. Yeah, just as powerful once again. I also found some of your work on a page called plants and poetry.

DAVELYN HALL: Yeah, yes, yes. Yes. Yes. Yes. So I have gone through years of illness, and at times, just really unable to do anything. And during that time, I had a tree outside my window, and I named the tree Dolores. And yes, Dolores, I would stare Dolores, I would talk to Dolores. And Dolores got me through, just thinking about her roots. I read a book on trees while I was ill, and just learning about trees and how they communicate with each other, and they’re super smart. And it’s just God’s little design is amazing. But yeah, like they communicate with each other, they help each other survive attacks, they will give with the other trees need and receive what they need from the other trees. And so just looking at the Delores after having read that I was like, I don’t know, like there’s some kind of vibrational thing happening between us. And we are all connected and we’re connected to all of life. And so I wrote a poem, a short poem about Delores in a Plants and Poetry journal, took it in…

CASSIDY HALL: I mean, I really want you to read that now. And you named her Dolores.

DAVELYN HALL: Yeah, so it’s really short, but it says it’s called Dolores. 

Delores, by Davelyn Hill

The tree outside my windows name is Dolores. 

I open my blinds in the morning and she waves at me.

This morning, she was changing clothes. 

The beautiful green she normally wears turned into hues of orange, red and yellow.

I was too tired to change clothes. 

The wind blew so fiercely, that she shook and trembled.

I would love to see her roots. 

I’d wrap myself in a blanket and close my eyes.

CASSIDY HALL: That’s great. Thank you.

So Davelyn, thank you so much for joining and just for this incredible conversation. And I’m wondering where people can find you and find your work, and if you’re working on anything currently that we should be on the lookout for?

DAVELYN HALL: Sure, thanks. So Speaking Down Barriers website is http://www.speakdownbarriers.org. And not speaking, but speak down. And on our website page, and we’re also on Facebook, and Instagram at Speak Down Barriers. You can find out all the things. We’re having all of our events virtual at the moment, so we love it when people come from far away and from post by. Just love all the peoples to come and have a conversation. We’re really trying to build a multi-ethnic coalition and the only way we can do that is by having conversations together. Also we can find our poets, we have a spotlight poet every four months. And currently, her name is Sharae “FIRE” Walton, but we’ve all called her “Fire.” Fire is amazing as well. So people can find out about her work and the people who come before her. ShAy Black and a Hayle Oswell, (AKA Celestial Poet) had been our previous spotlight artists. And we want people to come and share their poetry and their life. And they do an awesome job using poetry and art to push us forward. It is good to get to know someone, so after four months, I feel like we know these poets and they know us in some part of the community. Right now I myself am holding abolition really close to my heart. I consider myself an abolitionist. And for me, that means abolition is creating things. So it means creating a world where everybody can thrive and where we have things set up for harm like conflict-mediation and conflict-resolution, conflict-coaching. We also have transformative healing circles and we have places where harm can be mitigated versus the system that we have with over-policing, over-surveillance, and just profiting off of crime, making things that really aren’t criminal-criminal, making things more important than people. And so while that exists, I just can’t get behind that system. So I want to bring it all down, and also build. So it’s a both-and for me.

CASSIDY HALL: Thank you so much for joining me today and for taking the time to chat. I really, really appreciate it and I’m grateful for your work. I’m grateful for your voice. And yeah, the mystical presence that you brought that day when I heard you read poetry was transformative and transcendent, so thank you.

DAVELYN HALL: Well, thank you. Sometimes I wonder, I think what my words are doing. I spend a lot of time with just sending my work out, somebody to take my work, somebody take my work. And so on the other end of that is like in the felt experience of folks. And so it gives me kind of joy, I think, oh, the work is doing something regardless of what it does in other places. When I hear from people, it’s like, okay, my work is doing good doing, it’s doing what it’s supposed to do.

OUTRO:

CASSIDY HALL: Thanks for listening to today’s episode of Contemplating Now to support this work and get sneak peeks of new episodes. join me over at patreon dot com slash Cassidy Hall. This podcast is created and edited by Me, Cassidy Hall. Today’s episode features the song Trapezoid, instrumental by Emily Sankofa, which she has generously allowed us to use. Please find this song and more from Emily Sankofa on your favorite streaming platform or by visiting E Dash s-a-n-k-o-f-a dot com. The podcast has created in partnership with the Christian Century, a progressive ecumenical magazine based in Chicago. The podcast is also created in partnership with enfleshed, an organization focused on spiritual nourishment for collective liberation. For liturgical Resource Is and Tools head over to enfleshed dot com.Support the Podcast

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The Privilege of Contemplation | A Conversation with Dr. Anthea Butler

TRANSCRIPT

DR ANTHEA BUTLER: How can you be contemplative and take a step back when the situation in the society and the murderous ways in which black people get treated in this country continue to happen on a regular loop?

CASSIDY HALL: Welcome to Contemplating Now, a podcast about the intersection of contemplation and social justice. Through interviews with scholars, mystics, and activists, this podcast will focus on contemplative spirituality’s direct relationship with issues of social justice. I’m your host, Cassidy Hall, a filmmaker, podcaster, pastor, and student, and I’m here to learn with you. 

Dr. Anthea Butler is professor of Religious Studies at the University of Pennsylvania and also the chair of the Department of Religious Studies. Her new book is “White Evangelical Racism: The Politics of Morality in America.” Her other book includes Women in the Church of God, In Christ, Making a Sanctified World and she’s also a contributor for the forthcoming book, a New Origin Story: The 1619 Project, which is due out in November of 2021. Dr Butler is a historian of African American and American Religion, and her research and writing spans African American religion and history, race, politics, and evangelicalism. Dr Butler is currently contributor for MSNBC Daily, and has also written for the New York Times, The Washington Post, CNN, NBC, and the Guardian. You can see her in the recent PBS series, the Black Church in America, in the forthcoming American experience on Billy Graham on PBS. 

So glad you could join me today.

DR ANTHEA BUTLER: Thanks so much. Glad to be here.

CASSIDY HALL: And so one of the ways I like to begin is kind of just asking for your personal working definitions of words like “contemplation” and/or “mysticism,” what they mean to you and maybe how you see them lived out in the world.

DR ANTHEA BUTLER: I think for me, personally, I think a lot of people think about these words as being passive words. But I would say that I have really been influenced by Ignatian tradition of St. Ignatius of Loyola. And I think about that in terms of how the Jesuits move through life. I mean, they don’t spend a lot of time in prayer, they spend a lot of time doing things, they step back when they need to, and there’s the spiritual exercises of course, that help in order to sort of think through about how to be a contemplative in a different kind of way. And so I think that for me, being a contemplative doesn’t mean that you escape society, or you escape the world, but that you find a place to anchor yourself firmly first of all, and then secondarily, take care of those things in the ways in which you need to take care of them. And that might not be the way that people traditionally think that you need to take care of your religious or spiritual needs. 

CASSIDY HALL: And do you think or do you see contemplation or mysticism playing a role in social action today?

DR ANTHEA BUTLER: Not in the traditional ways, no, I don’t. And I think that a lot of times, if we go through traditional ways of thinking about what contemplation means, you set yourself apart, you think about things, which I think is a very good way to be if you’re going to be an activist. But I also think that an activist means that you have to be active. And if we have this tension between contemplation and activity, then there’s times where you need to be active, and there’s times that you don’t. And I think that probably–I’ll describe it like a Depeche Mode Song, you have to get the balance right, you have to think about how you balance that out. And I think for a lot of people, especially right now, the rapidity and the speed in which things happen in the world. Sometimes you don’t have time to think, sometimes you have to actually act. But if you haven’t done that kind of work before to sort of think through and to sort of ponder where you are, then I think it becomes much more difficult. 

CASSIDY HALL: So kind of in the sense of the practice, the engagement and the practice cultivates the action and a more immediate response to the things which we need to immediately respond to?

DR ANTHEA BUTLER: Yeah, you have to be prepared, because in other words — I mean, I think it’s like, people have an idea, like, I’m going to go — I’m a church historian. So I’m going to use an example. People think that the old monastics like, Simon the Stylite, who set up on top of a pole and contemplated is the way that you should be, or you should be like a Buddha and you should pull yourself away from everything. And I think that those kinds of — I’m not saying that’s wrong, I just think that that doesn’t work for some of us. It doesn’t work for somebody like me who is very reactive to what’s going on, especially for things that I care deeply about. So I think, you work through that in the ways that you need to. And for some people, you might think, oh, maybe you’re just going around and around circles. I’m not. What I’m saying is is that contemplation and a contemplative life means different things to different people. And not everybody is going to be able to go away and be on an island or be in a monastic place, or to have quiet in their house because they got three kids and a husband or wife or spouse and they’ve got to deal with things that you just can’t. In today’s world, it’s very difficult to be contemplative, but you have to figure out ways in which to do it that fit who you are. 

CASSIDY HALL: Yeah. And I think to your point earlier, it seems like a lot of people can also use being a contemplative or having a contemplative life as an excuse to not fully engage in those things as well.

DR ANTHEA BUTLER: Yeah. And it means that they have the luxury not and I think that’s really important to say, is that, most people in the world, I’m thinking about Afghanistan this week especially, don’t have the luxury to stop and think about what’s happening or how to think through it because they have to be reactive. Their very lives depend on it. And so I think it’s also important to remember that these activities can sometimes be activities of the privileged and not of people who really do need time to think about things because they don’t have time. They can’t, they have to continue to work, they have to continue to run, they have to continue to try to figure out how to make their lives better. 

CASSIDY HALL: In a 2020 piece that you wrote, titled, In a Season of Reckonings Forgiveness is not Forgetting, you wrote “displays of forgiveness do not lead to forgetting but to remembering all the wrongs, all the murders, all the pain, all the suffering, we and our ancestors have experienced in America.” So my question for you from this in that incredible piece, when it comes to racism in America, what other Christian practices might do more harm than good when we’re talking about this idea of maybe contemplation can also be an excuse or a way to not engage, when we fail to engage in the fullness of these things. 

DR ANTHEA BUTLER: How long you got? I mean, I think this is one of those moments where I’m just going to say, I’m sorry, I’m going to offend a lot of people. I think the Christian practice of just leave it to Jesus and everything is going to be alright is basically bullshit. This is a podcast, I can say bullshit. And I think that that’s number one. Number two, the ways in which, especially American Christians, like to think about themselves as in relationship with just Jesus and themselves, is stupid. It doesn’t have anything to do with that. Jesus lived in a community, he had to deal with racism. I always use the excuse the example of the Syrophoenician woman to say even Jesus was racist. He didn’t want to give her anything, she had to remind him and tell him. So I mean, if your Lord and Savior can be racist, you can be too. And I think that what my — I wrote a whole book about this, so let’s just put that out there, “White Evangelical Racism: The Politics and Morality in America.” What I think is the problem in America is that so much of American Christianity is individualistic. We sing these nice little worship songs that don’t mean anything, that are focused in on how much we love Jesus, and not how much we love each other. And we can see the ramifications of that right now with the way that people aren’t getting vaccinated, people could care less about people going hungry, people are willing to put forth ideology instead of true Christian charity. I could go on all day long. But I mean, the fact of the matter is, is I found this very wanting and I think that it’s a horrible witness. I just do.

CASSIDY HALL: And speaking of that book, your book “White Evangelical Racism: The Politics and Morality in America,” you examine this incongruence, this deep incongruence in white evangelicalism. Like how white evangelicals often claim morality amid supporting immoral acts and immoral ways of being. Case-in-point the list you just offered. How do you think that this understanding or this understanding of that incongruence can help guide anti-racist movements or work in America? 

DR ANTHEA BUTLER: Well, I think as a starting point. I mean, I wrote the whole book, as somebody asked me: what do you want to have out of this book? I said, I did what I wanted to have this book, which was tell everybody is this you? This is the way you behave? So that’s one but I think the incongruence is going to have to change when realities change. I mean, I think one of the things that is very difficult right now for a lot of evangelicals in this country to see is that, them harping on critical race theory, at the same time while they’re not getting vaccinated and their kids are dying, is pretty bad. And they’re worried about the wrong things. And this is just, it’s a waste of our time. It really is in a world in which time is of the essence, it’s a waste of our time to have to be dealing with these kinds of issues about so called morality. And I think that it’s really important to understand that when I say morality, it’s about not just treating your neighbors right and everything else. I say about there’s great moral issues of our time. Are we going to feed people? Are we going to make sure everybody has a living wage? Are we going to make sure that everybody has voting rights? I mean, there are moral issues and then there are moral issues. And I think that for evangelicals and others in this country, moral issues have only centered around personal moral issues, as opposed to structural moral issues that should be resolved like racism. And so when you ask me this question about how does this make somebody anti-racist, I think the first thing you have to address in anything about racism or anti-racism, is to realize the racist structures. And if we can’t get people to agree that the structure is racist, how do we get to anti-racism in the first place?

CASSIDY HALL: I appreciate what you said about it being a waste of our time and seeing that it’s almost a distraction of a large group of people being so individualistic and harmful to the world at large and not even touching the structures that we’re really after. So how do we hold that sense of urgency and action alongside the fact that evangelicals that are in this space, are really gaining momentum in and of themselves? Or is that just what it seems like in the news?

DR ANTHEA BUTLER: I think you think that they’re gaining momentum, I don’t think that they are. I think that people like to think this because they have a way to amplify their voices in the public square, but I think that the bigger issue right now is not even evangelicals it’s really about the ways in which people believe disinformation. And that’s including evangelicals, whether they believe in QAnon, or they believe other kinds of fantasies about the virus, or anything else. That’s actually our biggest issue right now alongside of racism, because the disinformation and racism go hand-in-hand. If you are inclined to believe all these things, and you’ll be inclined to believe other things. And there are just some truth that we need to grapple with in this country. And I think that at this particular time that we’re in, which is really dangerous for a lot of different reasons, I sort of despair about thinking about people being able to think straight with their heads on their shoulders, to be honest with you. I don’t know that the average Christian in this country, who misses going to church because of the vaccine and decides to go anyway, hopefully they go masked up or maybe they don’t, or maybe they’re like… others who have decided that they don’t care about that and they should just March and be out there with white supremacist and Oregon. Because that just happened not too long ago. Those are the people that I look at and I think I’m not sure we have a lot of hope here. At the same time where all these people are hoping that Jesus is just going to come back, I’m like Jesus might come back but he ain’t coming back for you all. I mean, I say it in the most Texas way possible, he’s not coming back for you. He’s not coming back for you because I mean, basically, you’re not his people. And I think it’s really, it’s something that people need to hear right now and that they don’t hear enough; that maybe you’ve been waiting, you’ve been found wanting. And maybe the result of all this is the chaos that we see right now because we can’t even come together to just wear a mask, to treat other people well. I mean, just to think about somebody else, to do the golden rule. I mean, if you can’t even do the golden rule how do we think that anything else is going to last? I know, we started this off, like you were asking about contemplation, what I contemplate a lot, is the fact that we don’t have people in this country that I think that I could rely on if something really bad happened. Because basically, I don’t think I could rely on their Christian charity, I don’t know that I could rely on their common sense to be quite honest, to do the right thing, because they are so much willing to be involved in thinking things that will harm others, and even harm themselves.

CASSIDY HALL: So where the hell did this Jesus come from? Is this just a product of America?

DR ANTHEA BUTLER: Yeah absolutely. I mean, it’s a product of a lot of different things and I go through that a lot in my book, but I think these idealized Jesus’ that are always going to be there to support the nation, and always be there to support a white male patriarchy, maybe that sounds like a misnomer to put it like that but I think that’s the best way to say it. And these ideas about what family should be. I think that all of this stuff really has hurt us in certain kinds of ways. And if you put your moral center on these kinds of constructs, that nobody in the Bible had like a really great father, mother, two kids family. I mean, look at Solomon, how many wives? I mean, how much stuff is going on? Look at somebody like Paul who didn’t treat his mother right… There’s all kinds of crazy families in Scripture. And if we claim to say we want to look at scripture to be the model, then look at all of Scripture. Look at how people treated people. I mean, no different than what’s happening today.

CASSIDY HALL: Yeah. And I mean, back to what you said earlier about Jesus being racist. 

DR ANTHEA BUTLER: I know that’s hard for people to hear.

CASSIDY HALL: No, but that’s important for people to hear. Like you say, I mean, and that a woman had to explain that to him and teach him.

DR ANTHEA BUTLER: Yeah. But I mean, nobody wants to be taught now. Everybody believes that they know everything because they looked something up, or they believe a certain television station, or a certain personality or a certain president, depending on which one you want to pick. 

CASSIDY HALL: Yeah. And that way, it seems like contemplation or space away when it’s really trying to gather clarity. Could be really healthy in order to respond properly to the things in which we find ourselves present and awake to, as Therese Taylor-Stinson says. 

DR ANTHEA BUTLER: Yeah. I mean, I think there’s times where you just should shut up. Honestly, I mean, shutting up is not a bad thing. I mean, I talk a lot on social media but I don’t think that I need to say everything about everything. I mean, I’m just, like right now I’m at a loss for words about Afghanistan. There’s tons of things that are horrible about it. Do I need to say something about it? Probably not because that’s not part of the world that I’m knowledgeable about. But at the same time, I’m very fearful about it because I know that this means that there’s going to be an uptick in fundamentalist religion. I know that this actually gives a lot of oxygen to people who are thinking about these kinds of regimes, whether that’s Islamic or Christian, that don’t treat women well, that have a very strong patriarchal structure. It’s a time of strong men. And we have to figure out how we’re go come out of this.

CASSIDY HALL: Yeah. Would you mind sharing a little bit more about your work as a contributor for the forthcoming book, “A New Origin Story: The 1619 project”?

DR ANTHEA BUTLER: Sure. This particular chapter in a 1619 book came about in part because I had contacted Nicole Hannah Jones back when the first project came out and said, “I don’t think you can really write the story, or do whatever you’re going to do with the story next, without talking about black religion. You have to talk about, the contributions that African Americans have made in the religious realm.” And so when they started doing the book, they contacted me. And so the chapter, without giving it away, is to talk about the ways in which the black church has always been a challenge, and––how do I want to say it, the fulcrum about democracy in this country. In other words, how has the black church always kept America to account about its foundational documents? In other words, why is it that you say that this is supposed to be for everyone, when in fact you didn’t give that to African Americans, you didn’t do this for Native Americans, you didn’t do this, you didn’t do this, you didn’t do this. And these founding documents, which say all men are created equal, we seem to have to continue as African Americans to remind everyone in this country, that all people are created equal, that we are endowed with certain unalienable rights, and that there’s lots of people here in this country who don’t think we should have any rights. And we need to continue to keep fighting for them all the time. And so that’s what this chapter is about in the 1619 project book. And I’m proud of it, it took a long time to write and it was really difficult, because this book has been fact checked so many times, it’s ridiculous. But that’s because of all the fear. And I expect that when it comes out in November that everybody will lose their mind, but you know, it’s okay.

CASSIDY HALL: Dr Butler, what are some things that give you hope amid all things we’ve kind of discussed so far?

DR ANTHEA BUTLER: I don’t know. I mean, that’s a good question. I have to say, if there was a character that I would associate myself with, it would probably be Chicken Little, but even Chicken Little had to be hopeful that at the end of the day, he could go home, and live in some nice little hutch and maybe have a roof over his head have something to eat. I mean, what I’m hopeful for is that those of us who are thinking, who are trying to act and the people who are activists and stuff, are going to continue even with incredible odds. I get hopeful about people who are willing to stand up and speak the truth. I get hopeful about people who are willing to help others. I get hopeful about when I’m in the classroom, and if a student gets it, or they say I just didn’t know this, and I learned something, those are kind of little things that give me hope. I’m not sure that I’m hopeful about climate change, or am I hopeful about wars, or am I hopeful about the Coronavirus, I mean, that to me, are hopeless things. But I think the thing about the virus and I will say this, is that what’s been hopeful is to see how rapidly people have adjusted to thinking about things, whether that’s getting a vaccine, or research that’s happened or how people have tried to come together to help each other. That makes me help hopeful. And for those of us who’ve tried to do the right thing all through this time of virus, where we’ve tried to wear a mask, and we’ve tried to think about other people and tried to be as careful as we possibly could be, that gives me hope. Because it means that not everybody is a selfish son of a bitch. 

CASSIDY HALL: And I mean, you remind me to be looking for and looking at those things more, and putting my energy towards those things and towards increasing those things and expanding the frequency of the hope. 

DR ANTHEA BUTLER: Yeah. I think we tend to think about the whether it is contemplation or activism, all these things on a big scale. I think we have to think about them as everyday quotidian things that we do, that can engender hope or engender a space of maybe this is going to change, maybe, hopefully, somebody is going to get it today. It might not be a hundred somebodies but maybe it’s one somebody. Maybe we can get one somebody to change their mind about getting a vaccination, maybe we can help somebody in a classroom or in everyday work, and our everyday lives are. Those are the little things that add up. And I think that taking that instead of just thinking about the big things that might overwhelm us all, is a way to take a bite out of this life that’s very different. And that in and of itself, is contemplation about where you are, when you are, and how you are in society.

CASSIDY HALL: Yeah, well said. Who is someone or some people that embody mysticism for you? 

DR ANTHEA BUTLER: That’s an interesting question. I think — Sorry, nobody alive. Nobody alive. I was going to be real with you, I’m not the kind of person I really honest, this is part of my Catholic tradition. I don’t think about people who are alive as people who are helping me, I see people who’ve been in certain situations I was thinking about one of my friends, who teaches at Penn, wrote a book about Josephine Bakhita, who is a saint. And again, I think about those kinds of people or St. Ignatius or others who’ve gone through tremendous trials. Or to think about the everyday lives of black people in America. I spent a lot of time when I was doing graduate work reading slave narratives. And I think about those are the people that really speak to me in terms of having to have hope in the midst of really horrible situations, of being enslaved and having your children sold, having to been raped or beaten, all of these things. I think about that and I think about those are the people give me hope, because they managed to take a lot of things that happened that were bad, and turn them into something good. Do I think about people like that today? I mean, I think there’s people who do certain things in their own communities that help. But I don’t look to people who are alive as a sense of this person focuses me about contemplation, or hope or anything. Because again, I’m a historian. I tend to look at it through a historical lens than I do present day lens.

CASSIDY HALL: We kind of went over this a little bit earlier and I’m wondering, in your personal work and experience, have you seen social justice work or activism point to the need or experience of a contemplative life? We’ve kind of discussed that. But…

DR ANTHEA BUTLER: You know, yeah, I think I’ll be straight up with the answer, no! You know why? Because you can’t do this while you’re trying to do be an activist. The whole thing about what’s going on in this country, and you think about the kinds of responses that African American people especially have had to make, to whether that’s been Mike Brown, or the myriad — Trayvon Martin, there’s so many people, I could just go through this list. There’s no time to be contemplative, because shit is happening all the time. And this is the point I was trying to get at in the first time but I think it’s really important for me to say it this strongly so people understand what I mean, is that how can you be contemplative and take a step back when the situation in the society, and the murderous ways in which black people get treated in this country continue to happen on a regular loop? How can you do anything? How can you have time to think? How can you have time to step back and replenish yourself? This is why we have a lot of activists who have committed suicide. We’ve had activists who just said, I’m burnt out, I’m tired. I mean, I think as a black person and a black woman in this country, just the idea that I could take time off to be contemplative is a- blessing, but,  it’s privilege because even to say the word contemplative at this moment, is a word that it says privilege. And that, you know, I’m not trying to make you feel bad about the podcast or anything, but it’s a word that says privilege, it means that you have time. And most people don’t have time. They don’t have time to think about things or to sit back with a scripture or a book and think about stuff in that traditional way that we think about being contemplative, because stuff is happening in their communities all the time that they have to respond to.

CASSIDY HALL: Yeah, I love what you said that even to say the word contemplative at this moment is to say privilege, and to reveal that too. I think often about the people who go off for a Silent Retreat paying hundreds and hundreds of dollars, when people are dying, people are hungry, people are…

DR ANTHEA BUTLER: Yeah, I mean, I would love to take people in my community in Philadelphia, someplace where it would just be quiet and in the woods for a weekend because people kept hearing gunshots and stuff. They hear the sound of screeching tires, they hear all kinds of things. Just to even just be silent, not even to think about anything, but just to be silent. Silence is actually something that you get with money. So I mean, I think that’s a different way to think about all this. And maybe I hope, somebody’s listening to this. And you’re like damn, I wasn’t expecting her to say what she said. I think we have to think about the ways in which even being contemplative is privileged, to have silence is a privilege, to exist in this world of cacophony and violence and anger and illness is in silence is, you know, something.

CASSIDY HALL: Yeah, silence is a rich person’s reward — it’s privilege–

DR ANTHEA BUTLER: It really is. But that doesn’t mean we shouldn’t strive for it doesn’t mean that, you know, I hope that people can get it. I think, it’s just something that we don’t recognize as a privilege when we in fact, really should recognize it as such.

CASSIDY HALL: And also to your point, and some of the earlier things you’ve said, in striving for it we should be looking to share it and to offer it to others. Because it’s another thing that we’ve taken as this individualistic, this private retreat, this silence individual retreat away from the world or stepping aside without offering that space to others too.

DR ANTHEA BUTLER: Yeah, there we are.

CASSIDY HALL: I really appreciate everything you said, I really appreciate what you were saying about the changing one somebody was very, very powerful to me. And the association between contemplation and privilege is a really important reflection point, especially for white contemplatives.

DR ANTHEA BUTLER: Yeah, yeah. Because I think that whole construct just means that you have money. It just means that you have the means, you have money, you have time, those are things that most people don’t have. Yeah.

CASSIDY HALL: Well, thank you so much for joining and thanks so much for taking the time to be with me. 

DR ANTHEA BUTLER: Yeah you’re welcome. You’re welcome.

[OUTRO]

CASSIDY HALL: Thanks for listening to today’s episode of Contemplating Now to support this work and get sneak peeks of new episodes. join me over at patreon dot com slash Cassidy Hall. This podcast is created and edited by Me, Cassidy Hall. Today’s episode features the song Trapezoid, instrumental by Emily Sankofa, which she has generously allowed us to use. Please find this song and more from Emily Sankofa on your favorite streaming platform or by visiting E Dash s-a-n-k-o-f-a dot com. The podcast has created in partnership with the Christian Century, a progressive ecumenical magazine based in Chicago. The podcast is also created in partnership with enfleshed, an organization focused on spiritual nourishment for collective liberation. For liturgical Resource Is and Tools head over to enfleshed dot com.

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Cassidy Hall contemplation, Creativity, listening, monastery, solitude, Thomas Merton

Solitude in a Toolshed

In May of 2019, I took a lovely monastic stroll with Brother Paul Quenon at Gethsemani Abbey, the monastic home of Thomas Merton. We walked to a toolshed on the monastic property where Merton had sought permission to for more solitude beginning in January of 1953, years before his hermitage days. From this shed in 53-54, during a few hours each day, he wrote Thoughts In Solitude (published in 1958) (which hosted the original title of Thirty-Seven Meditations), the book in which we find what is often referenced as “The Merton Prayer” (which you can find at the end of this post).

Upon approval from the Abbot (Dom James), he named the toolshed “St. Anne’s” and declared in his journal, “It is the first time in my life—37 years—that I have had a real conviction of doing what I am really called by God to do. It is the first time I have ‘arrived’—like a river that has a been running through a deep canyon and now has come out in the plains—and is within sight of the ocean.”

While many assume the shed’s name to be after the mother of Mary, and thus the ultimate wisdom, it also seemed to be a name which followed Merton, including the fact that his father and mother were married in St. Anne’s Church in Soho, London.

He wrote about the surrounding landscape of St. Anne’s and how it reminded him of his walks as a youth in Sussex England: “I recognize in myself the child who walked all over Sussex. (I did not know I was looking for this shanty or that I would one day find it.) All the countries of the world are one under this sky: I no longer need to travel… The quiet landscape of St. Anne’s speaks of no other country.”

On February 9th, 1953, amid the feast of St. Scholastica, Merton spent the evening in St. Anne’s writing, “It is a tremendous thing no longer to have to debate in my mind about ‘being a hermit,’ even though I am not one. At least now solitude is something concrete–it is ‘St. Anne’s’–the long view of hills, the empty cornfields in the bottoms, the crows in the trees, and the cedars bunched together on the hillside. And when I am here there is always lots of sky and lots of peace and I don’t have any distraction and everything is serene–except for the rats in the wall. They are my distraction and they are sometimes obstreperous… St. Anne’s is like a rampart between two existences. On one side I know the community to which I must return. And I can return to it with love. But to return seems like a waste. It is a waste I offer to God. On the other side is the great wilderness of silence in which, perhaps, I might never speak to anyone but God again, as long as I live.”

A few days later Merton wrote, “The landscape of St. Anne’s speaks the word ‘longanimity’: going on and on and on: and having nothing.”

Although the hunt for more solitude was a pattern in Merton’s life, the sense of “arrival” was palpable for him in rat-infested toolshed: “It seems to me that St. Anne’s is what I have been waiting for and looking for all my life and now I have stumbled into it quite by accident. Now for the first time, I am aware of what happens to a man who has really found his place in the scheme of things. With tremendous relief I have discovered that I no longer need to pretend. Because when you have not found what you are looking for, you pretend in your eagerness to have found it. You act as if you had found it. You spend your time telling yourself what you have found and yet do not want. I do not have to buy St. Anne’s. I do not have to sell myself to myself here. Everything that was ever real in me has come back to life in this doorway wide open to the sky! I no longer have to trample myself down, cut myself in half, throw part of me out the window, and keep pushing the rest of myself away. In the silence of St. Anne’s everything has come together in unity” (February 16, 1953).

Interestingly, some of these phrases about home and belonging Merton would continue to untangle, writing after lighting the first fire in the hermitage’s hearth in December 1960, “Haec requies mea in saeculum saeculi [This is my resting place forever] – the sense of a journey ended, of wandering at an end. The first time in my life I ever really felt I had come home and that my waiting and looking were ended.”

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Cassidy Hall and Brother Paul Quenon
The Inside of St. Anne’s Toolshed

Quotes from:

The Journals of Thomas Merton. A Search for Solitude: Pursuing the Monk’s True Life (Volume 3), 1952-1960

The Journals of Thomas Merton. Turning Toward the World: The Pivotal Years (Volume 4), 1960-1963

“My Lord God,
I have no idea where I am going.
I do not see the road ahead of me.
I cannot know for certain where it will end.
nor do I really know myself,
and the fact that I think I am following your will
does not mean that I am actually doing so.
But I believe that the desire to please you
does in fact please you.
And I hope I have that desire in all that I am doing.
I hope that I will never do anything apart from that desire.
And I know that if I do this you will lead me by the right road,
though I may know nothing about it.
Therefore will I trust you always though
I may seem to be lost and in the shadow of death.
I will not fear, for you are ever with me,
and you will never leave me to face my perils alone.”

— Thomas Merton, from Thoughts in Solitude

Cassidy Hall Intention, listening, reminders, social justice, solitude, Uncategorized

Yes Means Yes, A Sermon

This past Sunday I was asked to preach on antiracism. With the concept of antiracism being a new topic for some, I addressed its alignment with our willingness to say “Black Lives Matter.” The sermon was written and recorded with my white congregation in mind, and therefore, is a message from a white person to other white people pursuing and doing the work of racial justice.

The idea of antiracism means we do indeed see racism in the systems of oppression and in our lives, our newsfeed, even our own hearts. Antiracist work is a confrontation of ourselves and the world around us. It is work which seeks to heal because it is willing to begin seeing what is really happening.

Antiracist work is not comfortable. It requires a continual willingness to step into discomfort, lest we be complicit.

Yet, as white people in a world built for white comfort, we have a daily option to opt-out of the work of racial justice and antiracist living. This also means, it is a daily choice to opt-in–a daily decision to say “Yes” to the work of antiracism, “Yes” to “Black Lives Matter,” and “Yes” to the countless endeavors of racial justice in our midst.  

Student Pastor Cassidy Hall’s 9/13/2020 Sermon

You can view the full service here.

“I need a love that is troubled by injustice. A love that is provoked to anger when Black folks, includ­ing our children, lie dead in the streets. A love that has no tolerance for hate, no excuses for racist decisions, no content­ment in the status quo.” 

Austin Channing-Brown

“Anti-racism work is not self-improvement work for white people. It doesn’t end when white people feel better about what they’ve done. It ends when Black people are staying alive and they have their liberation.”

Rachel Elizabeth Cargle

“The opposite of racist isn’t ‘not racist.’ It is ‘anti-racist.’ What’s the difference? One endorses either the idea of a racial hierarchy as a racist, or racial equality as an anti-racist. One either believes problems are rooted in groups of people, as a racist, or locates the roots of problems in power and policies, as an anti-racist. One either allows racial inequities to persevere, as a racist, or confronts racial inequities, as an anti-racist. There is no in-between safe space of ‘not racist.”

Ibram X. Kendi, How to Be an Antiracist
Cassidy Hall Art, Creativity, Heart, social justice, solitude, Writing

A Prayer for White People (including myself)

For those afraid to begin for fear of being wrong and being corrected. “White feelings should never be held in higher regard than black lives.” (Rachel Cargle)

May we get over ourselves. May we see the value of being uncomfortable, the importance of trying and getting it wrong until we get it closer to right.

For those whose ignorance is debilitating humanity’s resolution. “it is hardly possible for anyone who thinks of himself as white to know what a black person is talking about at all.” (James Baldwin)

May we read, watch, listen, heed, and do our own work both individually and collectively.

For those who fear moving away from the comfort and safety of “being good.”

May we remember, there is always a place for “creative trouble” (Bayard Rustin), “Good trouble, necessary trouble” (John Lewis)

May we pivot into discomfort, lest we perpetuate the status quo.

May we recall that “There is no place in this war of liberation for nice white people who want to avoid taking sides and remain friends with both the racists and the Negro.” (James H. Cone)

For those so focused on their self-worth’s connectivity to black worth that we fail to do the work from the right intentions.

May we remember, “Anti-racism work is not self-improvement work for white people. It doesn’t end when white people feel better about what they’ve done. It ends when Black people are staying alive and they have their liberation.” (Rachel Cargle)

For those flailing so much that they’ve chosen to do nothing, without realizing the privilege of choice. “When liberal whites fail to understand how they can and/or do embody white supremacist values and beliefs… they cannot recognize the ways their actions support and affirm the very structure of racist domination and oppression that they wish to see eradicated.” (bell hooks)

May we stop flailing in the sea of to-dos and begin to be moved to change and step into risk––one task at a time.

For those who cannot see the work of justice in a riot.

May we see the truth of the fire and see both within and beyond it.

For those who cannot understand the rage.

May we awaken to the necessity of uprooting systems of oppression embedded in American society and our very lives.

May we recognize these systems and be against them, clearly and boldly.

May we know that disruption of a system which holds on to the status quo is necessary for these are the systems which refuse to “relinquish [their] oppressive ways without confrontation. This is the methodology of the oppressed as they are fighting for liberation.” (Pamela R. Lightsey).

May we remember that “to practice love is to disrupt the status quo which is masquerading as peace.” (Austin Channing Brown)

May we see and understand that “Oppressive systems must be exposed and deconstructed or dismantled (even in sacred texts), not simply recycled or cosmetically adjusted to palliate and opiate the oppressed and their allies.” (Mitzi J Smith)

May we see the distress, agony, and trauma of these systems which is perpetuated in our own white bodies, ways of being, and participation (see Resmaa Menakem’s book My Grandmother’s Hands).

For those claiming only silence or spending time in prayer is necessary for such a time as this.

May we heed the balance demanded of a truly contemplative life.

May we remember “All contemplation should be followed by action.” And that the wholeness of contemplation “MUST consist of both inward solitude and reflection, and an outward response to the situations in which we find ourselves present and awake.” (Therese Taylor-Stinson)

May we remember that the “altar of justice” clearly shows historically and biblically that “resistance was [and is] an action” of our faith. (Dean Leah Gunning Francis)

For those who think we can “set the timetable for another man’s freedom” (MLK, Jr.) No, just no.

“How much time do you want for your progress?” (James Baldwin)

May we heed the “fierce urgency of now” (MLK, Jr.) and recognize God in our fellow humans who are literally struggling to breathe in this. very. moment.

For those who still can’t get behind the phrase, “Black Lives Matter.”

May we remember “we don’t live in a world where all lives matter.” (Alicia Garza) Thus, we must elevate the lives deemed unworthy by a society we (as white people) perpetuate (whether unknowingly or not).

May we remember that “Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge.” (Toni Morrison)

May we wake up to see this truth in our everyday lives: our schools, our places of work, our streets, our parks, and our homes.

For those at home, unable to leave for health reasons of their own, another’s health, or unable to be on the streets for other reasons.

May we remember that there are countless  ways to show up.

May we recall that “Revolution is not a one-time event” (Audre Lorde) nor a one-place event. But may we also remember that for a revolution to take hold, it must seep into all avenues of our lives.

May we remember where we spend our money matters, our voice or writing matters, our work with our white friends, white children, and white family members matters.

May we learn to see by paying attention.

May we learn to understand by listening.

May we learn to change by doing our own work.

May we be true to both ourselves and our unique expressions while also being true to our human family.

May we participate in the revolution, a revolution that doesn’t need us but will define us.

Closing: “Spirit gets what Spirit wants, so we might as well listen.” (Lerita Coleman-Brown)

“Nobody’s free until everybody’s free.”

“Nobody’s free until everybody’s free.”

“Nobody’s free until everybody’s free.”

(Fannie Lou Hammer)

(Icon: Ferguson Mother of God: Our Lady against all Gun Violence, 2015 by Mark Dukes).

 

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Cassidy Hall Art, Creativity, friend, friendship, Heart, social justice, solitude, Uncategorized

Zoom Diaries: A Week’s Lesson in Finding Voice

Last week, I had the opportunity to be with a group of friends from all over the country. With each of us in a different state, we gathered at 9 in the morning until about 5 each night to discuss what it means to find our call, know our voice, and live into the creativity we were made for.

The key themes I took away can be narrowed into four main points: 1. Own your creativity, 2. The who is always more important than the what (people over things), 3. Language is limiting and can only be used as a tool, and 4. True belonging only exists where radical difference is embraced.

Own Your Creativity:

Times of chaos require the creative one in each of us—that unique creativity which only you or I can bring to a particular situation at a particular moment, when we choose to be true to ourselves. The beauty of our creativity being necessary in difficult times is that our uniqueness feeds one another—they inspire and change each other for something more beautiful, something more truthful, something more loving, something more whole.

There is a prophetic power to creativity which helps us see beyond panic. Today, our class had the opportunity to hear from artist and activist Genesis Be. And while we were discussing this prophetic power, she reminded us: “If we seek to be prophetic, it inherently diminishes the purity of our work…” In other words, if I enter into something so focused on outcome that I lose sight of the goodness and rightness of the work or invitation into the moment itself, then I am missing not only the purity of my creativity but also the truth of my own being.

I was immediately reminded of Thomas Merton’s words in Message to Poets: “A hope that rests on calculation has lost its innocence.” How do I maintain a sense of clarity within my creativity in a world filled with alerts, unsolicited feedback, and notifications? How do I surrender to the truthfulness of my own being and what I do (and sometimes don’t) have to offer?

Well. Don’t worry. Genesis Be had an answer for that, too, when she said that this reminder was a staple to her work:

“…Do your work, then step back.
The only path to serenity.”
―Lao-Tzu

We are creative beings. Each one of us. Nun and Pop Art Artist, Sister Corita Kent once wrote that creativity belongs to “the artist in each of us,” she went on, “To create means to relate. The root meaning of the word art is ‘to fit together’ and we all do this every day. Not all of us are painters but we are all artists. Each time we fit things together we are creating ––whether it is to make a loaf of bread, a child, a day.”

A part of creativity is simply being true to who and how we are. Ensuring that we are remembering the fact that being is more important than doing.

Language Has Limits:

Language is limiting. Anything in or of language is a social construct. Yet day after day we use words as meaning-makers, as markers, as navigational tools on this journey we find ourselves on. Today in class, theologian Barry Taylor told us, “we constantly try to arrest the transients of life,” we spend our time making meaning of that which we cannot contain. We’re so fearful of the moment slipping between our fingers that we try to dominate and control it with what we think will keep it still: words. But time still takes it from us. The hour still passes. The sun still sets. Our only certitude lives in utter finitude.

To truly be a person of becoming
To really be a person evolving
Is to be constantly grieving

Perhaps, as Barry suggested, we need to develop a new way to think about possible worlds we can inhabit: a post-alphabet way of speaking, a way that continually moves us: from doing to being, from thinking to existing, from destructing to creating. These new ways, or possible worlds only begin to get created when we take risks with our words (which often leads to poetry and prophesy), deep-dives into our imagination (which expands our creativity), and lean into accepting the transience of life.

The who is always more important than the What (people over things):

“A key question that emerges for me is who (as opposed to what) is left out of the conversations about liberation in our various contexts?” ––Rev. Dr. Emilie Townes

Today in class, the topic of intersectionality emerged. Intersectionality is the ways in which categories like race, class, gender, dis/ability, and sexuality merge, crossover, and coexist. We discussed what it means when someone is unwilling or unready to speak to an intersection and how that impacts the whole.

And I wonder, when I breathe truth and love into one of these aspects of life while dismissing another, am I really living into vision of unity I long for? If I belong to you and you to me, are not all your issues my own, are not all intersections of interest to me precisely because they are our common humanity?

What does it look like to live into loving, embracing, and being inclusive of the fullness of personhood which surrounds us?

Many of us (including myself) fail to speak up and out because lack clarity; most of us (including myself) fail to speak up and out because we lack understanding. But if my love for a human becomes less important than how I look or how something goes, I am missing the mark. And what if that voice of love is precisely what is vitally necessary to save a life, maybe even possibly, my own?

“There are moments that cry out to be fulfilled.
Like, telling someone you love them.
Or giving your money away, all of it.

Your heart is beating, isn’t it?
You’re not in chains, are you?
There is nothing more pathetic than caution
when headlong might save a life,
even, possibly, your own.”

––Mary Oliver, Moments

 

True Belonging coexists with Radical Difference: 

How do we live into our belonging while honoring radical difference? Revering radical difference demands that we deem our own difference as distinctive, important, a part of the whole of humanity and its possible unity. I must belong to myself and be at home within me so that I might be able to see, respect, and honor others. Belonging while honoring radical difference requires radical self-belonging. It requires security, clarity, and self-respect. Because that which most often has me pushing away radical difference is my own insecurity. There is a movement I must complete within myself before I can begin to complete it with my fellow human:

Being to Belonging.
Becoming to Beholding.

May we all feel fully free to move outside of ourselves, and yet choose the stillness of the work within (Shelley Rasmussen Pagitt).

I belong.
You belong.
We belong to each other.

“It is not our differences that divide us. It is our inability to recognize, accept, and celebrate those differences.”
––Audre Lorde, (Our Dead Behind Us: Poems)

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