Cassidy Hall Art, contemplation, Creativity, mysticism, pilgrim, podcast, Queer, social justice

Awakening Mysticism with the Scholarship of Three African American Women

In December of 2021, I successfully defended my MTS (Masters of Theological Studies) thesis from Christian Theological Seminary. The thesis, “Awakening Mysticism with the Scholarship of three African American Women,” featured the work of Dr. Joy R. Bostic, Therese Taylor-Stinson, and the Rev. Dr. Barbara A. Holmes.

The scholarship featured continues to influence and inform the ways I encounter contemplative life and mystical experience/expression. In the thesis I consider the ways social action/activism and mysticism intersect. A brief excerpt:

“At this point one might question what the mystic and the activist have in common. Is it possible social justice activism could be itself considered a marker of mystical encounter? While one could easily deem the mystic as innately religious (or spiritual) and the activist as innately active, where do these roles intersect, if at all? In response to this question, one might consider the historical ways in which both the mystic and the activist have sought to subvert empire, disrupt the status quo, and pursue the common good. Both the mystic and the activist pursue lives disentangled from institutions, lives which pursue communal well-being, that great marker of mysticism: charity, previously mentioned as a marker of mysticism’s authenticity. An additional voice in this conversation comes from German Theologian Dorothee Sölle whose words on mysticism could be interchanged with the work of the activist when she writes, “Mutual dependence is the fundamental model that mysticism has put in place of domination.”[1]

[1] Sölle, Silent Cry, 296.

Hard copies available here. PDF copies available soon. For more info or questions, email me and let’s chat!

Cassidy Hall new york city, pilgrim, social justice, Writing

Killing White Lies: Abraham Lincoln

I grew up nearby a street named Lincoln Way. This transcontinental highway runs all the way from Lincoln Park in California to Times Square in New York. And, it ran through the town I grew up in, giving me a kind of landmark for directions, much like I was taught to treat the street’s namesake when it came to history.  I grew up being told to admire Abraham Lincoln––the 16th president of the United States, a man of the Emancipation Proclamation (1863), one who fought for the Union and to end slavery… or did he? 

While it’s not surprising, our history books lied to us and Lincoln got it wrong.

Recently, I’ve been reading a number of books by theologian James H. Cone including Black Theology & Black Power, The Cross and The Lynching Tree, and God of the Oppressed. Struck by his words and my growing understanding of truth as clearly laid out before me, I couldn’t help but fumble around when I read about this “great” president. I’ve come to realize that when we see the history we’ve been told is a lie, it’s not only our responsibility to listen, learn it, and apologize; It’s our responsibility to not look away. This writing is my apology. This writing is my refusal to look away.

“There is no place in this war of liberation,” Cone writes in 1969, “for nice white people who want to avoid taking sides and remain friends with both the racists and the Negro.”

While reading Black Theology & Black Power, I came across Cone’s notes on Abraham Lincoln and the frequent lies told about him as a man who longed for the freedom of slaves. Cone writes, “Whatever may have been the motives of Abraham Lincoln and other white Americans for launching the war, it certainly was not on behalf of black people. Lincoln was clear on this:

“My paramount objective in this struggle is to save the Union, and is not either to save or destroy slavery. If I could save the Union without freeing any slave, I would do it; and if I could save it by freeing some and leaving others alone, I would also do that.” (Abraham Lincoln)

Cone goes on, “If that quotation still leaves his motives unclear, here is another one which should remove all doubts regarding his thoughts about black people:

“I will say then that I am not, nor have I ever been in favor of bringing about in any way the social and political equality of the black and white races––that I am not nor ever have been in favor of making voters or jurors of Negroes, nor of qualifying them to hold office, nor to intermarry with white people; and I will say in addition to this that there is a physical difference between the white and black races which I believe will forbid the two races living together on terms of social and political equality. And inasmuch as they cannot so live, while they do remain together, there must be the position of superior and interior, and I as much as any other man am in favor of having the superior position assigned to the white race.” (Abraham Lincoln)

With a whitewashed history, what does the future hold? Years from now, will the 45th president be portrayed with the light of racism and white supremacy under which he stands? Or will we––yes, we––continue to add layers and layers to the facts and perpetuate a world of hatred and injustice, a world comfortable enough for the nice white person who wants (and thinks under these severe circumstances that there is) progress without any conflict or discomfort?

“A man is free when he accepts the responsibility for his own acts and knows that they involve not merely himself but all men.” ––James H. Cone

If the truth no longer propels us to care, what will? If we can look upon the suffering of our fellow human and remain neutral because we are comfortable, we have lost our humanity. There is no time for neutrality when humans are suffering. Or as Cone says, “There is no time for talk when men are suffering.”

Cone’s words in Black Theology & Black Power were written 50 years ago this year. His preface contains his own newfound truths including a recognition and apology for the sexism within the book (both in his gendered language and leaving out the leadership notes and significance of black women) as well as a new clarity that “we need to develop a struggle for freedom that moves beyond race to include all oppressed peoples of the world,” in accordance with some of the lessons he heeded from Martin Luther King Jr. and Malcolm X.

Some may say, “The history books didn’t lie, they only didn’t share the whole truth.” Some may say, “Often times our imperfections are used for ultimate good and slaves were freed, weren’t they?” I, for one, refuse to bow my body or tip my cap to a man whose blatant racism was left out of history so that he might be elevated as some kind of white savior. Lincoln did not free slaves, he did not believe in the equality of our black brothers and sisters. To “free” a human from the labor and life of a slave in language yet to continue to treat them as less-than in any way is to keep slavery alive.

I am not a history expert. I claim no in-depth knowledge about slavery or presidential history. That being said, I do know my history books got it wrong. I do know there is a sitting president who is an undisguised racist and I do not want my nephews reading anything less than the truth in their history books. I do know that I am sorry for my ignorance. I do know we have a long, long, long way to go and we must bind ourselves together so that we can all stand on equal ground or we will continue to fall deeper alone.

And, some may say “How can the Republican party go from the 16th president of the United States to the blatant racism of the 45th president of the United States?” Relearning history makes it not only obvious but abundantly clear. Patterns are being repeated. History covers up racism, sexism, homophobia, islamophobia––by rewriting history through erasure, by perpetuating lies and therefore perpetuating hatred.

Next time I visit my hometown, I will remember the truth about the namesake of the street which runs through my town. The inevitable thought will make me consider just how many daily reminders we have of unabashed racism. The result will be a reminder to be louder against hatred, bolder against falsities, and clearer about the truth. Because I want my fellow human’s value in this world to be clear, known, and not just a pretty phrase. Because we can’t keep lying about our history. Because I want my nephews reading truth. Because I’m done being another nice neutral white face in the crowd.

“The liberal, then, is one who sees ‘both sides’ of the issue and shies away from ‘extremism’ in any form. He wants to change the heart of the racist without ceasing to be his friend; he wants progress without conflict. Therefore, when he sees blacks engaging in civil disobedience and demanding ‘Freedom Now,’ he is disturbed. Black people know who the enemy is, and they are forcing the liberal to take sides. But the liberal wants to be a friend, that is, enjoy all the rights and privileges pertaining to whiteness and also work for the ‘Negro.’ He wants change without risk, victory without blood.” ––James H. Cone

References:
Text from: Black Theology and Black Power by James H. Cone, 1969.
Cone’s references for Lincoln quotes:
First quote by Lincoln: “Reply to Horace Greeley,” 1862, in The American Tradition in Literature, Vol. 1; revised, S. Bradley, R.C. Beatty, and E.H. Long, eds. (New York: W. W. Norton, 1962), p. 1567.
Second quote by Lincoln: Quoted in Charles Silberman, Crisis in Black and White (New York: Random House, 1964), pp. 92-93.
(***Image from Audre Lorde’s Sister Outsider, “Scratching the Surface: Some Notes on Barriers to Women and Loving” 1978.)

 

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Cassidy Hall Art, Creativity, Heart, monastery, pilgrim, reminders, solitude

Love’s Undercurrent

Failing to feel is not something I’m accustomed to. You can catch me crying at the beauty of the world, laughing with overwhelming joy, weeping because of the kindness of strangers, smiling because I simply see the sky, shedding a tear over missing my nephews… The point is, letting myself feel is the way I know myself and the world more deeply.

But, the truth is, it’s frequently more for me. Often times, my commentary gets in the way of my actual feeling. My announcement that a stranger was kind can (doesn’t mean it necessarily does) diminish my deep embrace with the infinite undercurrent of love within the moment. Sometimes emotions get in the way of experience, encounter, and a genuine embrace. Sometimes my smile at the mountains is more important than my proclamation of love for them. Sometimes my silence with a thought is more potent than writing it down. Sometimes, my unknown tears are from a place that doesn’t need to be explained.

Many of us face complicated days—memories abound, thoughts stop us in our tracks, histories take over present moments, and we still try to drudge through it all to emerge loving towards ourselves and our fellow human. There’s nothing wrong with exploring feelings with words, it’s human nature to reach for a sense of understanding within language. But, sometimes, the most boundless moments demand our silence. Sometimes the piles of language we create give us even more to sift through.

There are emotions we believe we innately know. For instance, many of us have a kind of faith in love. We’ve felt it heal, hold, cleanse, grow. We know love, or at least like to think we do. We’ve also felt it go amiss, and seen it tilted on its side until it becomes both unrecognizable and no longer life-giving. When I consider the indistinguishable relationship between love and freedom, I realize how often naming the nameless or clothing the bodiless can leave all disguised. Layered upon by language and definitions, the encounter is lost, the unspoken nature of the wholeness is penetrated by words. While love’s undercurrent demands to be felt, love still can be subtle while not being defined, and certainly never aggressively explained.

It is solely in the mystery where love lives, despite the fact that humans have spent their existence naming it. Perhaps love is both a letting go and an opening up, an ever-widening circle capable of holding more and more of the lover and the beloved, in our vast array of human relationships. All too often it’s easier to let go and that can be done in a toxic nature, especially when we find ourselves protecting the ego. On the other hand, we may find ourselves letting go simply because the suffering cannot be held an longer. But without letting go and opening up, there’s room to grow. The rigidity of solely letting go becomes nothing but an end point.

“I live my life in widening circles that reach out across the world.” Rainer Maria Rilke

Love grows where there’s room for it.

A desperate clinging is the precise opposite of a unfurled “knowing” (not to say there is such a thing). Clinging dissolves freedom, which dissolves a core aspect of faith, hope, and love. Theologian Paul Tillich writes, “Sometimes I think it is my mission to bring faith to the faithless, and doubt to the faithful.” In other words an emptiness or language-less space of freedom must exist before something can begin to fit, make sense, give life.

We are all hurting people. And our openness cannot be mistaken for wholeness. Wholeness does not exist without openness, while openness doesn’t necessarily mean wholeness. In his book, A Hidden Wholeness, Parker J. Palmer writes, “But choosing wholeness, which sounds like a good thing, turns out to be risky business, making us vulnerable in ways we would prefer to avoid.” Because choosing wholeness takes us on an inward journey—a place of revisiting ourselves, our scars, our woundedness, our darknesses. This inward stroll through the interior museum is not for the faint of heart, but it is for the one seeking wholeness. For wholeness with openness, is a life that abounds in both freedom and love. It is a life whose unattached faith and hope cannot help but delight in the unknown.

“Things take the time they take,” writes poet Mary Oliver.

Hurrying mystery, disables it.

Prodding wonder, forces it to hide.

Coercing awe, makes it dissolve.

“Naming the nameless can leave all unrecognizable,” a monk of Snowmass Monastery once said to me.

And in his 1964 essay to poets, Thomas Merton writes,

“We are content if the flower comes first and the fruit afterwards, in due time.  Such is the poetic spirit. Let us obey life, and the Spirit of Life that calls us to be poets, and we shall harvest many new fruits for which the world hungers – fruits of hope that have never been seen before.  With these fruits we shall calm the resentments and the rage of man. Let us be proud that we are not witch doctors, only ordinary men. Let us be proud that we are not experts in anything. Let us be proud of the words that are given to us for nothing; not to teach anyone, not to confute anyone, not to prove anyone absurd, but to point beyond all objects into the silence where nothing can be said. We are not persuaders. We are the children of the Unknown. We are the ministers of silence that is needed to cure all victims of absurdity who lie dying of a contrived joy.  Let us then recognize ourselves for who we are: dervishes mad with secret therapeutic love which cannot be bought or sold, and which the politician fears more than violent revolution, for violence changes nothing.  But love changes everything. We are stronger than the bomb…”

Love grows where there’s room for it.

I, for one, will keep doing my best to make room, which is a lifelong engagement. For love is the most worthwhile gift on earth.

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Cassidy Hall Art, Creativity, Intention, listening, monastery, pilgrim, reminders, solitude, Writing

The Way of Love; The Way of the Outlaw

(Friends, this is from my lecture last night, 01/31/2019, at Christian Theological Seminary in Indianapolis for the Thomas Merton Course I am lucky enough to co-teach. I decided to focus on the concept of vocation and in the lecture had also included quotes and concepts from Mary Oliver, Simone Weil, and Elizabeth Gilbert. Hope you enjoy a portion of what I shared in essay form).

I’ve long held the belief that the contemplative way is a way of agony. There are no shortcuts from human pain—ours or those we love. And being that such a way of living is also a way to love the world more deeply, there is no escape from this depth of agony. While this dull ache cannot be ignored, it also cannot be one’s central focus, for any focus solely on the pain limits the work of love and minimizes the infinite possibilities each of us host.

Many of us don’t identify with the word contemplative, and even the word contemplative is messy. In The Inner Experience, Thomas Merton writes, “One of the strange laws of the contemplative life is that in it you do not sit down and solve problems: you bear with them until they somehow solve themselves.” To be a contemplative, therefore, is perhaps just another way of letting go, a way of being with the suffering, in the suffering, a way of showing solidarity––a special way of being present to the pain of and in the world.

That being said, it seems any vocation where one so fully gives themselves to loving others and the world more deeply is inevitably a vocation of agony. It is often a place of loneliness, aloneness, and an ache for the world to know love. On April 4 of 1962, Thomas Merton wrote to Abdul Aziz (a friend who propelled Merton’s interest in Sufism) saying,

“I believe my vocation is essentially that of a pilgrim and an exile in life, that I have no proper place in the world, but that for that reason I am in some sense to be the friend and brother of people everywhere, especially those who are exiles and pilgrims like myself.”

Nearly five years later, on April 3, 1967, the Rev. Dr. Martin Luther King, Jr. shared of his experience with vocational agony,

“And some of us who have already begun to break the silence of the night have found that the calling to speak is often a vocation of agony, but we must speak. We must speak with all the humility that is appropriate to our limited vision, but we must speak… Over the past two years, as I have moved to break the betrayal of my own silences and to speak from the burnings of my own heart.”

Thus, another pathway towards meeting the pain of the world is undoubtedly the way of the activist. In 1961, not long after his discharge from the Navy as a conscientious objector, a young Catholic Worker volunteer named Jim Forest first wrote to Thomas Merton. The correspondence began when Dorothy Day handed Jim a letter from Merton and asked him to respond. In the years that followed frequent letters were exchanged between Jim and Merton. In February of 1966, Merton wrote the young activist saying,

“Do not depend on the hope of results. When you are doing the sort of work you have taken on, essentially an apostolic work, you may have to face the fact that your work will be apparently worthless and even achieve no result at all, if not perhaps results opposite to what you expect. As you get used to this idea, you start more and more to concentrate not on the results but on the value, the rightness, the truth of the work itself. And there too a great deal has to be gone through, as gradually you struggle less and less for an idea and more and more for specific people. The range tends to narrow down, but it gets much more real. In the end, it is the reality of personal relationships that saves everything.”

The one whose vocation is love lives in a narrative that is controlled by reality. And it is within this reality that one meets the pain of the world. It can often feel like a lonely woundedness, a gaping ache, or a gnaw that is just simply ever-present. When speaking of loneliness and aloneness with a sister of Mount Saint Mary’s Abbey in Massachusetts, she shared how loneliness belongs to us all, to the most human of hearts,

“I think the loneliness strengthens you over time through whatever life brings about… it’s a loneliness that says ‘there’s space there for the whole world… there’s space there for the whole world.’”

This pain—for the contemplative, for the activist, for the contemplative-activist, for those of us in all vocations of loving humanity—is a pain that only deepens and widens with time. As we bear our own wounds and gaze lovingly at the scars and scabs of those we love, our compassion grows deeper still, our hearts break once again, and we move closer to the unending heart of God.

I’ve long believed that all of us are artists and all of us have the capacity to pursue this kind of vocation of loving in our individual ways. Sister Corita Kent once wrote,

“Creativity belongs to the artist in each of us. To create means to relate. The root meaning of the word art is ‘to fit together’ and we all do this every day. Not all of us are painters but we are all artists. Each time we fit things together we are creating ––whether it is to make a loaf of bread, a child, a day.”

And, Evelyn Underhill argued, “All artist are of necessity in some measure contemplatives.” … Finally, Thomas Merton reminds us, “To be a contemplative is therefore to be an outlaw…” 

 

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Cassidy Hall Art, friendship, pilgrim, podcast, reminders, solitude

The Tireless Pursuit of Peace

Looking up, I knew this was a moment to behold. Across the living room from me sat Jim Forest, laughing among friends while in Toronto for the first annual Voices For Peace conference. The 76-year-old peace-activist, author, storyteller, and lover of humanity was frozen in a moment of pure joy. I grabbed my camera to capture the glance of a life dedicated to peace, love, and a deeply rooted adoration of God.

Many know Jim by way of his friends: Thomas Merton, Dorothy Day, Dan Berrigan, Thich Nhat Hanh, and Henri Nouwen –– to name a few. But having spent a few days with Jim, it’s hard to not count yourself among the list. His humility and sincerity pointed time and time again to a new way of listening, truly seeing, and deeply caring for my fellow human.

Throughout the week I had the honor of sitting down with Jim for meals, conversations, and laughter. We arrived in Toronto amid the backdrop of the van massacre that killed ten people just a day prior. Diving head-first into a pre-planned peace conference felt like apostolic work in a city mourning such a tragedy, but questions kept pressing me. How is the accumulation of information truly accompanying my neighbor? How is knowing the immorality of the weapons economy disarming my nation? How am I really helping the kids in my life and the land I stand on to see another day?

“Who is a peacemaker?” Jim asked in his keynote address, “Anyone who is acting peaceably to protect life and the environment… Peacemakers are engaged in a war against war, with the goal not that war should be made less frequent or less murderous or more humane but that war should be eliminated. War should be made unthinkable. Otherwise all of us are losers. As Merton put it, ‘There is only one winner in war. The winner is war itself. Not truth, not justice, not liberty, not morality. These are the vanquished.’”

Jim was editor of the Catholic Worker and co-founder of the Catholic Peace Fellowship. He was arrested numerous times while protesting war and jailed for burning draft cards. He’s an award-winning author. But a list of achievements isn’t what Jim is about. His passion for peace is entirely rooted in relationship. His centeredness goes beyond those friends in the living room. Jim has created a lifetime around loving all people, enemies included:

“Love doesn’t exclude outrage. Love and outrage are sometimes as woven together as a strand of DNA. Dan’s [Berrigan] many acts of civil disobedience were animated by, as he put it ‘outraged love.’ For Dan ‘outrage’ was an adjective; the key word was ‘love.’ Love opens the way for conversion. But outrage without love is a blind alley.”

The days we live in are bleak and barren without love. Every news feed, each source of media, and conversations that surround us — are drenched in outrage untethered to love. Why is it that as soon as we can reconnect our outrage to love we see another headline that tears them apart again? “Fear is the great force that restrains us from acts of love,” Jim said in his second keynote address. “Fear is useful only when it serves as an alarm clock, a device that wakes us up by briefly ringing… When fear takes over, it tends to rob us creativity, resourcefulness, and freedom.”

As fear engulfs us, I wonder, are we debilitating ourselves from action that could better serve the world? The way of peace is as urgent as my next breath, and this is a literal statement for many, so why is it not for me? How can we navigate peace in the spirit of urgency? Is the response of a peacemaker not more important than the springboard of reaction born of urgency and conceived in the bowels of fear? How can I transform my fear-riddled flailing into a life of protest that is steeped in outrage and love?

“That’s the message we’re supposed to receive,” he told me, “’What you’re doing is a waste of time.’ But the truth of the matter is, it does make a difference. It doesn’t happen fast, and it sometimes doesn’t even happen in our lifetime. Sometimes it’s so slow, the iceberg is so big, so much of it is so hidden, so much of it is beneath the water line, watching it shrink is not easy for us. We live 60, 70, 80, even 90-100 years, but you know pick up a pebble on the beach, it’s 100s of millions of years old, it’s a different time scale.”

I was particularly struck by Jim’s tirelessness in these efforts of peace. At the age of 76, he’s flying six time-zones to share these messages with generations of activists. He’s zealously waking up to speak at a nearby church (Church of The Redeemer, Toronto) the day after offering two keynote addresses and countless interactions with strangers the day before. I quoted some of Jim’s own poignant words back to him amid asking for some advice for those of us navigating the ever present waters of activism today: “In your book, The Root of War is Fear, you said, ‘At the core of what is sane in our society I think you will find the pacifist movement, constantly reminding the populace that life is sacred, that justice–not vengeance–is our job.’ How would you advise the wearied activist among us today?”

“Shape your life on truth,” he told me, “live it as courageously as you can, as joyfully as you can. And count on God making some good use of it — what you do is not wasted. But you may not have the satisfaction of seeing the kind of results that you’re hoping for. Maybe you will, maybe you’ll be lucky but you can’t count on it.” 

Or, as his friend Thomas Merton once wrote to him in February of 1966:

“…Do not depend on the hope of results. When you are doing the sort of work you have taken on, essentially an apostolic work, you may have to face the fact that your work will be apparently worthless and even achieve no result at all, if not perhaps results opposite to what you expect. As you get used to this idea you start more and more to concentrate not on the results but on the value, the rightness, the truth of the work itself. And there too a great deal has to be gone through, as gradually you struggle less and less for an idea and more and more for specific people. The range tends to narrow down, but it gets much more real. In the end, as you yourself mention in passing, it is the reality of personal relationships that saves everything.”

JimAndCassidy
My friend, Jim. (Photo by Paul Pynkoski)

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Cassidy Hall Art, busy, Creativity, pilgrim, podcast, solitude, Writing

The Uncertainty of Silence

(This will be among the many essays featured in the forthcoming book Notes on Silence that I’m co-authoring with Patrick Shen which can be purchased here.)

“…I want to be with those who know secret things
or else alone…” Rainer Maria Rilke

I was around 8 years old when I began to have reoccurring dreams about death. With a rush of adrenaline, shocked and relieved to be alive, I’d wake up only remembering I was dead and floating in a white sky-scape of silence. I was alone, lost, and stagnant in limitless space and eternal time. This dream doesn’t sound grim to me anymore, but at 8 this nothingness had me sprinting to my parent’s bed. These dreams created in me a reverence for mystery and a deep longing to know the unknowable, to hold the ungraspable, and to forever chase what can never be met. 

We live in a world that loves to know. We like to intellectualize things, name people, describe experiences, and we covet our ability to share tangible evidence of these ungraspable things. Metaphors, on the other hand, hold meaning for the nameless. Metaphors help us to make sense of the unknowable things. We spend our lives clothing the many mysteries we encounter with metaphors which may not otherwise have any meaning. 

Defining is an interesting tool. It can be both harmful and helpful. We often use names to remain in control. We control our environment by regulating it, containing it, qualifying it. Most often names are used to define in order to make the definer feel more comfortable. Having a sense of knowing or grasping more creates comfort, and comfort makes us feel in control. Yet, I can’t help but contend that a controlled experience always takes us away from a mystical encounter. Holding creates an impossibility of beholding. And as a monk once told me, “Naming the nameless can leave all unrecognizable.”

Naming an encounter by way of our senses implies an unattainable certitude when really the elusive nature of mystery befalls all of our understanding. Silence is unnameable. To say something is or isn’t, to say something has a name or doesn’t, implies a dualistic nature. And in our desperate nature to cling, we are left time and time again barefaced before the mystery silence is. Only when we rid ourselves of this dualistic nature, we begin to see mystery for what it sincerely is. We begin to touch the bottomless depths of something hosting imponderable facets. 

 While working on In Pursuit of Silence, the topic of silence as a spiritual or religious practice came up on a regular basis. Silence is not necessarily spiritual or religious, and yet for some it may be entirely spiritual or religious. Silence is not a stranger to being likened to God in some fashion, yet similarly silence’s markings have been precisely that not of God, at least by concept. Silence holds the tension of absence and presence. Silence lives and breathes in the paradox of mysteries. Silence is infinite in its magnitude while remaining invariably naught. Silence is fully here and fully there, as much as it is nowhere and everywhere. But to create silence into being solely dualistic is to strip silence of its infinite possibility.  

Maggie Ross has named silence as salvation. Others, like Saint John of the Cross, have marred it with a place of darkness and despair. And yet, these implications don’t diminish the capacity of the thinker to associate such an absence, or presence, with silence as it relates to God or otherwise. And, this is the beauty of silence: it finds its way of understanding into each individual mind. 

“One might say I had decided to marry the silence of the forest. The sweet dark warmth of the whole world will have to be my wife…So perhaps I have an obligation to preserve the stillness, the silence, the poverty, the virginal point of pure nothingness which is at the center of all other loves.” Thomas Merton, Day of a Stranger 

For me, silence has been a place where I find the divine and I find myself. While my wariness of silence has been potent since my first meeting, I realize this is because of the depths of the unknown to which She has taken me. 

Silence is where I meet myself and my fellow human. 

Silence is where I see my darkest corners and my hidden faults. 

Silence is where I meet God. 

Silence is where I can grow and evolve. 

Silence is where I bathe in wonder.

Silence is where I listen. 

I often consider those reoccurring dreams first leading me to a lifelong love affair with the forever unrevealed. I consider the terrified 8 year old worrying her way through life, reaching for something always withheld. To be honest, not much has changed. My worry is now anxiety. My reaching is now a longing. Only now, I sit drenched in wonder as I tirelessly stretch out my arms towards the unknown. Now, I smile in awe as I untiringly attempt to package the mystery in language. 

Screen Shot 2018-02-11 at 1.12.29 PM.png
Here ends the book, but not the searching. The end of Thomas Merton’s “The Seven Storey Mountain”

 

 

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Cassidy Hall Art, busy, Creativity, goodbye, Intention, listening, monastery, pilgrim, reminders, solitude

When Letting Go Is Holding On

“My dishonesty with myself and others hinders the honesty of all humanity, hinders the progress of all people.” Journal entry on 2/12/12

In 2012 I made the decision to let go of some certainty in my life for the sake of exploring something unknown. I quit my job. I quit my salary-paying, insurance-giving job full of security and certainty so I could travel to the seventeen Cistercian monasteries of the United States. As someone who isn’t Catholic, this was a surprise to everyone I knew. I would say that this decision surprised me too, but as I went on doing what I was supposed to do each day, I only felt myself dying a million deaths. It doesn’t surprise me I took on such a drastic measure to keep on living.

So much of my life at the time was wrapped up in what other people thought of me and meeting the expectations meant sticking to the script. Quitting a secure job with a salary and benefits wasn’t just an unwelcome improvisation—it was dangerous one. And thrill seeking was absolutely not a part of those predictable characters’ make up.

Yes, I was open about my sexuality, but only quietly, only where I felt safe. Sure, I was open about my spirituality, but only to the degree that it blended in a room. Yes, I loved my job and the amazing people who crossed my path while working it, but it became mostly an uncomplicated way to pay the bills.

I thought I was “doing all the right things”, but as I did them, I couldn’t shake the nagging; the blatant certainty that there was more to this life and that it wasn’t reserved for the few, and that it might even extend to me. Fitting everywhere but belonging nowhere—it was no longer enough, and something inside me sensed my restlessness could only be calmed by letting go.

Quitting my job to pursue that which was pulling me from the center of my heart made me feel exhilarated in a way that I hadn’t experienced since the beginning of these piling expectations. The monasteries, their silence, their mystery, their unique provision of solitude felt like they could be an exception to the lack of belonging I sensed at every turn. As I gave more and more thought to this longing within me, the unknown abundance of mystery that was before me, a unique way of exploring my interior spaciousness, I knew I had to go.

And when I stepped inside these sacred places, overcome with a sense of belonging, I knew instantly I had not made a mistake. It was in these moments away that the focus sharpened and I could sense my place in the world more clearly. It was a space where the noise of any perceived audience’s approval or disapproval literally and metaphorically cleared from my life and I could hear the voice of my heart instead.

So, I poked my head into seventeen spaces bathed in prayer and talked with monks and nuns about silence, solitude and contemplative life. I didn’t realize until the pilgrimage began that part of this expression of my true-self was bound up in my existential and spiritual curiosity that had been a part of my meandering thoughts since childhood. We further explored topics related to social justice, the true-self, acedia, mental health, and community. My joy and curiosity could not be contained.

This strange pilgrimage was spurred on and then validated by Thomas Merton’s words in New Seeds of Contemplation, “Many poets are not poets for the same reason that many religious men are not saints: they never succeed in being themselves… They never become the man or the artist who is called for by all the circumstances of their individual lives. …They wear out their minds and bodies in a hopeless endeavor to have somebody else’s experiences or write somebody else’s poems.”

This idea of spending my life on the things that aren’t of me is something I have had to navigate in my own way. It’s a lesson that is never over once it is over. It certainly isn’t easy for me to be true to myself. I have to learn and then relearn nearly every single day.

I know, for example, that in my writing life there are many topics I’ve avoided for reasons I’d rather not admit. Reasons that ultimately declare the comfort of others and myself as more important than the truth and freedom of all humanity. Reasons that shun my inner spirit and remove dignity from my identity. I learned long ago on my pilgrimage that the danger in not being my true-self had a ripple-effect that was larger than just me. My self-expression, being true to who I was, affected other’s ability to do the same.  After all, we belong to each other. I knew then it was time for a change. It was time to let go of the world’s agenda for my life. And, it’s just as true now as it was then.

“Trust is very much about going beyond the guarantees; engaging into the future that is beyond what is known and seen.” A Monk of Mepkin Abbey

When I arrived home after nearly a half year on the road, I had no extreme revelations or clear-cut certainties to reveal. I only emerged with a new sense of listening to the heart of who I am and an openness to the silences and the stillnesses that speak into that true identity. I began to let go of those preconceived notions the world had seared into me for years, I began to let myself unfold and go off script. 

“I don’t want to stay folded anywhere,
because where I am folded, there I am a lie.” Rainer Maria Rilke

All of life is loving as much as it is a constant letting go. Sometimes that letting go is an initial step away from the noisy world into finding out more of who we are. And, sometimes this requires a grieving. A grieving of a narrative we’ve clung to or been told, or grieving a sense of certainty or ownership. But we cannot begin to meet ourselves without this letting go. We cannot begin to reunite with the wholeness of who we are until we strip ourselves of assumptions, predictions, and expectations. We cannot hold on until we truly let go.

“There is in us an instinct for newness, for renewal, for a liberation of creative power. We seek to awaken in ourselves a force which really changes our lives from within. And yet the same instinct tells us that this change is a recovery of that which is deepest, most original, most personal in ourselves. To be born again is not to become somebody else, but to become ourselves.” Thomas Merton, “Christian Humanism” in Love and Living

Cassidy Hall is a writer, photographer, filmmaker with a MA in Professional Counseling. Cassidy’s writing is featured on The Huffington Post, Patheos and her website, www.cassidyhall.com. You can find her on twitter @cassidyhall | instagram @casshall | and Facebook cassidyhall77

Cassidy’s forthcoming book, “Notes On Silence,” co-authored with Director Patrick Shen can be pre-ordered here.

Originally posted on The Sick Pilgrim Blog.

 

 

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Cassidy Hall Art, Creativity, Heart, Intention, listening, pilgrim, Writing

Creating From The Wound

I live in Los Angeles, the epicenter of self-defining artists. And, like most people in this city, I consider myself an artist. However, unlike most people living in Los Angeles — I believe we’re all artists in some form or another. I’m in constant awe of the way people create, perform, produce, and refine their skills. I see this in the visual arts, parenting, writing, cooking, teaching, care-taking, and most avenues of life.

In LA, I’m constantly bombarded with things that take me away from my ability to create — the time in traffic, the busyness of a day’s work, the notifications on my phone, the amount of people. Because of this, I try to hike a couple times a week. Hiking seems to be an activity where I process through things in my life — often to the point of talking aloud as strangers walk by me curious about my babbling. More often than not, it’s reworking a conversation and my place in it, sometimes it’s prayer, and other times it’s just a subconscious dialogue I’d yet to consider. This personal jukebox seems to flow most easily in a natural setting; the safety of nature guides me into letting it all out. This sense of safety is not only ingrained in our genetics but is also evident in our psychological interaction with uniting our bodies with the earth.

“We’ve learned over hundreds of thousands of years, that when the birds are singing, we’re safe. It’s only if they suddenly stop that you get a really bad feeling.” Julian Treasure of The Sound Agency via In Pursuit of Silence

While hiking the other day, I unknowingly lifted my right hand to the left side of my face, holding it ever so tenderly, like a lost lover would. I stopped, closed my eyes, and began to weep. After a few seconds of embracing this deep grief, I finally gathered myself enough to keep walking, continuing to cup my own face as if I wasn’t alone, as if I was someone’s beloved, as if she was with me. And, as these moments turn out, I was indeed alone, on a trail, walking by strangers as I held my own face. And just how many times have I found myself grazing my own hand, twisting my own rings, comforting myself? More often than I’d like to admit, but less often than I’d like to feel. 

This alienated agony we all face reminds me of the bottomlessness of my need to belong. A human need that we all know so well. That the depth of my longing is quite simply a part of my being, a part of how I was created, a part of my insatiable thirst for finally feeling home.

“…The normal way never leads home.” John O’Donohue

I’ve often considered one of the few certainties of our lives (as if there were any actual certainties in life) to be found in our relationships. Because, let’s face it, this woundedness demands a sense of tangible security. A security that no human ought to be made responsible to carry for us — both because it is beyond human possibility, and as we well know — the pain never dissipates. The cracks never fill. Belonging feels momentary. Home is never really found. It is eased, comforted, soothed — but it is the precisely the agony of these stirrings that call us to our work. And that is the artist’s response. That is the response of the creative that leans into her image as being made in the image of her creator. That is the moment where we become the artist and create our work. The work so deeply intertwined with eternity — the work that meets the infiniteness of our fellow humans because it comes from the infinite broken-heartedness of our own being.

“We all have wounds. We all are in so much pain. It’s precisely this feeling of loneliness that lurks behind all our successes, that feeling of uselessness that hides under all the praise, that feeling of meaninglessness even when people say we are fantastic—1that is what makes us sometimes grab onto people and expect from them an affection and love they cannot give.” — Henri Nouwen

Our hearts are bottomless pits that no human can fill. But, that is a gift. A gift that must be poured out in the creative work. A gift that requires constant courage and vulnerability of the self. The artist points to eternity because she creates from an eternal emptiness, woundedness, and ache.

These are the things that keep the artist alive. Tenderness. Intimacy. Love. Connection. Community. There are certainly times a friend’s touch can reignite us. There are moments a companion’s gaze can reinvigorate us. And there are seconds our own hand on our face might remind us that we do indeed belong, if only to ourselves. These are the moments that must be recalled time and time again so that we might stay afloat and keep creating.

“Poetry is the way we help give name to the nameless so it can be thought. The farthest external horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.” — Audre Lorde

“…But I believe that loneliness is something essential to human nature; it can only be covered over, it can never actually go away. Loneliness is a part of being human, because there is nothing in existence that can completely fulfill the needs of the human heart.” — Jean Vanier

This piece was originally posted on the Sick Pilgrim Blog.

 

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Cassidy Hall Art, busy, Creativity, Heart, listening, monastery, pilgrim, solitude, Uncategorized, Writing

“Cassidy Hall found silence in an Iowa monastery and brought her discoveries to a new documentary” Des Moines Register

“A cricket chirped in the monastery’s library. That and the swish of a turned page, Thomas Merton’s “New Seeds of Contemplation,” was about it for sound.

Cassidy Hall stopped on page 81. Merton did not write on the absence of sound on that page but the abyss of solitude in the soul: “You do not find it by traveling but by standing still.”

Hall scrambled to write it down, as if it was a new line she had overlooked while reading the book three years ago when the direction of her life changed, when she took off around the country to seek silence in her soul. She would, in fact, travel great distances to learn how to be still.

Hall, 31, quit her job as a therapist in Ames not long after reading the book. She called the New Melleray Abbey near Dubuque, where monks have lived in the Trappist monastery since 1849 in long periods of silence and contemplative prayer. She met Father Alberic Farbolin there and spent long periods talking with him about the infinite possibilities in stillness…”

Read the rest of The Des Moines Register feature article “Ames native goes on quest for silence” by Mike Kilen here.

Screen Shot 2017-04-05 at 9.21.16 AM
Photo by Rachel Mummey of The Des Moines Register

Cassidy Hall Art, busy, Creativity, Heart, Intention, listening, monastery, pilgrim, reminders, Uncategorized, Writing

Faith and Doubt in the Labyrinth

I am easily led to anxiety in unfamiliar situations. I don’t like to do things with other people, and though I recognize the necessity in community, I’d almost always prefer to go about my day on my own, for comfort’s sake. Like most of us, I like certainty. Like most of us, I realize life isn’t very certain.

While walking a labyrinth with a group of friends last week, I was brought to a place of holding this uncertainty in a new way. In our preparation to walk, we reminded one another that the walk is not a maze, and no matter how lost we may feel at any time, we aren’t lost at all — as long as we keep our eyes on the path under us. We read aloud, “there’s no wrong way to walk the labyrinth.”

My anxiety led me to jumping in the labyrinth as soon as I possibly could, keeping only a few things in mind from our previous discussion. I chose to walk in with my hands down, symbolically releasing all that was hindering and holding me back — the heaviness that has been insistently upon my mind and heart in recent times. And as I sauntered into the center I recalled the only other thing I retained from our discussion — that the 6th petal in the center represents the unknown, and I was darting for it because that’s all I did know.

“Fear of the unexplainable has not only impoverished our inner lives, but also diminished relations between people; these have been dragged, so to speak, from the river of infinite possibilities and stuck on the dry bank where nothing happens.”
–Rainer Maria Rilke, Letters to a Young Poet

…Read the rest of my guest post at The Sick Pilgrim Blog.